Beautiful and Terrible as the Cheesecake Factory

I am PRO-WOOL

I am PRO-LEATHER

I am PRO-BEES

Fuck the idea of replacing durable, sustainable animal products with cheap, flimsy plastic that doesn’t bio-degrade. Agave nectar and other artificial sweeteners are expensive, labor-intensive, and destroy the environment to be farmed.

Leather - one cow makes SO MUCH leather. One deer makes SO MUCH leather. Well-treated leather lasts almost FOREVER. Even animals with small skins like rabbits, a pair of well oiled rabbit leather gloves will last decades. Every animal usually made into leather is also a meat animal, so it’s more sustainable to get more than one product from a single ethically butchered animal (humane kills make less punctures in the hide!) Leather can be tanned with natural resources like brains and doesn’t require treatment with chemicals that seep into the groundwater!

Cotton: Cotton is a fucking plant, it burns. The growing and harvesting of cotton is rather water intensive but it IS possible to sustainably harvest and reuse the water spent in the cleaning process to reduce the ecological footprint of the crop. It burns clean, it cuts clean, it’s sturdy, and there are 1000 ways to weave it to change its properties.

How an outfit of an apprentice represents their teacher.

1. The girls' outfits look like they are meant for children who like to play in a garden, get dirty and are very active. It really shows how Qifrey views a proper childhood. They are shorter, made out of less fancy looking but probably more durable material.

Euini's outfit doesn't look very comfy, nor like it's meant for a child. It looks like he is supposed to be still, focus on study and represent Kukrow well among other witches in the Great Hall.

2. Qifrey's apprentices are not just little copies of him. Yes, he made sure that this familiar teacher-apprentice bond, that is so important to witches, is visible in their clothing. What's more, the blue capes not only reference Qifrey, but also other members of his "witch family" - Olruggio and Beldaruit. Still, they are not just small copies, his students are his own people.

And there was this one guy I talked with who seemed super sharp, but had virtually zero experience writing software. When it came time to do the show-n-tell part of the interview he whips out his laptop, brings up a website, and spins it around to show me what he made.

A website of tiny ceramic frogs.

Not for sale. Just… all these ceramic frogs, organized into categories. Frogs on bicycles, frogs with hats, frogs sitting on lily pads. It was a virtual museum of ceramic frogs in web form.

I scrolled through his online collection of frogs, slightly baffled.

“This is your website?” I asked finally.

“Yep!”

“You coded this yourself?” I popped into view-source mode and poked around some incredibly well-formatted, well-commented html. I nodded slowly. This guy was meticulous.

“Yep!”

“So… where’d all the frogs come from?”

“I made those too,” he says, beaming. 

And while I’m processing this he rummages in his bag and pulls out a little ceramic frog working at a computer terminal. He places it on the table before us, next to the laptop.

“And THIS one,” he says, “I made for you! As a thank you for the interview.”

It was adorable. I hired him on the spot. I mean, why not? Worst case he’d wash out in 90 days and we’d hire somebody else. He turned out to be one of the best developers on our team. 

And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.

So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years.  These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing.  They had a lot of knowledge, but – here’s the important bit – a lot of them didn’t share it.  It’s not just that they weren’t internet-savvy enough to share it, or didn’t have the time to write up tutorials – no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face.  Now, that’s a generalization – there were definitely some lovely and kind and helpful old-school costumers – but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasn’t much of a thing.  And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc.  NOT beginner friendly, is what I’m saying.

Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres.  What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female.  I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we weren’t inclined to deal with yet another one.  They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO.  If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone.  Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying – and succeeding with – materials that “serious” costumers would never have considered.   I was one of those costumers, but there were many more – I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing.  

I’m not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all.  I’m saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole.  That wasn’t necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didn’t share that info I could probably hang on to that edge for a year, or two, or three.  And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.

And it changed the face of costuming.  People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries.  And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud.  

So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesn’t that page just scream “I learned how to code on Geocities!”), and having it embraced as a springboard for newer and better things warms this fandom-old’s heart.  This is our legacy, and a legacy the current group of cosplayers is still creating, and it’s a good one.  

OP also invented armsocks.