Navigating the art world has its ups and downs, but finally, after six years, I can say, Mum, I made it!
noise dept.
sheepfilms
RMH

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Lint Roller? I Barely Know Her
I'd rather be in outer space đ¸
occasionally subtle


@theartofmadeline

Jar Jar Binks Fan Club
Not today Justin
Xuebing Du
d e v o n
2025 on Tumblr: Trends That Defined the Year
we're not kids anymore.
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Misplaced Lens Cap

Origami Around

seen from TĂźrkiye
seen from TĂźrkiye
seen from Brazil
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seen from TĂźrkiye
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@thegallerypeeper
Navigating the art world has its ups and downs, but finally, after six years, I can say, Mum, I made it!

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The Girl Who Went to Paris
*disclaimer all views are my own
Since my return to London after the completion of my Erasmus Student Exchange Programme in Paris. I havenât sat still (in a good way) what began as an accidental observation into student life in Paris, turned into a harrowing personal journey of realisation of unforeseeable change in a European country. We automatically have this romanticised view of Paris being the âcity of loveâ, that we forget that Paris also birthed the anarchist movement and very much of those attitudes are still prevalent in todayâsâ Paris.Â
âThe RĂŠvolution Never Left seriesâ came about whilst I was living and studying in the Northern region of Paris for a period of eight months in 2016. It is characterised as a narration of photography taken within a French University, emphasising prolific subject matters which highlight the social issues affecting the French landscape. My aim was to highlight the radical notion of anarchy and anti-establishment culture. Each frame (see below) documents the remnants of vandalism within a public institution, as well as student protests which took place during my time there. We are witnessing the âculture shockâ of being away from home and the realisation of the current state of Paris. Which has led to an influx of protests over the latter part of the twentieth century.Â
It challenges the binaries we continually construct between the âcivilisedâ and the 'uncivilisedâ. The French publicâs volatile relationship with the French government. I wanted to focus on the idea of 'public spaceâ and more specifically on spaces where graffiti is visible, as this highlights the left-wing responses as a form of resistance against a broken system. The revolution never left and is being birthed within a younger generation.Â
Being in Paris breathed a new lease of life into my creative direction as an artist struggling with âcreative block and my creative juices have been overflowing with new ideas. Whilst I was in France, Britain sadly left EU which was bittersweet, as I was initially against the idea at first without having a real in-depth knowledge of what the whole Brexit debacle was about. But after doing my research, I now see the full scope of the powers that be and I feel that the EU will eventually be a problem to us in the near future. With that being said I canât help but worry about the state of Erasmus and the students who will come after me, who may want to experience what I did as an EU/UK National. For now, I am glad to be back in London having just finished my degree.
Allow me to introduce myself
My name is Albertina Campbell the self-proclaimed âgallerypeeperâ Â with a degree in Fine Art. Iâm 29, live in London and love to go to gallery exhibitions, I view them then review them and write think pieces called my âramble writingsâ make what you want out of it. xX
Every day for 20 years, I would ask myself, âWhat am I going to do next?â Thatâs how I asked for inspirationâŚâ I donât have ideas myselfâŚI have a vacant mind.
Agnes Martin