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@theamazingsallyhogan

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I'm still Big Mad from the animation industry AI news, and I had some thoughts I needed to get out. There are lots of more important reasons why artists shouldn't use AI, but here is my philosophical take on it.
PATREON
i love you blonde ponytailed unicorn-befriending lesbians from fantastical netflix kids' cartoons
"The word pandemonium was coined by John Milton as the name for the Parliament of Hell" is an all-timer etymology. Oh yeah did you hear that Mrs Higgins's dogs got loose at the village fête? It was like a vast golden edifice in which fallen angels debate their strategies for vengeance against god, yeah.

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Hunger's Bite is out!
A specter is haunting the Atlantic!
After growing up together on the luxurious SS Lark, Neeta Pandey and Emery Botwright are ready to start their lives. Emery wants to follow in his father’s footsteps and sail the Lark forever, while Neeta yearns to travel the world. But neither will have any future at all if the Lark’s new owner, Mr. Honeycutt, has his way.
Mr. Honeycutt... The first-class passengers adore him, while he makes the ship a nightmare for the crew. Twisted by unnatural appetites, the rich are actually transforming into something less than human, and their insatiable demands soon push the staff toward a—quite literal— burnout.
Something otherworldly is undeniably aboard the SS Lark, something horribly hungry. But it’s not Wick Farley: vampire, secret agent, and paranormal investigator. Alone and at sea, with only Neeta and Emery to help him, he must uncover the truth about Mr. Honeycutt. And fast—before a ravenous craving for power consumes them all.
Available in hardcover or paperback, and ebook from your favorite online retailers! Or ask your local librarian!
Just watched Adam Conover (of Adam Ruins Everything) make such a solid point that I think we should spread far and wide. Yes, having AI write your emails is lazy, sure, but people love being lazy. We need to really emphasize that sending AI emails (or using AI responses on social media, or publishing AI flyers, or or or) is rude.
It's rude. You're making someone take their time to read something you couldn't bother to write. You're telling them they were so unimportant you couldn't be bothered to actually take the time to say something yourself. And frankly, you're lying about it while you're at it.
It's rude.
I know next to nothing about botany but the phrase “feral sunflower” is hilarious to me
rb and tag your favorite song that's not in english, japanese or korean
#Prev tags that was an FMA AMV right? I found that song through there too!
It was actually another Princess Tutu one, but I've also seen the FMA one too!

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If you wanna know the state of Yugioh TCG collecting in the wake of Overframes in the core game…
The situation is so funny man
Basically, Mr grifter announced that he might be getting into the collecting side of yugioh, which would lead to the scalping hell that now plagues the Pokémon and One Piece TCGs
As a joke, MBTYugioh gave them pointers on what to “invest in”, recommending some of the WORST shit products that this game released in the years
He then followed up with a tongue-in-cheek, clearly trolling video recommending shit like Legendary Duelists sets, Duelist of Deep and Synchro Storm, and the Platinum cards, and exclusive COINS before ending the video with “Don’t invest in yugioh. You will lose money due to this game’s reprint policies”
Like, it was very obvious for anyone with half-a-brain cell and is familiar with Yugioh that the video is a joke
BUT a bunch of scalping bots took the video at face value and bought out these doodoo, worthless products immediately after his fuckass video came out
Now they’re sitting on unsellable trash. 100% deserved, I hope everyone whose trying to grift this game like Pokémon loses their money
Yu-Gi-Oh fans really saw the scalpers coming and said "You've activated my trap card".
My memory of The Birdcage (1996) is always that it's more dated and more difficult to watch than it actually is. You hear "drag-themed comedy from the 90s based on a musical from the 80s based on a play from the 70s" and you brace yourself just a little, right? But the film has a strong gay perspective, so the fruity fag jokes mostly come off as warmly affectionate. There is a surprising amount of poignancy in Robin Williams' portrayal of Armand, grudgingly agreeing to his beloved son's request that he go back into the closet for an evening ("do me a favor and don't talk to me for a while"). The drag club's staff attempting to redecorate the apartment with stuff straight people might like (a taxidermy moose head, an enormous crucifix, and Playboy magazine) is extremely funny. Albert's histrionics are a point of tension because he does often come off as a stereotypically pathetic/comic figure, but towards the end of the movie he makes it very clear that he's aware of how people see him, and asserts that trying to copy a stoic masculinity he doesn't possess for the sake of social approval would be more pathetic. In the 1983 musical adaptation, they give "Albert" (Albin) the only good song in the whole show, "I Am What I Am", which Gloria Gaynor covered to the delight of gays everywhere. Apparently Nathan Lane wasn't (publicly) out yet in 1996, which is amazing because it means that at one point in this movie you're watching a gay man playing a straight man playing a gay man playing a straight man, in a movie about how it's important to be yourself, an absurdity that does seem to encapsulate the state of gay America in the 90s.
I'm seeing a couple of posts circulating about the gay 90s and this movie. The above is a very good summary, and I think it's worth adding a few other points.
This movie got made because Robin Williams said yes to it (and it's important that Gene Hackman did as well). Williams in the 90s was a mega-star of a type that's not present in the current media environment (maybe Tom Cruise, but I personally think that's echo from his salad days). Even his flops made money on the back end in the video rental market, which also doesn't exist anymore (streaming is different). Hackman was on the other side of his A-list career but still Hollywood nobility if not full royalty.
Playing gay was considered career suicide in the 90s. There had been a number of actors who put lie to that belief stretching back decades, but this was Williams and Hackman (yes, being on screen next to a gay character was enough to get you blacklisted) saying "screw that" and doing it anyway.
Being gay and out was career suicide in the 90s.
Nathan Lane had a really nice gig going for himself. The Lion King put him into the Disney rep company with people like Williams, Bette Midler, and Whoopie Goldberg (check their IMBD list from the 90s--they were making bank at Disney).
Lane didn't come out until several years later (nice summary: https://deadline.com/2024/06/nathan-lane-robin-williams-advice-coming-out-birdcage-1235975010/).
I don't want to imply that this was a Sorkinized moment where everything changed because of one thing, but this was a very important movie that caused real movement in the needle on queer acceptance.
It also proved that there was a market for films with gay characters, which had the knock-on effect of gay filmmakers being able to find distributors of their gay-themed films. Which meant that more people than ever (queer and non-queer) got to see representation on-screen.
Also to add two anecodates to this:
Even when nominally IN the closet, Nathan Lane usually projected an public persona which could easily read as gay (prissy, fussy, more than a little camp). Whether he was or not was, of course, no one else's damn business.
Toby Young, a rather callow journalist, and author of the memoir "How to Lose Friends and Alienate People" tells the story of how he interviewed Lane for Vanity Fair and noticed that no one had ever actually asked if he was gay or not, so he did... and Lane walked out without saying a word, and Young got a bollocking from his editor (He also asked Lane if he were Jewish, which might be seen as a rather bizarre opening gambit) Interview: Toby Young - spiked
The other, more wholesome, story is that when promoting The Birdcage, Lane and Robin Williams appeared on The Oprah Winfrey Show together, and Lane was nervous about Winfrey bringing his personal life up (as she did with most guests), and Wiliams reassured him it would be okay.
Which is was, because every time Winfrey (who Lane feels was probably NOT deliberately trying to out him, but maybe assumed it was an open secret) veered towards the subject, Williams would interrupt her question with one of his own wacky anecdotes and change the topic enough that Lane never had to answer.
ingrid got me drawing street fighter stuff again ;w;

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Richard Scarry's Monastic Menagerie