Theories of Time
India-based street artist DAKU has created an immersive text-based work in Panjim, Goa. Placed along 31st January Road, a fishnet structure suspends letters above pedestrians. Check out more of the artists work on Instagram.
ojovivo

Kiana Khansmith

shark vs the universe
Sade Olutola

pixel skylines
One Nice Bug Per Day
TVSTRANGERTHINGS

❣ Chile in a Photography ❣
he wasn't even looking at me and he found me
cherry valley forever
The Bowery Presents
Today's Document
The Stonewall Inn
Fai_Ryy
Mike Driver

Jar Jar Binks Fan Club
Cosmic Funnies

ellievsbear
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@thearchi
Theories of Time
India-based street artist DAKU has created an immersive text-based work in Panjim, Goa. Placed along 31st January Road, a fishnet structure suspends letters above pedestrians. Check out more of the artists work on Instagram.

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Jacqueline Casey (1927-1992) · Article 1 / 2
Posters via Graphic Design Online RIT Archive
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People say I drive too fast, move too fast, live too fast. Ain't no such thing as too fast for me.
Hong Kong - New New Territories
A project between temporality and permanence, infrastructure and public spaces, landscape and city
by Caterina Barbon + Matteo Vianello + Tommaso Petrosino
Don’t just accept the new Terms of Service
Tumblr’s at it again, thanks to the new European Privacy Laws. There’s probably nobody who will read this, but it pissed me off so much that I decided to make a post about it. (Ignore the weird language mish-mash, depending on your country the language might differ.)
OK, so many of us get this screen when we try to access our dash:
Realise how the ‘OK’ button is a nice, attention-grabbing blue? If you’re like me, you’re not exactly into reading a 100 pages document and tend to just click it.
My tip? DONT. Instead click on ‘Manage Options’ right next to it:
Now you’ll see this page:
Still pretty harmless, right? That ‘Accept’ button is looking really attractive right now. Instead, click on Verwalten (Probably something like ‘Manage Options’ or something in english) and you’ll get to this page:
Now that’s not too bad, right? I just switched all the buttons to ‘off’, because I’m jealously guarding my personal information and don’t want Tumblr to go off and do who knows what with it. Looks like we’re done! But wait: There’s a SHOW option.
When we click on that one, what we will get is this:
A HUGE list with OVER 300 ENTRIES of companies that can use your data by default if you’d just clicked ‘OK’ on that very first page. Coincidence that this list is hidden that much? Me thinks not. They’re all switched on by default, but I am still a petty bitch that doesn’t want to give out her data, so I switched them all off. All 300+ of them. There is no option to switch them all off at once, and even if you disable all the options above, the companies are still switched on.
(If you wonder how i got that number, I copied the list into excel and looked at the cell number. No way am I actually counting all those entries)
So these apparently flip right back on after I leave this menu. What the fuck @staff??? Are you fucking kidding me?

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Stanford Torus space settlement
House for a Photographer | FORM / Kouichi Kimura Architects Location: Shiga, Japan Photography: Yoshihiro Asada, Norihito Yamauchi
St Giles House by Mega
Umspannwerk Adlershof - Stützpunkt Adlershof - Berlin, Germany; 1931
Hans Heinrich Müller
see map | more pictures 1, 2 | related information
via “Hans Heinrich Müller: 1879-1951, Berliner Industriebauten”; Paul Kahlfeldt; Birkhäuser Verlag; Basel, Berlin, Boston (1992)
Notwo / 68ºN / Hamnøy / Photography / 2014

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(via And Atelier - Ibéria Crítica)
Japanese Poster: Mintendo. Okumura Akio. 2007
Donetsk, Ukraine, by Viktor Macha
#modelphotography 📷: @melissa.gerskup
Mapped Domesticity | Vere van Gool Location: Salton Territory, California, USA - AA School of Architecture Projects Review 2012 - Inter 1
- In the desert, all you need is gas, cash and a place to crash… This commentary-project is the rework of the 1950’ies design of the American Farm through a critical reading of the landscape and how land exploitation operates according to the speculated decay of the Salton Territory, proposing the American Farm as a condensed symbol of the late 2020’ies over-accelerated sense of mobility, contra intuitive consumerism and manic domestic consequences of (utopian) American Life.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Charles Jencks, Los Angeles Hetero-Architecture Genealogy
prisoner of his own head - mind prison