Interesting Stuff that Comes Along

In all my art classes, I was never taught HOW to use the various tools of art.

Like yes, form, and shape and space and color theory and figure drawing is important, but so is KNOWING what different tools do.

I’m 29 and I JUST learned this past month that India Ink is fucking waterproof when it dries. Why is this important? Because I can line something in India Ink and then go over it with watercolors. And that has CHANGED the ENTIRE way I art and the ease I can create with.

heres some of mine, pls take with a grain of salt im a total gotdamn amateur:

a lot of the time, the ability for colored ink to bleed will vary wildly WITHIN A SINGLE BRAND OF COLORED INKS. my cobalts bleed like fucking CRAZY compared to my reds, which, when u reference manuscripts that tend to put white ink ON TOP of either red or blue… you see where shit gets real and real annoying. 

u can buy an aeresol, fully transparent workable sealant for like 5-10 dollars at your local art store. when i realize a piece ive been working on needs a color on TOP of a bleed happy ink, i give it a layer of this stuff. trouble is it CAN warp the paper so its important as soon as it dries to use heavy things (paperweights, books) to counteract the paper curling.

WD40, found at your local hardware store, will remove Sharpie marker from almost any hard surface. 

 Acrylic inks will show brush strokes in large areas but are waterproof and quick-drying. 

 Acrylic gouache is vivid, fluid, dried matte, is UTTERLY opaque on black paper, handles exactly like watercolor, and is waterproof. 

Putting an oil painting in the sun will turn the yellowed portions back to their original white and wont hurt the painting. 

 Cheap acrylic paintings will bleach out if left in the sun - get UV protectant spray or varnish. Nicer acrylic paints are less prone to sun bleaching, but they still do. Plan accordingly. Oil paints are much less prone to this. 

Solvent-based markers blend together MUSH MORE SMOOTHLY than alcohol-based markers. 

There is an acrylic paint medium for literally every effect you can conceivably think of (fabric paint medium, gloss medium, fluid medium, sand medium, fast-dying/slow-drying medium, etc.). 

 If you’re going to buy student-grade paint to save cash, buy earth-tones (burnt sienna, ochre, etc.); they are made with cheap pigments already, and you wont tell a difference. You WILL tell a difference between student-grade and artist-grade bright colors (all yellows, blues, and reds). 

If you’re working with markers but aren’t using marker paper, you need to switch. Markers don’t blend on printer paper, they just layer (even expensive markers). 

If you want a glass palette for paint mixing but don’t want to shell out the cash, buy a giant picture frame at Goodwill, take the glass out, and electrical tape it to a piece of foam board the same size for stability. 

 Hog bristle brushes are for oil paint, sable brushes are for watercolor, and synthetic brushes are for acrylic and oil (but not watercolor because synthetic bristles can’t absorb water). 

- Palette knives are for mixing paint and TRUST ME you want to learn how to use them. When you mix with your brush you loose paint and it’s hard in your brushes.

- DO NOT FIX YOUR ARTWORK WITH HAIRSPRAY. If you’re proud of your work and want to keep it, buy the actual spray fix. Hairspray is not archival in the slightest and will damage your work.

- On top of that, be careful how you store your work. Newsprint is handy and cheap, but also not acid-free and it will yellow your paper. Foamboard? Matboard? Also not always acid-free (but you can get them acid-free).

- There is no food-safe paint. Period. There are lots of ways you can decorate pottery that aren’t glazes, but only glazes are food safe (and even some of those aren’t).

- Also not food safe: Polymer clay (sculpey), air dry clay, oil-based clay, ceramics that have not been glaze fired, oil pastels, sharpie, glues of any kind, or mod podge (even the ‘dishwasher safe’ kind).

- Don’t even get me started on mod podge. It’s not consistent. It’s not archival. It’s not a sealant, it’s a glue (setting aside some of the weird hyper-specific ones they make that I’ve literally never seen in real life).

- If your glue isn’t archival or at least acid-free, don’t use it in your artwork.

- There are so many different kinds of paper out there, just go try them. But also make sure you know if it’s acid-free or not (it probably is).

- Marker paper is usually 15 to 20 lbs. News print is usually 30 to 35 lbs. Tracing paper is usually 25 lbs. Rice paper can range from 20 to 50 lbs. Printer paper is 20 lbs. Vellum paper is usually 48 to 55 lbs. Sketchbook paper is usually 50 to 60 lbs. Drawing paper is usually 70 to 80 lbs. Cardstock can range from 50 to 110 lbs. Charcoal paper is usually 50 to 65 lbs. Pastel paper can range from 70 lbs to board. Bristol paper can range from 50 lbs to board. Mixed media paper can range from 90 to 140 lbs. Printmaking paper can range from lbs 90 to 300 lbs. Watercolor paper can range from 90 to 500 lbs.

- The heavier and rougher the paper is, the more it will absorb. If you’re using a paper too smooth for your medium it will take forever to dry and may smudge. If you’re using a paper too light for your medium, it will warp and curl.

- If you’re working heavily with water, you need to stretch your paper (aka seal down your edges of the paper to a hard, water resistant surface). If you don’t like doing that because it’s a hassle, buy a watercolor block instead of a pad/individual peices.

- If you’re working on a thicker paper, and make a mistake that your can’t erase or cover- you can scrape and/or cut it out! With a really sharp exacto knife, you can very CAREFULLY remove the top layer of paper fibers on most paper.

- DO NOT USE ACRYLIC AS BODY PAINT. It’s plastic.

- If you paint with oil, buy a silicoil jar. It’s the best $10 you’ve ever spent.

- Acrylic paint is basically water-based plastic. It will basically fuse with anything plastic (like a plastic palette), and will not stick to anything oil-based.

Bounce light is something I didn't cover but I adore it!

Link to the article

- they’re Opawz pet specific dyes. Non toxic made specifically for dogs. Once they’re set and rinsed they can groom themselves normally, they pose no danger to her in any way, no fumes, there’s no bleach involved

- my dog is trained with cooperative care skills, the process is not stressful for her, she gets paid heavily for her cooperation and looks forwards to the opportunity to earn extra snacks with the grooming

And even though money is pretty tight for her, she told me I could name my price if I would help her, because it was so far away.

I told her she was a dummy for thinking i would take her money but that i would accept the traditional helping-a-friend-move price: a meal (i know she would feel wrong about herself if she didn’t do something for me in return, that’s just how she is) Tradition suggests pizza and beer, we opted for enchiladas and a margarita.

we crashed on the floor of the empty place and left back north in the morning - when we got back to the city three more friends met us at her storage place (the place she was moving into wouldn’t be vacant for a couple months) and we started to move all her stuff up to a storage room on the THIRD FLOOR (because large city storage places be like that)

we had just taken the first box out of the truck when the (only) lady working there walked by and told us they closed in an hour and twenty minutes, and she couldn’t stay even a little late because she had to get to her other job.

One hour twenty minutes. To completely un-jenga a large uhaul and re-tetris it back into a similar sized room on the third floor.

We all just, shared a look, took off hoodies, and got the fuck down to business. 

It was actually.. I still cherish look we passed around. The tiny eyebrow quirks and chin nods. The eye glints. The bigger breath we each took as we prepared to kick it up several gears. That moment of wordless connection, when we all just silently agreed that we were damn well going to do the impossible and didn’t even waste the time it would take to say anything, just got to it.

And we did it too. Finished with exactly two full minutes to spare. And then we all went for dinner and drinks to celebrate. And my friend’s friends that came to help? Two of them were acquaintances/friends of mine already. Like I lived with one for a year a decade ago sort of thing. But this experience? Brought us all closer. Made myself a new friend too.

And the friend i helped move? She and I are closer than ever because of it.

When i left our storage success diner to go home, she asked me again if I was sure i wouldn’t take any money.

I said “I ever tell you when I was 22 I went down to Hollywood to try that scene out? Anyway ten months later, when I just couldn’t do it anymore, and needed to come back, I called one of my best friends and said i can’t do this anymore i need to come back. You know what he said? He said: I’ll be there tomorrow. Not how much will you pay me, not what do i get out of it, not will you be able to cover my gas, just: I’ll be there tomorrow. Okay? You’re my friend. If you need help, I’m going to be there”

pack it up boys we've made a social blunder

let's run that again

one more time normal style

I'm going to become a statistic

further proof god is out to get me

it's because I tore my acl senior year

I couldn't do it for religious reasons

my ex took my talent in the divorce