Shitposts From a Phyrexian

the baffling papple:

Bodily autonomy (like abortion, anti draft, etc) -> “The government shouldn’t be able to force anything on my body I don’t want.”

Anti surveillance -> “I don’t trust big government/big tech (big brother if you’re feeling frisky) with the ability to spy on me and my family.”

Immigration -> “Next to all of us immigrated at some point, I don’t see why the elites get to decide who’s allowed to be where. What’s to stop them coming for me?”

Climate Change -> “Big oil shouldn’t get to determine whether or not I get to go places. I don’t want to be dependent on some big business to survive.”

State Violence -> “I don’t want the goddamn secret police breathing down my neck! I trust my community a whole hell of a lot more to help me than I do the state!”

Warlord Carcinisation

Some people just won't let go of the past.

Source

Over the past 7 or so years, we've seen this absolute shift in expectation, migration, and stagnation in the webcomics sphere which applies to style, sustainability, and the platforms grip on readers and creators

I'll be the first one to say that webcomics are not an easy way to make money and a majority of folks who make them rarely see profit. This has always been the case! But when virality, siphoning audiences from all over, and opportunity to 'get printed' presented itself, that expectation shifted.

So let's talk about what those expectations are now: 🔴Demand for Higher quality- less readers will check out beginner looking works or comics that feel too 'faulty' in style meaning less excitement to see webcomics grow over the years. Polish is expected and commented on consistently by readers

There is also an expectation for specific visual and narrative styles. This applies to other social media platforms too- in that works that take less investing in are often promoted and prioritised. That means less risks on narratives, less nuances, and shorter series running.

🔴All on one site/app- That may seem pretty fantastic for getting new readers (and is the absolute main sticking point for so many artists) but when algorithms and specific series are wanted, your works have a harder chance getting to the people they need to. The search function is trash for a reason

I'm not one to toot the competition flute, but there's a level of that at play when the spotlight for that platform is actually pretty small. What you get is a lot of readers checking out the same comics, and not spreading it all out to find yours (their subs have a cap for this reason)

🔴Sustainability (and lack thereof)- The creator of these comics are often burnt out and given little support- all while fighting to see what is allowed on the platform with its excitable censoring. I won't speak for originals (there's many testimonies you can find) but their experiences of burn out are harrowing

With the high production expectation for a person who is rarely given help (often has to hire out of pocket for that) and the readers who want Updates Now, it's a frustrating place to post your comics with no rest. It's 2026, we shouldn't be treating cartoonists this way still.

Webtoons (the company) is always going to be interested in making a profit. That's sort of where it all starts and stops here. They'll embrace the slop machines (more slop sources) for investors, they'll mistreat creators, cancel 'unprofitable' comics, censor work, and protect that bottom line. That's their MO, always!

So when I see these conversations that inevitably float around about Webtoons and how the only response is 'stop using it', I think we also need to deconstruct what it's done to creators and readers and how they engage with/create works too- because it doesn't seem that simple of a solution

Webtoons has solidified itself in webcomics as the Place to start and stop with comics. They want you to use their app of course, but they've conditioned folks to think it's the only way to share your stuff. How do we break this? How do we get people to stop using it?

We share resources 😎

I only know the barest minimum about coding so I use the free version of the >>>Breakdance<<< plugin to design my sites. The backend looks like this:

It takes some playing around with but it's not as intimidating as coding from scratch. It was actually even fun once I got the hang of it.

Coding webcomic navigation can be tricky so I use the free version of the >>>Toocheke<<< plugin to handle my archive and navigation buttons. There's even a >>>guide<<< to help.

Yes I have to pay for domains and hosting myself. I think it's worth it.

I use Feedly to keep track of comic updates. It's like a subscription system you can use across different sites (look into RSS feeds if you've never heard of them!)

As a personal preference I don't maintain comments on my sites anymore and simply run a discord server instead. I like it much better when folks' comments are not permanently tied to my pages. I think it allows every reader to have a focused experience catching up to the story.

_______

The day Webtoon started advertising in Times Square I was actually pretty upset because I KNEW it was going to bring an unhealthy culture of expectation towards webcomics. I knew it was going to define what a webcomic was to millions of people who were unaware of what they were outside of that app.

But much worse was how Webtoon normalized pressuring webcomic creators to appeal to the widest audience possible, because now normal everyday people who don't share your interests might see you and judge you and leave nasty comments on the work you care so deeply about. You don't HAVE to use that platform. You don't HAVE to cater to that audience. You don't HAVE to design your narrative to appeal to the widest audience possible. I will tell you a secret:

You will be loved for the same things you are hated for.

In the world of entertainment the worst thing you can be is not hated, but forgettable.

Spin the wheel to find out your weakness!

someone urinated into the ballpit while it was empty and posted it in the tag

this is not a joke

Greece suspends asylum applications for migrants from North Africa by Laura Gozzi (BBC).

Greece passes draconian legislation with prison terms for rejected asylum seekers by Helena Smith (The Guardian).

Greek coastguard threw migrants overboard to their deaths, witnesses say by Lucile Smith and Ben Steele (BBC).

Bill on Detention Centres for Asylum Seekers Published by Jelena Ćirić (Iceland Review).

Italy sends 40 rejected asylum seekers to Albania by Karl Sexton (DW).

Record number of migrants, refugees reached Canary Islands by sea in 2024 (Al Jazeera).