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Just two weeks after the monumental Metallica concert, we found ourselves once again at the Olympic Stadium of Athens (OAKA), this time for another legendary heavy metal event: Iron Maiden, with special guests Anthrax. Much like Metallica, Iron Maiden also chose Greece as the starting point of their European “Run For Your Lives” Tour, celebrating 50 years of the band’s incredible history. From early in the afternoon, thousands of Iron Maiden fans had already gathered outside the stadium. Everywhere you looked, you could see Maiden t-shirts, flags, battle jackets, and fans of all ages waiting patiently at the official merchandise stands to grab a souvenir from what promised to be a historic night. As the gates opened and the crowd slowly filled the stadium, the atmosphere became increasingly electric. You could immediately feel that this was not just another concert — it was a celebration of heavy metal culture itself. At exactly 19:00, Anthrax took the stage and kicked off the evening in explosive fashion. Scott Ian, Joey Belladonna, and the rest of the band delivered 45 minutes of pure American thrash metal energy, reminding everyone why Anthrax remain one of the legendary “Big Four” alongside Metallica, Slayer, and Megadeth. Songs like “Caught in a Mosh”, “Madhouse”, and especially “Indians” turned the arena into chaos, with circle pits and nonstop crowd participation throughout their set. The band themselves looked genuinely happy to be there, constantly interacting with the audience and clearly enjoying the warm welcome from the Greek crowd. After Anthrax finished their set, anticipation inside OAKA continued to build. More and more fans poured into the stadium, and by the time the lights dimmed for the headliners, the venue was packed with over 50,000 fans ready to witness Iron Maiden once again. At around 20:45, the familiar intro of “Doctor Doctor” by UFO echoed through the speakers — the unmistakable sign that Iron Maiden were about to take the stage. The entire stadium erupted immediately. Moments later, the lights went out completely and the giant LED wall came alive with dark animated alleyways in a graphic-novel style atmosphere that hinted at the “Killers” era. As “The Ides of March” began playing, the excitement reached another level before the band exploded onto the stage with “Murders in the Rue Morgue”. Absolute madness followed. From the very first song, Iron Maiden proved once again why they are considered one of the greatest live bands in music history. Bruce Dickinson was in outstanding form — energetic, theatrical, constantly moving across the stage, and vocally flawless. The entire band sounded incredibly tight, almost as if you were listening to the studio albums themselves. The production was spectacular. The massive LED wall visuals changed constantly depending on the song, creating a cinematic experience throughout the night. Every era of Maiden’s history came alive through animations, stage props, lighting, and of course the multiple appearances of Eddie, who thrilled the audience every single time he appeared on stage. Classics like “Wrathchild”, “Killers”, and “Phantom of the Opera” transported the audience back to the band’s early years, while “The Number of the Beast” sent the stadium into another frenzy. One particularly memorable moment came when Bruce Dickinson addressed the crowd and mentioned that they were about to play a song they had not performed live in many years. Most Greek fans instantly hoped for “Alexander the Great”, a song deeply connected with the Greek audience over the years. Instead, the band surprised everyone with “Infinite Dreams”, a rare and emotional inclusion in the setlist that delighted longtime fans. The momentum never slowed down. “Powerslave”, “2 Minutes to Midnight”, and the epic “Rime of the Ancient Mariner” showcased the band’s incredible ability to combine storytelling, musicianship, and theatrical presentation into one unforgettable experience. “The Trooper” was naturally one of the highlights of the night. Bruce Dickinson waved the iconic British flag across the stage while Eddie appeared dressed as a soldier, recreating one of the most legendary visual moments in heavy metal history. The main set closed with the timeless “Hallowed Be Thy Name” and “Iron Maiden”, but nobody truly believed the show was over. Iron Maiden and encores simply go together. After a short break, the sounds of warplanes and explosions filled the stadium while Winston Churchill’s historic speech introduced “Aces High”. The encore had begun, and the crowd responded with incredible energy once again. Then came one of the most emotional moments of the night: “Fear of the Dark”. From the very first notes, the entire stadium sang together in unison, creating goosebumps everywhere. It was one of those magical live moments that remind you why concerts like this are unforgettable. Finally, Iron Maiden closed the night with “Wasted Years”, a perfect ending to a concert that celebrated decades of heavy metal history. As the band took their final bows and “Always Look on the Bright Side of Life” played through the stadium speakers, thousands of smiling fans slowly made their way out of OAKA. What made the night even more special was the diversity of the audience. You could see fans in their 50s attending with their children, younger generations discovering Maiden live for the first time, and everyone united through the music. Iron Maiden once again proved that they are more than just a band — they are a living heavy metal institution. The “Run For Your Lives” Tour started in Athens in spectacular fashion, and everyone who attended this concert witnessed a truly unforgettable night. Μόνο Maiden!!!! Up the Irons! Anthrax Setlist – Athens 2026 Among the Living Madhouse Caught in a Mosh Metal Thrashing Mad I Am the Law Antisocial Got the Time Indians Iron Maiden Setlist – Run For Your Lives Tour 2026 Murders in the Rue Morgue Wrathchild Killers Phantom of the Opera The Number of the Beast Infinite Dreams Powerslave Two Minutes to Midnight Rime of the Ancient Mariner Run to the Hills Seventh Son of a Seventh Son The Trooper Hallowed Be Thy Name Iron Maiden Encore Aces High Fear of the Dark Wasted Years Read the full article

On Saturday, May 9, 2026, the Olympic Stadium of Athens transformed into a massive temple of heavy metal. More than 80,000 fans gathered at OAKA to witness a historic night with Metallica as part of their monumental M72 World Tour. For many of us, this was not just another concert. It was a return to our youth, an emotional journey through decades of memories, and a reminder of why Metallica remain the biggest metal band on the planet. Knocked Loose: An Explosive Opening Opening the night were Knocked Loose. For those experiencing them live for the first time, their performance served as a powerful introduction to the modern hardcore sound. With endless energy, intensity, and genuine passion, the Americans proved they enjoy every second they spend on stage. The only downside was the sound, which unfortunately did not allow the audience to fully experience the power and detail of their compositions. Even so, they succeeded in warming up the crowd perfectly for what was about to follow. Setlist – Knocked Loose - Blinding Faith - Don't Reach For Me - Mistakes Like Fractures - Piece By Piece - Moss Covers All - Take Me Home - Hive Mind - Suffocate - Counting Worms - Deep In The Willow - Everything Is Quiet Now Gojira: The Ultimate Force of Modern Metal After a short break, it was time for Gojira. The French giants once again proved why they are considered one of the most important modern metal bands in the world. We had already witnessed their incredible performance at Release Festival in the summer of 2025, where they delivered a stunning headline show. At OAKA, they appeared massive, technically flawless, and filled with intensity. Unfortunately, just like with Knocked Loose, the sound did not fully capture the magnitude of their performance. Still, those familiar with their music, especially fans standing in the arena, experienced a truly crushing live set. Setlist – Gojira - Born For One Thing - Backbone - Stranded - The Cell - Flying Whales - Love - Mea Culpa (Ah! Ça ira!) - Another World - Silvera - L' Enfant Sauvage - Amazonia And Then… Metallica Moments before Metallica appeared, the legendary “It's a Long Way to the Top (If You Wanna Rock 'n' Roll)” by AC/DC echoed through the stadium speakers. A symbolic message about the road to greatness — a road Metallica have traveled like very few artists in music history. Immediately afterward, Ennio Morricone’s iconic “The Ecstasy of Gold” filled the stadium, and everyone understood that the moment had finally arrived. Creeping Death and a Storm of Classics With the opening riff of “Creeping Death,” OAKA exploded. Without giving the audience a moment to breathe, “For Whom the Bell Tolls” followed, instantly placing the night among the most memorable live experiences Athens has ever hosted. The set balanced classic and newer material perfectly with tracks like “Moth Into Flame,” “King Nothing,” “Lux Æterna,” and the emotional “The Unforgiven,” which turned the entire stadium into one massive choir. “Fuel” raised the temperature once again before one of the most emotional moments of the evening arrived. The Greek Moment: Zorba and Trypes During the traditional “Kirk & Rob Doodle,” Kirk Hammett and Robert Trujillo paid tribute to Greece in a unique and unforgettable way. They began with the legendary theme from “Zorba the Greek,” receiving a deafening reaction from the crowd, before transitioning into “Δεν Χωράς Πουθενά” by Trypes, with Robert Trujillo singing in Greek. It was one of those rare moments that go beyond music and become a genuine connection between artists and audience. Emotional Peak “Fade to Black” brought chills throughout the stadium, especially for older fans who grew up with these songs. “Wherever I May Roam” followed with imposing force, while “Nothing Else Matters” transformed OAKA into a sea of lights from thousands of mobile phones. “Sad but True” reminded everyone why The Black Album remains one of the most important records in rock history. The Final Attack With “One” from ...And Justice for All, the audience witnessed yet another monumental moment. “Seek & Destroy” turned OAKA into an endless singalong, while “Master of Puppets” created absolute chaos and euphoria throughout the stadium. And of course, the finale came with the untouchable “Enter Sandman,” a song that continues to unite entire generations. Setlist – Metallica (Athens, May 9, 2026) - Creeping Death - For Whom the Bell Tolls - Moth Into Flame - King Nothing - Lux Æterna - The Unforgiven - Fuel - Kirk & Rob Doodle (Zorba the Greek / Δεν Χωράς Πουθενά) - Fade to Black - Wherever I May Roam - Nothing Else Matters - Sad but True - One - Seek & Destroy - Master of Puppets - Enter Sandman A Night That Went Beyond Music When the lights finally went down and the last notes disappeared into the Athenian sky, nobody wanted the night to end. Chants of “We want more!” echoed throughout the stadium, but Metallica had already delivered more than two hours of pure musical history. As tens of thousands of people slowly left OAKA, one feeling united everyone: gratitude. For some, it was their first time seeing Metallica live. For others, it was another precious reunion with the band that shaped their lives. But for all of us, regardless of age or gender, it was an experience that will remain unforgettable. And as we walked away from the stadium, one thought remained: Up the Irons. See you again at OAKA for Iron Maiden.   Read the full article

The Ladies of Metal Festival is not simply an event featuring women on stage and that might be its most important element. It doesn’t aim to present women in metal as a “special category,” but as what they already are: an active, creative and integral part of the modern scene. Day 3 at Temple Athens followed exactly that path. From newer acts to performances that showed what a well-built live presence really means: stage identity, confidence, and a genuine connection with the audience. Guiltera from Cyprus, a band formed in 2024, opened the night and from the very first moments it was clear that they know exactly how they want to present themselves. Despite being such a young act, they held their ground on stage, showing that they have already started shaping their identity. Vikki’s strong stage presence and distinct metal attitude did not go unnoticed, while the band as a whole delivered an energy that kept you engaged throughout the set. There were moments where that natural nervousness of a newer live act showed, but it came together with drive, intensity, and a clear intention to own the stage. Musically, they move within a modern hard rock / alternative metal sound, enriched with progressive and melodic elements. Songs that carry rhythm and translate well live. Standout moments included their recent single “Fight,” released just ten days before the show, which came across with a different intensity on stage, as well as “Far Away,” where the band felt tighter and more confident. They continued with tracks like “Left Behind,” “They,” “You Learn,” “Human” and “Undone,” maintaining a steady flow without losing energy neither on stage nor from the audience, who responded strongly. Guiltera achieved exactly what an opening act should: they won over the crowd and set the tone for the night, showing clear potential and room to grow. Setlist • Left Behind • Fight • They • You Learn • Human • Undone • Far Away The night then shifted direction, moving into more symphonic metal structures, darker atmospheres, and a more theatrical aesthetic. Athens-based Mystfall, led by Marialena on vocals, a singer with a strong classical and operatic background, established their identity from the very beginning. The setlist moved between “Celestial Vision” and their latest album “Embers of a Dying World” (March 2026), featuring tracks such as “Centuries,” “Moral Compass,” “Whispers in the Tempest” and “Kings of Utopia.” It became clear that this is a band that doesn’t simply rely on its existing material, but moves forward with a defined direction, a new release, and most importantly its own audience following along. It was a performance built on atmosphere and emotional intensity, with Marialena’s delivery and the band’s overall presence pulling you into their world. The only element that didn’t fully work in their favor was the sound at certain points, which didn’t do full justice to the vocalist’s capabilities. Setlist • Intro • Celestial Vision • Centuries • Moral Compass • Silence • Whispers in the Tempest • Sleeper in the Abyss • Kings of Utopia • Freedom Path Symfobia from Slovakia were clearly one of the standout performances of the night. They stepped on stage with confidence and from the very first moments showed that they know exactly how to build a live show. Hana on vocals and Alica on bass held the stage with a natural presence that doesn’t come easily, while the band as a whole had that kind of chemistry that pulls you in without even realizing it. Tracks like “Bury It,” “Smog of Tomorrow” and “Dragon” highlighted a band that blends theatrical elements, melody and energy without ever losing its metal core. Symfobia didn’t just come on stage to perform material from Smog of Tomorrow or their latest single “Liar” (2025). They came to deliver a show. The most interesting moment came with the presentation of unreleased material. With “Addict In Me” and “Gone For Good,” they offered a first glimpse of what’s coming next, making it clear that they are preparing a strong return to the metal scene. According to their management, the new album is currently being recorded and, if everything goes according to plan, is expected to be released towards the end of 2026. Setlist • Addict In Me • Bury It • Sun, Redeem Me • Smog of Tomorrow • Karma • Gone For Good • Broke Your Pride • Liar • Dragon And then Kosmogonia took the stage. This wasn’t just a live performance. It was a ritual. Their sound moves between folk, symphonic and melodic death metal, but what truly remains is the feeling - the way they build the space and pull you into it. The magical flute, the keyboards, the heavy guitar sound, and the vocal interplay between Kostas’ death vocals and Dimitra’s melodic voice created an experience that placed you between two worlds: the mortal and the divine. Somewhere between light and darkness, balancing between the human and the mythical. And that’s no coincidence. Their setlist reflected exactly that, moving between “Enthrone The Gods” and their more recent album “Aella” (2025), with tracks like “Raven’s Call,” “Melody of Persephone,” “Hold Me,” “Eimarmeni – The Fate” and “The Oracle.” The contrasts weren’t just aesthetic. They were essential. They gave depth. Kosmogonia closed the night by transforming the stage into something ritualistic. They stood out not only for their musical precision, but for their ability to merge seemingly opposing elements into a world of their own. And most importantly? It’s not a world you simply observe. It’s one you want to belong to. Setlist • Prologue – The Gods Are Near • Raven’s Call • Melody of Persephone • Hold Me • Eimarmeni – The Fate • Elixir • Enthrone The Gods • The Oracle Full Photo Report – Ladies of Metal Festival 2026 (Day 3)Captured live at Temple Athens. Read the full article

The Ladies of Metal Festival is not simply an event featuring women on stage and that might be its most important element. It doesn’t aim to present women in metal as a “special category,” but as what they already are: an active, creative and integral part of the modern scene. Day 3 at Temple Athens followed exactly that path. From newer acts to performances that showed what a well-built live presence really means: stage identity, confidence, and a genuine connection with the audience. Guiltera from Cyprus, a band formed in 2024, opened the night and from the very first moments it was clear that they know exactly how they want to present themselves. Despite being such a young act, they held their ground on stage, showing that they have already started shaping their identity. Vikki’s strong stage presence and distinct metal attitude did not go unnoticed, while the band as a whole delivered an energy that kept you engaged throughout the set. There were moments where that natural nervousness of a newer live act showed, but it came together with drive, intensity, and a clear intention to own the stage. Musically, they move within a modern hard rock / alternative metal sound, enriched with progressive and melodic elements. Songs that carry rhythm and translate well live. Standout moments included their recent single “Fight,” released just ten days before the show, which came across with a different intensity on stage, as well as “Far Away,” where the band felt tighter and more confident. They continued with tracks like “Left Behind,” “They,” “You Learn,” “Human” and “Undone,” maintaining a steady flow without losing energy neither on stage nor from the audience, who responded strongly. Guiltera achieved exactly what an opening act should: they won over the crowd and set the tone for the night, showing clear potential and room to grow. Setlist • Here It Is • Left Behind • Fight • They • You Learn • Human • Undone • Far Away The night then shifted direction, moving into more symphonic metal structures, darker atmospheres, and a more theatrical aesthetic. Athens-based Mystfall, led by Marialena on vocals, a singer with a strong classical and operatic background, established their identity from the very beginning. The setlist moved between “Celestial Vision” and their latest album “Embers of a Dying World” (March 2026), featuring tracks such as “Centuries,” “Moral Compass,” “Whispers in the Tempest” and “Kings of Utopia.” It became clear that this is a band that doesn’t simply rely on its existing material, but moves forward with a defined direction, a new release, and most importantly its own audience following along. It was a performance built on atmosphere and emotional intensity, with Marialena’s delivery and the band’s overall presence pulling you into their world. The only element that didn’t fully work in their favor was the sound at certain points, which didn’t do full justice to the vocalist’s capabilities. Setlist • Intro • Celestial Vision • Centuries • Moral Compass • Silence • Whispers in the Tempest • Sleeper in the Abyss • Kings of Utopia • Freedom Path Symfobia from Slovakia were clearly one of the standout performances of the night. They stepped on stage with confidence and from the very first moments showed that they know exactly how to build a live show. Hana on vocals and Alica on bass held the stage with a natural presence that doesn’t come easily, while the band as a whole had that kind of chemistry that pulls you in without even realizing it. Tracks like “Bury It,” “Smog of Tomorrow” and “Dragon” highlighted a band that blends theatrical elements, melody and energy without ever losing its metal core. Symfobia didn’t just come on stage to perform material from Smog of Tomorrow or their latest single “Liar” (2025). They came to deliver a show. The most interesting moment came with the presentation of unreleased material. With “Addict In Me” and “Gone For Good,” they offered a first glimpse of what’s coming next, making it clear that they are preparing a strong return to the metal scene. According to their management, the new album is currently being recorded and, if everything goes according to plan, is expected to be released towards the end of 2026. Setlist • Addict In Me • Bury It • Sun, Redeem Me • Smog of Tomorrow • Karma • Gone For Good • Broke Your Pride • Liar • Dragon And then Kosmogonia took the stage. This wasn’t just a live performance. It was a ritual. Their sound moves between folk, symphonic and melodic death metal, but what truly remains is the feeling - the way they build the space and pull you into it. The magical flute, the keyboards, the heavy guitar sound, and the vocal interplay between Kostas’ death vocals and Dimitra’s melodic voice created an experience that placed you between two worlds: the mortal and the divine. Somewhere between light and darkness, balancing between the human and the mythical. And that’s no coincidence. Their setlist reflected exactly that, moving between “Enthrone The Gods” and their more recent album “Aella” (2025), with tracks like “Raven’s Call,” “Melody of Persephone,” “Hold Me,” “Eimarmeni – The Fate” and “The Oracle.” The contrasts weren’t just aesthetic. They were essential. They gave depth. Kosmogonia closed the night by transforming the stage into something ritualistic. They stood out not only for their musical precision, but for their ability to merge seemingly opposing elements into a world of their own. And most importantly? It’s not a world you simply observe. It’s one you want to belong to. Setlist • Prologue – The Gods Are Near • Raven’s Call • Melody of Persephone • Hold Me • Eimarmeni – The Fate • Elixir • Enthrone The Gods • The Oracle Full Photo Report – Ladies of Metal Festival 2026 (Day 3)Captured live at Temple Athens. Read the full article

Athens has hosted countless live shows over the years, but some nights manage to stand out—not because of scale, but because of impact. The debut of Imminence in Greece was one of those rare occasions where everything aligned: the crowd, the sound, the atmosphere, and the emotion. What unfolded at Floyd Live Music Venue was not just a concert—it was a fully immersive experience that resonated long after the final note. From early evening, there was a clear sense that something special was about to happen. Fans gathered outside the venue with anticipation, creating that familiar pre-show energy that only truly dedicated audiences bring. As the doors opened, the space quickly filled, setting the tone for a night defined by connection and intensity. A Strong Opening – Spineless Set the Tone The night began with Spineless, and from the first moments, it was evident that they were more than just a support act. Their performance carried a distinct identity—dark, atmospheric, and emotionally driven. Drawing from their Dysphonia era, they delivered a set that blended heavy elements with electronic textures, creating a layered and immersive soundscape. Their stage presence felt confident and intentional, pulling the audience into their world rather than simply performing in front of them. The transitions between tracks were seamless, maintaining a steady emotional flow that kept the crowd engaged throughout. Spineless didn’t just open the show, they built the foundation for what was to come. The Arrival of Imminence As the lights dimmed and the intro began, the energy in the room shifted instantly. Imminence stepped on stage with confidence and presence, and from the very first note, they took full control of the atmosphere. Their opening sequence was nothing short of powerful: - Temptation - Desolation - Heaven Shall Burn - Beyond the Pale Right from the start, the band established their signature identity, an intense fusion of metalcore aggression and cinematic violin melodies. The balance between these elements was executed flawlessly, creating a sound that felt both raw and refined. A Set Built on Emotion and Power As the performance progressed, Imminence delivered a carefully structured set that maintained momentum while exploring different emotional layers. Each track felt purposeful, contributing to a larger narrative rather than existing as isolated moments. Athens Setlist - Erase - Death by a Thousand Cuts - Ghost - Infectious - Come What May - L'appel du Vide - Continuum - Death Shall Have No Dominion Encore - The black What made the performance stand out was its dynamic nature. The band moved effortlessly between crushing breakdowns and delicate melodic passages, often driven by the haunting presence of the violin, a defining element of their sound. The Crowd – A Key Part of the Experience Athens delivered exactly what a band like Imminence deserves: a passionate, fully engaged audience. From the front rows to the back of Floyd Live Music Venue, the crowd was locked in—singing along, reacting to every shift in energy, and creating a collective atmosphere that elevated the entire show. There was a constant exchange between band and audience, a sense that the performance was being built together in real time. Moments of intensity were matched by moments of reflection, and the emotional connection never dropped. Beyond the music itself, the production played a crucial role in shaping the experience. The lighting design complemented the band’s aesthetic perfectly—dark, cinematic, and immersive. Each visual element enhanced the emotional tone of the songs, creating a cohesive environment that pulled the audience deeper into the performance. Being there felt like witnessing something more than just a debut show—it felt like the beginning of a strong connection between Imminence and the Greek audience. The band delivered with precision, emotion, and authenticity. The crowd responded with energy and passion. And the experience at Floyd Live Music Venue proved once again that Athens remains a powerful stop for international acts. It was one of those nights that remind you why live music matters. Athens showed up. The bands delivered. And this is only the beginning. A few words for the band. Imminence are not just another metalcore act—they’re a band that has carved out a completely distinct identity within the modern heavy scene. Originating from Sweden, they fuse post-hardcore and metalcore foundations with orchestral, almost cinematic elements, driven by the signature violin of frontman Eddie Berg. What sets them apart is their ability to balance extremes. On one side, you have crushing riffs, breakdowns, and raw intensity. On the other, deeply melodic passages, ambient textures, and emotional vulnerability. The violin isn’t a gimmick—it’s central to their sound, adding a haunting layer that elevates their music beyond typical genre boundaries. Lyrically and aesthetically, Imminence lean into themes of inner struggle, isolation, and self-reflection, which resonate strongly with their audience. This emotional depth, combined with their sonic heaviness, creates a powerful connection—both on record and especially in a live setting. They’ve built a reputation as a band that delivers more than just songs—they deliver an atmosphere. Dark, immersive, and emotionally charged, their music feels like a journey rather than a collection of tracks. In today’s heavy music landscape, Imminence stand out as a band that successfully bridges brutality and beauty—making them one of the most unique and compelling acts of their generation. Read the full article

The Ladies of Metal Festival returns in 2026, more explosive, more ambitious, and more powerful than ever! Angels PR Worldwide Music Promotion proudly announces the fifth edition of the iconic female-fronted metal festival, which once again will host some of the most distinctive and important acts from the Greek — and beyond — metal scene. On April 23–24–25, the stage of Temple Athens will be filled with strength, energy and unstoppable passion, presenting live: SHATTERHEART (Sweden) SYMFOBIA (Slovakia) GUILTERA (Cyprus) BENDIDA (Bulgaria) KOSMOGONIA NOMOS DISILLUSIVE PLAY MYSTFALL ILLUSIVE MIRRORS GROTESCO KARMA NEGATIVE CONTRAST VENUS EFFECT INFECTED MINDS And this is only the beginning. The Ladies of Metal Festival continues to grow and evolve, and this year it spreads its wings beyond the borders of Athens, traveling to new cities and countries and carrying its message even further. More information about the next stops, venues, dates and participating bands will be announced soon. Stay tuned — 2026 will hit hard! Event Information Dates: April 23–24–25, 2026 Venue: Temple Athens Address: 17 Iakhou Street, Athens Doors Open: 19:30 Tickets (per day) Presale: €12 Door: €15 Presale via: https://cometogether.live/en/event/4475 Facebook Event https://www.facebook.com/events/883117420771780 Video Spot https://www.youtube.com/watch?v=uQNWeL7ip2M Read the full article

  The engines of Obscurus Rex have revved up, but they want even more! As the band prepares, following their debut EP “Stand Up and Be Counted”, to deliver their first full-length album, they return to the stage to unleash their unique blend of heavy metal, pushing their amplifiers to the limit. On Sunday, March 22, at Route06 (formerly Lazy), they will once again prove themselves to the Athens audience — but they won’t be alone, as two fellow travelers on the metal road will join them. Social Scream come from Sparta and have been spreading heavy metal since 2008! With an unstoppable presence that already counts five studio albums, and a sixth one on the way, they guarantee decibel levels well above the permitted limits! Entropy Devine, active since 2015, perform melodic metal while effortlessly balancing — thanks to their decade of experience in the demanding metal scene — between power, epic and progressive metal, as they complete their first album… and they are here to stay! Route06 (formerly Lazy) 1 Pentelis Avenue, Vrilissia Doors Open: 20:00 Damage: 12.5€ Reservations: +30 6971598175 obscurusrex.com obscurusrex.bandcamp.com youtube.com/@Obscurus_Rex facebook.com/obscurusrex twitter.com/Obscurus_Rex instagram.com/obscurus_rex Read the full article

Three new heavy releases arrive through Arising Empire, with Vicious Rain, Lionheart, and Lost In Hollywood unveiling fresh material and offering a glimpse of what’s coming next for each band. Vicious Rain unveil new single and announce upcoming album Swiss metalcore outfit Vicious Rain return with their brand-new single “Silent Therapy”, continuing the build-up toward their forthcoming album The Anatomy of Surviving, which is scheduled for release on March 13, 2026 via Arising Empire. Stream and pre-order: https://arisingempire.com/viciousrain The track follows the strong reception of previous singles “IKIGAI” and “Spitting Blood Again”, both of which helped establish the band as one of the most promising modern heavy acts emerging from Europe. With “Silent Therapy”, the band dives even deeper into their emotional and sonic landscape while officially opening the pre-orders for the upcoming record. According to the band, The Anatomy of Surviving will be their most personal and dynamic work so far, exploring themes of struggle, resilience, and emotional endurance that resonate with both the band and their expanding international audience. From the spiritual drive of “IKIGAI” to the raw aggression of “Spitting Blood Again” and the darker atmosphere of “Silent Therapy”, Vicious Rain continue to refine their identity — intense, emotional, and uncompromising. Lionheart feat. A Day To Remember – “Death Grip” Oakland hardcore heavyweights Lionheart have unleashed their latest single “Death Grip”, taken from their upcoming album Valley of Death II. Stream here: https://arisingempire.com/lionheart The track hits with crushing riffs, massive grooves, and a standout guest appearance from Kevin Skaff of A Day To Remember, delivering the raw intensity that fans have come to expect from Lionheart. Lyrically, “Death Grip” explores themes of mortality, collapsing faith, and the internal struggle to keep moving forward when hope begins to fade. Following their recent re-signing with Arising Empire, Lionheart are entering a new chapter with Valley of Death II, the long-awaited follow-up to their 2019 release. The album is set to arrive on January 9, 2026, promising a darker, heavier and more relentless sound. To support the release, the band will return to Europe in January 2026 for a headline tour alongside Madball, Gideon and Slope. European Tour 2026 09.01.26 – Germany, Münster – Skaters Palace 10.01.26 – Germany, Leipzig – Haus Auensee 11.01.26 – Germany, Berlin – Astra 12.01.26 – Czech Republic, Prague – Lucerna Music 13.01.26 – Austria, Vienna – SiMM City 14.01.26 – Germany, Nürnberg – Z-Bau 15.01.26 – Germany, Munich – Tonhalle 16.01.26 – Germany, Wiesbaden – Schlachthof 17.01.26 – Switzerland, Solothurn – Kofmehl 18.01.26 – France, Paris – Bataclan 20.01.26 – Netherlands, Tilburg – 013 21.01.26 – Germany, Stuttgart – Im Wizemann 22.01.26 – Germany, Bremen – Modernes 23.01.26 – Germany, Cologne – Carlswerk Victoria 24.01.26 – Belgium, Antwerp – Trix Lost In Hollywood feat. Of Virtue – “Like A River” Hamburg-based rising act Lost In Hollywood continue their momentum with the release of their latest single “Like A River”, featuring a guest appearance by Of Virtue. Stream here: https://arisingempire.com/likeariver After gaining attention with a series of recent singles and steadily expanding their fanbase across Europe, the band now push forward with an international collaboration that highlights their growing presence within the modern heavy scene. With “Like A River”, Lost In Hollywood further develop their contemporary sound, combining emotional intensity with powerful heaviness while incorporating the distinctive vocal style of Of Virtue. The result is a dynamic release that connects different scenes and audiences while strengthening the band’s reputation as one of Germany’s most promising new heavy acts. Following the strong response to their recent material and an expanding live presence, the collaboration marks another step in the band’s evolution — louder, more confident and increasingly international. “Like A River” signals that Lost In Hollywood are only just getting started. Read the full article

Doors Open: 20:30 Presale: 12€ – Door: 14€ Presale: https://www.more.com/gr-el/tickets/music/offer/narkissus-fall-w/special-guests-echelon-1/ - DM the bands for hard copy tickets Narkissus Fall take over AN Club for a unique live show filled with symphonic metal outbursts. With special guests Echelon, who will bring their own mark through their technical prowess in death metal, the night promises to be explosive. Two worlds, one stage, one purpose: the ultimate metal experience. Narkissus Fall Narkissus Fall were formed in Athens in 2021, bringing a fresh breath to the symphonic metal scene. The band consists of Dimitra LeFay (vocals), George Bellos and Kyriakos Konstantinou (guitars), Daniel Livanov (bass) and the founder of the band, Nikita (keyboards). With their current lineup stabilizing in late 2025, the band has fully dedicated itself to the creation and production of its own material. The heart of Narkissus Fall beats in their own fully equipped mini-studio, where most of the recordings take place. For the final result, the band collaborates with Made In Hell studio, where drum and vocal recordings, as well as mixing and mastering, are carried out. At the moment, Narkissus Fall are focusing on the production of their first full-length album, while at the same time laying the foundations for their future releases. Facebook https://www.facebook.com/profile.php?id=100085418206520 Instagram https://www.instagram.com/narkissusfall/ YouTube https://www.youtube.com/@narkissusfallofficial Spotify https://open.spotify.com/artist/1pM8psERTTejVB0h902s4v Echelon Echelon are a technical death metal band from Athens. The year 2024 marked the official start of their activity in the Greek scene, with their first live performance taking place at the Schoolwave Festival the same year. Their debut single “Daybreak” was released on November 25, 2024. Their most recent release, titled “A Breath of Mold”, came out on November 5, 2025. Currently, the band is preparing their first full-length album, in which explosive melodies and complex structures are highlighted through the technical proficiency that defines the tech death genre. Some of the band’s most important influences include The Black Dahlia Murder, Necrophagist and Psycroptic. Instagram https://www.instagram.com/echelon.techdeath/ Spotify https://open.spotify.com/artist/0VdkOxyaYT4oKpnQi1pBy0 YouTube https://youtube.com/@echelontechdeath Contact Eva Kolomvou EVA'S Live Shows & Events Mobile: +30 697 6536114 Email: [email protected] Read the full article

Some people discovered Nirvana. I survived adolescence because of Nirvana. Kurt wasn’t just another name on a T-shirt. He was that fragile, cracked voice during “Lake of Fire” on MTV Unplugged — the way he leaned into the mic like he was confessing something. He was the slow burn of “Heart-Shaped Box,” the bitterness wrapped in melody. He was the irony and self-awareness screaming through “In Bloom.” He wasn’t polished. He wasn’t safe. He was real. So when I first heard the word “suicide,” it never sat right in my chest. I didn’t reject it because I wanted drama. I rejected it because something in me refused to believe that a man who articulated pain so clearly would end his story like that. For years, I believed he was murdered. And now — in 2026 — the world is talking about that possibility again. The Timeline — Because Details Matter Let’s get this straight, the way a rock publication should. Although Cobain’s body was discovered on April 8, 1994, the official estimated date of death is April 5, 1994, according to the King County Medical Examiner. The official ruling by the Seattle Police Department concluded that Cobain died by suicide from a self-inflicted shotgun wound. Toxicology reports showed high levels of heroin in his system. A handwritten note was found at the scene. The case was reviewed again in 2014. The ruling did not change. Legally and officially, the classification remains suicide. But this week, that certainty has been shaken — at least in the court of public opinion. The 2026 Independent Forensic Review According to recent international coverage — including detailed reporting by the Daily Mail and other outlets — a newly published independent forensic analysis challenges the 1994 suicide ruling. The review was reportedly conducted by a team led by former crime scene analyst Bryan Burnett and forensic consultant Michelle Wilkins, who revisited autopsy materials, toxicology interpretations and scene documentation. Their conclusion? They argue that the physical evidence may be more consistent with homicide staged as suicide. That statement alone is enough to send shockwaves through the rock world. What the New Report Claims According to the researchers, several aspects of the case raise red flags: - Heroin levels: The report argues that the concentration found in Cobain’s bloodstream could have rendered him physically incapacitated prior to the gunshot, raising doubts about whether he could have fired the weapon himself. - Organ findings: The team claims that certain physiological indicators align more closely with prolonged overdose effects rather than immediate death from a shotgun blast. - Scene reconstruction concerns: The positioning of the shotgun, the placement of items nearby and the overall orderliness of the scene are described as atypical for a self-inflicted gunshot scenario. - The note: Portions of the suicide note are said to contain stylistic inconsistencies that the researchers believe warrant deeper forensic handwriting review. One of the investigators reportedly described the scene as appearing “constructed,” a word that has ignited online debate within hours. These are not casual internet theories. These are structured forensic claims — and that’s why the story has exploded across headlines. The Official Position Has Not Changed Despite the media storm, the Seattle Police Department has publicly reaffirmed its original conclusion: the ruling remains suicide. Authorities have stated that no new legally admissible evidence has been presented that would justify reopening the case. In short: The legal verdict stands. But culturally? Emotionally? Historically? The conversation is louder than it has been in years. Why This Cuts So Deep For casual readers, this is another true-crime headline. For those of us who grew up with Nirvana, this is something else entirely. Kurt Cobain was not just a rock star. He was a mirror for alienation before alienation became aesthetic. He was vulnerability weaponized into art. He was brilliance tangled with fragility. If the homicide theory were ever officially validated, it would become one of the most seismic reversals in rock history. If it is not, then we are left with something equally devastating: that a voice capable of articulating an entire generation’s anxiety could not save itself. Where Things Stand — Right Now - Official cause of death: Suicide (April 5, 1994). - Body discovered: April 8, 1994. - 2026 independent forensic report suggests possible homicide. - Authorities have not reopened the case. That is the factual landscape. But facts and legacy do not always coexist quietly. Because the truth about Kurt Cobain was never simple. It was distorted, conflicted, beautiful and broken — just like the music. And whether this new forensic review becomes a footnote or the beginning of a historic reassessment, one thing is certain: The fire never went out. Read the full article

Some people discovered Nirvana. I survived adolescence because of Nirvana. Kurt wasn’t just another name on a T-shirt. He was that fragile, cracked voice during “Lake of Fire” on MTV Unplugged — the way he leaned into the mic like he was confessing something. He was the slow burn of “Heart-Shaped Box,” the bitterness wrapped in melody. He was the irony and self-awareness screaming through “In Bloom.” He wasn’t polished. He wasn’t safe. He was real. So when I first heard the word “suicide,” it never sat right in my chest. I didn’t reject it because I wanted drama. I rejected it because something in me refused to believe that a man who articulated pain so clearly would end his story like that. For years, I believed he was murdered. And now — in 2026 — the world is talking about that possibility again. The Timeline — Because Details Matter Let’s get this straight, the way a rock publication should. Although Cobain’s body was discovered on April 8, 1994, the official estimated date of death is April 5, 1994, according to the King County Medical Examiner. The official ruling by the Seattle Police Department concluded that Cobain died by suicide from a self-inflicted shotgun wound. Toxicology reports showed high levels of heroin in his system. A handwritten note was found at the scene. The case was reviewed again in 2014. The ruling did not change. Legally and officially, the classification remains suicide. But this week, that certainty has been shaken — at least in the court of public opinion. The 2026 Independent Forensic Review According to recent international coverage — including detailed reporting by the Daily Mail and other outlets — a newly published independent forensic analysis challenges the 1994 suicide ruling. The review was reportedly conducted by a team led by former crime scene analyst Bryan Burnett and forensic consultant Michelle Wilkins, who revisited autopsy materials, toxicology interpretations and scene documentation. Their conclusion? They argue that the physical evidence may be more consistent with homicide staged as suicide. That statement alone is enough to send shockwaves through the rock world. What the New Report Claims According to the researchers, several aspects of the case raise red flags: - Heroin levels: The report argues that the concentration found in Cobain’s bloodstream could have rendered him physically incapacitated prior to the gunshot, raising doubts about whether he could have fired the weapon himself. - Organ findings: The team claims that certain physiological indicators align more closely with prolonged overdose effects rather than immediate death from a shotgun blast. - Scene reconstruction concerns: The positioning of the shotgun, the placement of items nearby and the overall orderliness of the scene are described as atypical for a self-inflicted gunshot scenario. - The note: Portions of the suicide note are said to contain stylistic inconsistencies that the researchers believe warrant deeper forensic handwriting review. One of the investigators reportedly described the scene as appearing “constructed,” a word that has ignited online debate within hours. These are not casual internet theories. These are structured forensic claims — and that’s why the story has exploded across headlines. The Official Position Has Not Changed Despite the media storm, the Seattle Police Department has publicly reaffirmed its original conclusion: the ruling remains suicide. Authorities have stated that no new legally admissible evidence has been presented that would justify reopening the case. In short: The legal verdict stands. But culturally? Emotionally? Historically? The conversation is louder than it has been in years. Why This Cuts So Deep For casual readers, this is another true-crime headline. For those of us who grew up with Nirvana, this is something else entirely. Kurt Cobain was not just a rock star. He was a mirror for alienation before alienation became aesthetic. He was vulnerability weaponized into art. He was brilliance tangled with fragility. If the homicide theory were ever officially validated, it would become one of the most seismic reversals in rock history. If it is not, then we are left with something equally devastating: that a voice capable of articulating an entire generation’s anxiety could not save itself. Where Things Stand — Right Now - Official cause of death: Suicide (April 5, 1994). - Body discovered: April 8, 1994. - 2026 independent forensic report suggests possible homicide. - Authorities have not reopened the case. That is the factual landscape. But facts and legacy do not always coexist quietly. Because the truth about Kurt Cobain was never simple. It was distorted, conflicted, beautiful and broken — just like the music. And whether this new forensic review becomes a footnote or the beginning of a historic reassessment, one thing is certain: The fire never went out. Read the full article

News from LAMB OF GOD LAMB OF GOD has revealed plans to issue a live album with two bonus tracks along with a DVD performance of "Lamb Of God" on March 26th via Nuclear Blast. Pre-orders for the set are available now, along with the bonus track 'Ghost Shaped People.' The live CD and DVD features the first of LAMB OF GOD's two ultra-successful live stream events from September 2020, in which the band performed their album "Lamb Of God" in full, plus an encore of four songs. The DVD includes a new director's cut with bonus material. Pre-order "Lamb Of God - Live In Richmond, VA" now at this link: http://nblast.de/LOG-LiveInRichmond Pre-save the album here: http://nblast.de/LambOfGodDeluxePreSave In addition, the band has unveiled a visualizer for 'Ghost Shaped People' that you can watch here: https://www.youtube.com/watch?v=YDe75c_4I2g Originally, released June 19 of last year, LAMB OF GOD’s first new album in five years was met with universal acclaim – not only among major rock journalists, but with all strata of metal fans around the world. But critics, media and the industry aside, perhaps the most telling statistic is the year-end US Metal Radio chart, where the new album dominated at #1 by a massive margin (over 2,000 more spins than the album at #2). "Lamb Of God" spent nine weeks in the #1 spot and never left the top 10 since debuting on the chart in February. Read the full article

News from LAMB OF GOD LAMB OF GOD has revealed plans to issue a live album with two bonus tracks along with a DVD performance of "Lamb Of God" on March 26th via Nuclear Blast. Pre-orders for the set are available now, along with the bonus track 'Ghost Shaped People.' The live CD and DVD features the first of LAMB OF GOD's two ultra-successful live stream events from September 2020, in which the band performed their album "Lamb Of God" in full, plus an encore of four songs. The DVD includes a new director's cut with bonus material. Pre-order "Lamb Of God - Live In Richmond, VA" now at this link: http://nblast.de/LOG-LiveInRichmond Pre-save the album here: http://nblast.de/LambOfGodDeluxePreSave In addition, the band has unveiled a visualizer for 'Ghost Shaped People' that you can watch here: https://www.youtube.com/watch?v=YDe75c_4I2g Originally, released June 19 of last year, LAMB OF GOD’s first new album in five years was met with universal acclaim – not only among major rock journalists, but with all strata of metal fans around the world. But critics, media and the industry aside, perhaps the most telling statistic is the year-end US Metal Radio chart, where the new album dominated at #1 by a massive margin (over 2,000 more spins than the album at #2). "Lamb Of God" spent nine weeks in the #1 spot and never left the top 10 since debuting on the chart in February. Read the full article

News from MICHAEL SCHENKER GROUP Last week, Michael Schenker released his new MSG album "Immortal" via Nuclear Blast, which has now entered the Top 10 at an incredible position of #8, which is Michael's highest ever chart entry in Germany. "I am completley overwhelmed by all the fantastic reactions and the amazing feedback on our new album. To see that fans have followed my music for 50 years and support our records all over the world, is an incredible feeling. I am speechless about the fact that "Immortal" even entered the Top 10 in my mothercountry Germany. Thanks to everyone, rock on", comments Michael Schenker. "Immortal" is a perfect statement describing Michael Schenker's legacy and to celebrate his 50th anniversary as a musician. To commemorate the occasion, MSG have released a new music video for their single 'In Search Of The Peace Of Mind'. Watch the video here: https://youtu.be/5gy69onDzXQ "Immortal" is available in the following formats here: http://nblast.de/MSG-Immortal Bands Related News MSG - New album „Immortal“ out now! 2021-01-29 12:00 - Today, Michael Schenker releases his new MSG album, "Immortal" via Nuclear Blast. To commemorate the occasion, MSG have released a new music video. Details MSG - fifth album trailer! 2021-01-20 14:00 - Today, the band reveal their fifth album trailer in which Michael Voss discusses the recordings of "Immortal". Watch the clip here. Details MSG - new album trailer! 2021-01-14 14:00 Read the full article

News from THERION Swedish Symphonic Metal band THERION released their 17th studio album Leviathan on January 22nd, 2021. The album ranked #11 in the German Album Charts, which marks the highest chart entry the band has ever had in Germany. Additional great European chart results are #8 (Rock & Metal Albums) in the UK, #12 in Switzerland, #14 (Physical Albums) in their home country Sweden and #25 in Poland. Guitarist and founder Christopher Johnsson comments: "It’s great to see that Leviathan is getting such a strong support and also great to see that so many people are still buying CDs and vinyl. We charted at no 11 in the German album chart, which is one of the best positions we ever had there. We also see a great support with streaming, hitting a million streams at Spotify only 2 weeks after the release. Big thanx to everyone who has been picking up/listening to the album!" Here is a list of international chart entries for Leviathan: BUY THE ALBUM OR LISTEN TO IT HERE: http://nblast.de/Therion-Leviathan Bands Related News THERION - New Album Leviathan Out Today! 2021-01-22 11:00 - Today sees the release of THERION's 17th studio album Leviathan! It's time to celebrate its release day with yet another magnificent music video for the song "Tuonela". Details THERION - release new single! 2020-12-11 15:00 - Sweden’s Symphonic Metal pioneers THERION are proud to unveil "Die Wellen der Zeit", another single from their upcoming album Leviathan! Read the full article

News from KORPIKLAANI 2021-02-05 - Today finally sees the release of Finnish Folk Metal Superstars KORPIKLAANI's new album Jylhä! In celebration of the release of their 11th full-length the band have produced another gorgeous music video for the song Tuuleton. Please also make sure to join the band's Live Q&A Chat today at 5.00pm CET. WATCH THE VIDEO FOR TUULETON HERE: http://nblast.de/Korpiklaani-yt BUY OR LISTEN TO THE FULL ALBUM HERE: http://nblast.de/KorpiklaaniJylha PLEASE NOTE: The LP editions will be released on March 12th! THE MEANING OF TUULETON ("THE WINDLESS"): "A bird-themed story where Windless is an almost flightless bird. He groans when he flies, but it's not good to be on the ground either. He mourns his inability to fly like the others and is bitter because he is not accepted by the others just because he's different. Winter is coming and when the nightly frosts arrive it becomes increasingly difficult to survive in the cold ground." DIRECTOR'S WORD: "All of the music videos from the album "Jylhä" are made during the Covid-19 pandemic, and I wanted that to show somehow in this last story. Years have passed and the old man now lives in his hut with his grown-up daughter. Age starts to weigh, he feels feeble and dejected. On top of this he has caught some disease from one of his trips, and his time seems to be running out. Read the full article