Listen: what this means is that in honor of Tim Curry and Dolly Parton we have to be gaudier and kinder than ever before. That’s what the world needs most of all. Get out there and be yourself.
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@theladyragnell
Listen: what this means is that in honor of Tim Curry and Dolly Parton we have to be gaudier and kinder than ever before. That’s what the world needs most of all. Get out there and be yourself.

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He finally escaped capitalism...
Fare thee well, Comrade Curry.
I Will Always Love You - Dolly Parton
Okay. I found photos of the Miss USA state costumes. Here we go.
Not only can I tell there’s just a gown under there, it kind of looks like the whole thing is made of crepe paper party decorations.
Giant Flower is, to be fair, a Miss Universe mainstay, but I hate the color choices. Why lime green???
This is so poorly constructed that it looks like it’s actively trying to fall off of her body as she walks.
I have said it and I will keep saying it: this is the competition where more is more. More sequins, more texture, more fabric, more layers, more trims. If you have left any blank canvas, anywhere, you are doing a bad job.
Sexy Sturgis Motorcycle Rally is pretty good. I’ll let you have this one.
Costume designed by Erté for Mary Nolan in the 1923 Ziegfeld Follies. The costume is wonderful but Erté’s sketch (third image) might be even better.

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Maja Andersen (American) - Diplodocus (risograph, 2020)
If you grew up watching ITV in the early 1980s, you likely remember a kind of “magic” that happened when a program ended early. Those awkward schedule gaps were filled with the sounds of Rondò Veneziano’s "La Serenissima,” the unofficial soundtrack to British "dead air" time.
PROJECT HAIL MARY 2026, dir. Phil Lord & Christopher Miller
he was so real for this. i really must
OP: Are you familiar with China’s silk fabrics?
Cnetizens: I know there are ling, luo, chou, duan.
OP: It's actually eight major categories, ling, luo, chou, duan, jin, xiao, sha and juan, and countless variations exist under them in history. (绫ling,罗luo,绸chou,缎duan,锦jin,绡xiao,纱sha, 绢juan) (cr珑师傅)
绫(líng): It adopts twill or modified twill weave. The fabric bears clear mountain-shaped diagonal lines, featuring light, soft texture and subtle luster. It was the designated fabric for officials’ daily uniforms in the Tang Dynasty. The varieties of Ling appearing in Tang dynasty — Pattern Square Ling, Fish-Mouth Ling, White Braided Ling, Water Wave Ling and Checkerboard Ling(方纹绫、鱼口绫、白编绫、水波绫、方棋绫) — were all recorded as imperial tributes in the Tang Dynasty.. After the Song Dynasty, it was mainly used for mounting calligraphy and paintings.
罗(luó) adopts a unique twisted warp weave. Intertwined warp threads create star-shaped holes, making it highly breathable, known as "the natural air conditioner of silks". Four-warp twisted luó demands 30 procedures. Weavers can only produce a few centimeters a day. Suzhou patterned luó is an intangible cultural heritage craft.
The fabric worn by ladies in Beauties with Flower Hairpins is luó. It is the top sheer silk fabric with outstanding transparency, yet extremely costly. Handwoven four-warp luó is priced above 10,000 RMB per meter, harder to get than an Hermès bag. What makes it expensive? Thirty elaborate steps. Threads are twisted manually, with only 5cm woven each day. It was royal exclusive. In the Zhou Dynasty, only emperors could wear it. Noble ladies in Tang and Song loved luó, including Yang Guifei. Covered with star-like holes, it is breathable yet not see-through, keeping you cool in summer.
绸(chóu): Simple interlacing, tightly woven like a fine sieve. A major category of silk, using plain or modified plain weave, referring to silks without the special structure of luó, líng or duàn. Medium weight, tight, smooth surface with soft luster, prone to creasing. Thin chóu for blouses and skirts. Thick chóu for coats and trousers, widely used as embroidery base fabric and decorative material.
缎(duàn): Long silk threads rest on the surface, creating a mirror-like glossy sheen. It adopts satin weave. One set of threads stretches across the surface with long floats, covering evenly distributed interlacing points.
锦(jǐn)/Brocade is the most sophisticated silk textile. Its weaving consumes massive time and raw materials, resulting in exorbitant costs. Constructed with multi-layer warp and weft threads, it forms patterns with colored silk yarns through figured weaving techniques. It boasts raised three-dimensional motifs and a dense, heavy texture, making it the most technically challenging type of silk. It feels substantial and stiff, featuring dazzling, luxurious luster, intricate elaborate patterns, strong wear resistance and great shape retention. Laws in the early Ming Dynasty strictly restricted commoners from wearing high-grade brocade, which was mainly supplied to the imperial court and officials. By the mid-to-late Ming Dynasty, the booming commodity economy fostered extravagant customs in the Jiangnan region(generally refers to the area south of the lower reaches of the Yangtze River in eastern China). Violations of dress codes became widespread. Numerous wealthy landowners, merchants and affluent commoners ignored the regulations and wore brocade, figured flower brocade and gold-thread brocade. In short, it was prohibited by law, yet wealthy civilians could acquire and wear such fabrics in practice.
绡(xiāo) took shape in the Shang and Zhou dynasties and flourished in the Tang Dynasty. Extremely thin like cicada wings, it became the iconic fabric for overgarments worn by noble women in Tang China. It adopts plain weave or modified plain weave, featuring low warp and weft density, few interlacing points and neat, clear mesh openings. Xiao is usually woven from raw silk, granting the fabric inherent stiffness and structure. Lightweight and translucent, it holds its shape well without sagging, with open, breathable pores. In ancient times, it was used for outer cover gowns. Today, it is made into wedding veils and sun protection blouses.
纱(shā) is matured in the Han Dynasty and remained popular from the Tang and Song dynasties through the Ming and Qing dynasties. It was widely used for summer court robes, official garments and noblewomen’s attire. Generally woven in plain weave with sparse warp and weft threads, the fabric features evenly distributed tiny openings. It represents the lightweight, thin and sheer category of silk. Extremely light and breathable, it feels soft and flowing with natural drape. In ancient times, it was used for veils and outer overgarments; today it is crafted into lightweight dresses and veils. They may look alike, yet Shā is soft and supple with little rigidity. By contrast, Xiāo is woven from raw silk, firm and shape-retaining, and does not sag easily.
绢(juàn) is one of China’s oldest silk fabrics and a vital carrier of cultural heritage. It served as the base material for many famous ancient paintings handed down through generations. Woven in plain weave, it features warp and weft threads of similar thickness arranged in neat, uniform intersections. The fabric boasts high density and a solid, stable structure. Varieties include plain juàn, dyed juàn, and juàn specially made for painting and calligraphy. It has a fine, smooth, firm texture and great durability. Soft against the skin, it balances suppleness and structural rigidity. Its applications cover painting and calligraphy, cultural relic restoration, and minimalist luxury apparel.
There is another fabric category not covered in this video.
绉(zhòu) (ancient name 縠hú) first appeared before the Qin Dynasty and matured in the Han Dynasty. In ancient times it was called hú. It is the earliest silk fabric made with highly twisted yarns. Mostly woven on a plain weave base. Yarns are tightly twisted in alternating directions. After degumming, the threads shrink and twist, forming natural fine ripples across the fabric. It features inherent subtle crinkles and soft matte luster. Elastic and breathable, it does not cling easily to skin. In ancient times, it was used for summer overgarments and scarves. Today it is made into blouses, dresses and silk shawls.
Banking this for future, “if I don’t get the exact type of silk used in X dynasty right-” writing

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Neo-Andean Architecture
Designed by Freddy Mamani
El Alto, Bolivia
I've been sitting on this pattern and tutorial for a while now! so time to finally share it with you! I was lamenting that the jellycat pip and sugar mice were long retired and difficult to get your hands on unless you are willing to pay much more than they retailed for each mouse, so i decided to try and eyeball a pattern and make some myself! they're not exact as i only used constructed visual references but they're close! please note that this pattern set is intended for personal use only. Rough tutorial under the cut!
I was thinking about this pattern again--there's nothing under the cut anymore, but the pattern is still useful!
Edit--whatever was keeping me from seeing the readmore has resolved
Look through any window, Paloma Salgado Díaz
Do you recognize this TV theme song? #795
I know this and can name the series
I know this but can't name the series
I might know this
I've never heard this
Series: The Chronicles of Narnia (1988-1990)
Composer: Geoffrey Burgon

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Reblog and put in the tags the story you’re currently working on (it can be an original story or a fan fic) and what it’s about.
I love my family.