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Origami Around
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Three Goblin Art
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@the-lost-lamb

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Fleischmann etching, Ni l'un ni l'autre
[…] death and madness fascinated me.
Jean-Paul Sartre, from ‘The Condemned of Altona’, tr. Sylvia & George Leeson

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Tête Osseuse Anatomical print from the 19th-century French publication ‘Journal des Connaissances Médico-Chirurgicales’ Via: https://www.instagram.com/p/DXm-5HuiEyE/
А бол шири крила...
Ти си дивна била.
Shelter (2020), Marco Tulio Espinosa [1080 x 1296]
there is a level of seduction that exists beyond the body. something less tangible, and perhaps more potent. anais nin understood this idea about how desire does not begin with touch but with language, perception, and the sharp electric pull of a mind that challenges and excites you. in her journals, desire is not just a physical hunger but a hunger of the intellect, an unraveling of thought before an unraveling of the body. to be drawn into someone’s mind, to feel their thoughts press against your own, can be more intoxicating than any physical closeness.
—Caitlyn Richardson, 'can intellectual intimacy replace physical desire?', in milk fed
Rêverie by Charles Chaplin, detail ca 1885.

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“The mind creates the abyss, the heart crosses it.”
— Sri Nisargadatta Maharaj
“Feral moments so valuable you never share them with anyone.”
— Bhanu Kapil, Ban en Banlieue

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Erwin Blumenfeld (American 1897-1969), Le Pudeur (The Shame), Paris, 1937. Gelatin silver print, 11 7/8 x 9½ in. | 30 x 24.2 cm. (Source: Edwynn Houk Gallery, New York)
“I’m not for everyone. I’m barely for me.”
— Marc Maron (via quotemadness)