hi, I'm Mel.

It is possible to find both sapphic SFF and M/M fantasy. It is significantly harder to find, say, aro urban fantasy. Or trans romantic suspense. Or intersex mystery.

A lot of the advice above only really works for trad published or popular books and for identities/subgenres/content that aren't too niche.

So here's some advice if the advice above isn't working for you (either because you can't find books with what you want or because the books you are finding don't end up being the vibe you want), from someone who reads a few hundred books a year:

Find websites or lists dedicated to the specific thing you are looking for. They will generally have more variety and will post you to examples that don't show up in regular rec lists. (ex: aro book recs, ace book recs, intersex #ownvoices database, sapphic books). Goodreads lists can (sometimes) also be your friend.

Get comfortable reading self-published and small press books. Trad publishing has its blind spots.

Check Reddit for recommendations

Start figuring out what it is specifically that you like and then start making your searches more specific. This can be subgenre (if you want urban fantasy, you're rarely going to find it just searching "fantasy"), tropes, plot devices, vibes, etc.

Look at the "readers also bought" on Goodreads/Amazon, similar books on Storygraph, etc. if you read a book you like. Even if you don't end up reading the one you click on, it can show you similar authors (similar to looking at the blurb on a cover), especially because far fewer books have blurbs now.

WOHOOO NEW POST

There are going to be days (or weeks, or months) where you sit down to write and feel... disconnected. From your voice, from your characters, from your ideas. Like the person who used to write your stories just packed up and left.

They didn't. They're just tired. Here's how to keep writing anyway:

Lower the bar (Until it's on the floor) You are not here to write something brilliant. You are here to write something. A paragraph. A sentence. A single line of dialogue. Movement matters way more than quality.

Write around the story Don't force it. If you can't write the scene, try: ⋆ A character ramble / journal entry ⋆ A conversation that won't be included in the final draft ⋆ A list of things the character would never admit out loud ⋆ A messy summary of what should happen Engage with the story from a different angle.

Borrow a voice until yours comes back No, not with AI. Read something that feels close to what you want to write, or watch a scene that captures the tone, then write immediately after. Not to copy, to reignite your instincts.

Write the emotion, not the plot. What is your character feeling in this moment? What are they afraid of? What do they want but won't say? What's being kept from them? The emotion leads, the plot catches up later.

Stop trying to "feel like a writer" first. You don't write when you feel like a writer. You feel like a writer because you write.