A Traveler's Needs (Hong Sang-soo, 2024)
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A Traveler's Needs (Hong Sang-soo, 2024)

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“A person entering the space of non-place is relieved of his usual determinants. He becomes no more than what he does or experiences in the role of passenger, customer, or driver… distanced from [daily worries] temporarily by the environment of the moment. Subjected to a gentle form of possession, to which he surrenders himself with more or less talent or conviction, he tastes for a while - like anyone who is possessed - the passive joys of identity-loss, and the more active pleasure of role-playing.”
Marc Augé, “Non-Places: Introduction to an anthropology of supermodernity”
Eating is a scandal at the heart of human life. On the one hand because eating implies dismemberment and destruction of that which is consumed: we live by making other beings die. On the other hand because eating reveals a contradiction in the basic structure of human desire. We long to be united with objects and beings outside ourselves, and eating—actual incorporation of an object into our own substance — constitutes the ultimate form of union.
Alec Irwin, "Devoured by God: Cannibalism, mysticism, and ethics in Simone Weil." CrossCurrents (2001): 257-272.
Friendship is a miracle by which a person consents to view from a certain distance, and without coming any nearer, the very being who is necessary to him as food. It requires the strength of soul that Eve did not have[.]
Simone Weil, “Forms of the Implicit Love of God”

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In order to arrive there, To arrive where you are, to get from where you are not, You must go by a way wherein there is no ecstasy. You must go by a way which is the way of ignorance. In order to possess what you do not possess You must go by the way of dispossession. In order to arrive at what you are not You must go through the way in which you are not. And what you do not know is the only thing you know And what you own is what you do not own And where you are is where you are not.
Four Quartets by T.S. Eliot
Julio Cortázar, Hopscotch (trans. Gregory Rabassa)
[Text ID: “As if you could pick in love, as if it were not a lightning bolt that splits your bones and leaves you staked out in the middle of the courtyard.”]
Monument, Moment, and Memory: Monet's Cathedral in Fin de Siècle France
By Ronald R. Bernier
holy quaternity
She had no idea how to cope with life and she was only vaguely aware of her own inner emptiness. Were she capable of explaining herself, she might well confide: the world stands outside me. I stand outside myself.
Clarice Lispector, The Hour of the Star

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Composer Claude Debussy once said, ‘Music is the space between the notes,’ and much like music, a relational bond is the connection we share between the words.
Katherine Woodward Thomas, Conscious Uncoupling
George Skibine and Marjorie Tallchief in L'ange gris (The gray angel). First given by the Grand Ballet du Marquis de Cuevas at the Deauville Casino Theatre on August 29, 1953. Story by the Marquis de Cuevas. Music by Claude Debussy. Decor and costumes by Gaston Sébire. Choreography by George Skibine. Photo by Serge Lido.
i love my pervert mutuals #mypervertmutuals
“Stolen Moments” by Kim Addonizio
me when i am on my mutuals' blogs 👀👀👀 #LetsTakeALook👀 #Observing👀

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Caroline Bynum, excerpt from Fragmentation and Redemption: Essays on Gender and the Human Body in Medieval Religion