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@theheightofdishonor
shoyo is both icarus and the sun

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A lot of criticism of delivery apps focuses on the fact that they offer convenience and variety, which I find much less compelling than criticizing the fact that the apps often send their contractors on fetch quests from Hell.
There are real labor problems here. Base pay is often insulting. Customer tips carry too much of the burden. Workers need better protections, more transparent algorithms, protection from arbitrary deactivation, and actual recourse when the app or a customer screws them over. Car-dependent delivery is also an environmental and infrastructural problem, though in a denser city I’d still be doing this work; I’d just be doing it by bike.
But when people talk about delivery work, I rarely see them talk to actual delivery workers. I see a lot of abstract arguments about convenience, consumer decadence, “hustle culture,” and internalized neoliberalism. Meanwhile, when I’m out working and waiting in restaurants for orders, the other Dashers I meet are usually people who only speak Spanish, people who read as neurodivergent, visibly physically disabled people, or some combination of the above.
I have not met this mythical Disco Elysium poor ultraliberal hustlegrinder-wannabe people seem to be arguing with. Maybe that archetype exists somewhere. If it exists among any kind of gig worker, it would probably be rideshare drivers. But most of what I see looks less like “rise and grind” and more like “this is one of the few forms of work available to people who need flexibility, low barriers to entry, limited managerial surveillance, or a way to work around language barriers, disability, burnout, chronic illnesses and injuries with symptoms that come and go unpredictably, caregiving, résumé gaps, or discrimination.”
That does not make the current system good. It means the current system is filling a real gap that a lot of supposedly better systems do not even acknowledge.
As a disabled person who is burnout-prone and demand-sensitive, contracting as a delivery driver has given me an unprecedented level of financial flexibility. I can work when I have capacity. I can stop when I’m deteriorating. I can build my day around my actual body instead of being trapped under a manager who thinks “reliable” means “able to perform the same way every day no matter what.” That matters. It does not cancel out the exploitation, but it is also not fake just because it is politically inconvenient.
And delivery itself is not some inherently decadent evil. Sometimes people live alone. Sometimes they are sick. Sometimes they are disabled, exhausted, overwhelmed, grieving, overloaded, or recovering from something else - perhaps the stress and fatigue induced by their own job. Sometimes they need medicine, groceries, or a meal that will actually unplug their sinuses instead of whatever generic community-care slop someone thinks they should be grateful for. Humans are allowed to need specificity. “Food” is not the same as “the food I can actually eat right now.”
A serious labor critique would ask how to make delivery work safer, better-paid, less tip-dependent, less car-dependent, less algorithmically punitive, and less precarious. It would ask what kinds of flexible, accessible work should exist for people who cannot thrive in conventional employment. It would ask how cities could support bike delivery, worker cooperatives, public infrastructure, and real protections without simply replacing one bad system with a moral sermon about how nobody should ever want takeout.
But a lot of the discourse does not do that. It treats convenience itself as suspicious. It treats wanting flexible work as false consciousness. It treats the needs of disabled people, immigrants, and other people who can't fit into traditional employment structures as details to be swept aside in favor of a cleaner political image.
I guess the opinions of delivery workers only count when they are politically convenient.
i drove for doordash when i needed extreme flexibility in my schedule to work around an apprenticeship i was doing at the time. it was also what i did in the times my mental health wasn't stable enough to hold down a "regular" job and i needed the option to just tap out and go home when i couldn't deal.
there were days where i made great money, and there were days where i ***lost*** money on gas or just barely broke even because of bad luck with tips. this is completely fucking unacceptable. on one of the worst days i did a nearly 100-mile round trip with a single bowl of pho for a grand total of like 10 dollars because i had declined too many orders in whatever arbitrary period and risked my account getting deactivated.
the concept of delivering as a gig job is a great fit for people who need flexibility. but the result is a machine that exploits some of the most vulnerable people out there with little to no protection. they don't pay an hourly wage, just a flat rate per delivery plus whatever tips. no compensation for gas mileage, either. think about that- a job that you can ***lose money*** by doing. some really evil shit.
In The Road to El Dorado there is only really one inexplicable thing within the plot. Miguel and Tulio plausibly bluff their way through or slip out of most situations. However, I’d never figured out why the volcano actually stops erupting when Tulio commands it.
The conclusion I finally came up with is that the actual gods were watching their big entrance go down, and thought “oh, this’ll be hilarious”
theres a lot of evidence throughout the movie to say that the armadillo (whose name is bibo) is a god.
they first find him in the jungle, where an armadillo has no business being
they find the entrance to the city, while being followed by him
he is present when the volcano starts to erupt (previous concept art also showed him in the background actually stopping the eruption)
miguel and tulio sucked ass at the ball game, so they used Bibo as a ball. He ricocheted himself all over the place and defied physics to get into the hoop every time
they come up with the flood plan to stop cortez when bibo pushed a glass over in front of them
YOUR TELLING ME THEY USED GOD AS A BASKETBALL?
Oooh jail, jail for 1000 years..
ONE DAY AT A TIME (2017 - 2020) *gifs do not do this scene justice, so here’s the video posted by @sunflowersrain
Happy Pride from Abuelita! 🏳️🌈
Source
Let’s go!

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A German regional court has ruled that Google is directly liable for the content of its AI search overviews. According to the court, previou
Let’s fucking go
This is HUGE.
1. The court holds Google responsible for statements made by its AI, considering them Google's statements (search engines have limited liability for results in their engine as they're the words of other sites/companies/people), meaning when their AI lies/hallucinates they're liable for the defamation/harm resulting from those statements.
2. Google's defense that customers are generally aware of the lack of reliability and are responsible for fact checking was dismissed. As the court pointed out, that would "significantly diminish" AI Search's stated purpose and it can't be distinguished from Google's business practices/statements as a search tool.
3. Studies have found about 91% of Google's everyday AI responses are accurate, leaving millions of searches per HOUR with potential liability for falsehoods. 56% of correct responses weren't supported by the sources the AI listed. Both of which mean Google is now liable for a LOT more AI "errors."
4. Google was held liable for 80% of court costs in this case and this precedent is expected to reverberate around the world. This is a massive shift from the 3rd-party search provider role Google has previously played and it comes right as they've tied ALL searches to their AI search.
TL;DR Google reeeeeally stepped in it this time.
5. If the words are Google's, this solidifies the position of universities who demand that all answers from AI are fully cited. If all the in-line citations now have to be (Google, 2026), that's going to make it obvious when someone's trying to use Google as a source. There's still the difficulty with people who are academically dishonest by trying to pass off the AI writing as their own. 6. 91% accuracy is officially too low to use as a source of references, which means the AI can't be used as a source of references either. This makes it less legitimate for such purposes than Wikipedia of all places (Wikipedia might need date/time proof of when it was accessed for the reference to be valid, but at least it is possible to prove the link existed at a particular date and time). 7. This will help encourage the rollout of courses on how to avoid AI search for students who need academic accuracy, because it's statistically not good enough to use. 8. This strengthens the case intellectual property authors have against Google in the EU, as this is proof that an intellectual property transfer took place.
i love clicking on somebody’s ao3 profile and seeing the most nonsensical collection of fandoms. like yess let's live a thousand lifetimes
"going out to get milk" is a common turn of phrase used to describe a man abandoning his family.
the "milkman" is a common figure in stories depicting a woman's infidelity and adulterous affair.
this implies that the ability to provide milk would both decrease the likelihood of a man abandoning his wife and children, as it would eliminate the need for leaving to get milk AND would secure that man's marriage, as his wife would have no need to seek milk from an extraneous source.
therefore, all men should produce milk, through various means such as:
- being a cow
- being an almond
- being a woman
- being a coconut
- being in the omegaverse
- being an oat
(list is exemplary and not finite)
in this essay, i will redefine the nuclear family and explain the seductive and inflammatory nature of the 1993 "Got Milk?" commercials.
you shut your mouth.
WORD OF HONOR | episode 2

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Tag Game: Misery Loves Company!
Thank you for the tag, @slonekaru ❤️
Suggested guidelines: share 1 to 3 moments that inflicted emotional damage!
The ending of Something in my Room. It’s the first series I watched that resulted in me hysterically sobbing afterwards to the point I had to call my brother to calm me down 🫣 The fact Phat had to live the rest of his life without Phob…when he’s an older man with cancer and he’s walking through his old house, telling Phob about the life the lived, how he’d lived his wife and kids but nothing and no one ever compared…I was a fucking mess. Then when Phob’s spirit is waiting for him because Phat’s now passed on…honestly, just even typing this has me tearing up remembering how upset I was 😂🫣 I love anything to do with ghosts but the sad thing is you often don’t get happy endings.
Dark Blue Kiss, when Pete throws the cup and it gets bashed. Even when I rewatch I’m always devastated. The thing is, I don’t even think Pete is in the wrong - he has every right to be upset that Kao’s been hiding Non from him. (Okay, I know Pete’s jealousy is extremely toxic, but Kao refuses to see Non as a danger regardless of what he’s doing and saying to Pete, and whilst he thought he was doing the right thing, he really wasn’t.) Like, the whole break up between Pete and Kao is horrible and I swear Kao’s (New’s) sad face will always devastate me.
This is a more recent one, but in Head 2 Head when Farm blows smoke in Van’s face. The whole time I’d been like “Van, you don’t deserve Farm at all,” but then that scene happened and something in me broke for Van. His face, his fucking face. Now, I know this might be because I’ve had abusive people do this to me, but the second that happened and (once again) the look on Van’s face, it was painful.
Gonna add a special shout out to: Love Me if You Swear (the pants 😭), anything and everything Khaotung has cried in, and Only Friends (what Top gets put through; I know we can all argue about him cheating, but coercive and gaslighting sex gives me “that’s assault” more than anything).
Tagging: @juniorpanachai @firstkanaphans @drowsinginspace @forcebookish @khaotunq and anyone else who would like to take part!
A Needlewoman (1876) by Pierre-Auguste Renoir
SEUNGMIN // HELLO STRANGER MV
And if I said Megamind is one of the few movies that understands Superman.
And if I said Megamind through its three subversions of Superman shows a deeper understanding that the point of Superman is that he was loved and taught to love by good, present parents, and because of that he is able to return that love to a world even if it doesn't always accept it, and he is not corrupted by his power, than many other films either subverting or playing the superman story straight.
Megamind has three Superman subversions. One is obviously Megamind himself. He was not raised loved by the world, but rather was loved by those hated by the world. Because he was still raised with love, he does care about other people, hence his character development. But because he didn't receive wider love growing up, his own is misplaced at first.
Metro Man was not loved growing up in a way that mattered. His adopted father was clearly very absent, and while we don't know much about his family, their relationship seems superficial. Because of this, his sense of duty to the world is also superficial, hence his boredom.
Hal wasn't raised with power. He gained it and was shown how to use it by a 'space dad' who only taught him power and not love. Hence, he sees it only as a grasping means to an end.
All three of these subversions, in their negative space, create the silhouette of the superhero that they are parodying. That silhouette is of a space child that came to earth and was cared for very deeply by the world, and taught love through his experience of love, and because of that holds fast to his duty to the world. Which is Superman.
Saving Face (2004) | dir. Alice Wu

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I think part of getting better is complete ego death. Like you’re not above setting a timer for 5 minutes and focusing on a task. You’re not above doing a very simple 3 minute workout to start. You’re not above reading for 10 minutes a day when you first get out of your reading slump, even if you used to read for hours. You’re not above starting slow and then building up to where you want to be/where you once were. What you are above is total inertia. Doing something really is better than doing nothing. Radically accept where you are, radically accept your limits, and go from there. Don’t let your ego get in the way.
if you will pardon a future lighting design major, i think the incredible thing about the lighting of hadestown is, sure, the use of practical lights etc, but i think the way most of the lighting storytelling is done with brilliance instead of color is so unique and so hard to achieve. and especially making hades' moments of power the brightest in the show because it is more important that he is an industrialist and a god of wealth than a god of the dead or a god of shades. and it also more clearly builds his power when he sings, BUT the shape of it--the way the lights are often pointed towards the audience--forces their involvement in the narrative. the world of the living IS colorful and does have color, but hadestown uses a lot of the same palette and so it HAS to rely on brightness to distinguish emotional moments, and it DOES. and i think obviously this is exemplified in the transition during wait for me, because the way the workers wield this small power over the movement of light onstage with swinging lamps and headlights, hadestown itself becomes exposed and shines directly at the audience. and i mean, it's brutal. there's no other way to describe it, it's made to blind you. i don't know how well you would understand how hades' manipulation of technology and industry helps him if the tech that goes into making the show itself didn't turn against the audience at times.