The Gleaning Field (c. 1833) - Samuel Palmer
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The Gleaning Field (c. 1833) - Samuel Palmer

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Scott Prior, Bonfire in the Woods, after Rodolphe Bresdin, 2020, Watercolor
Somewhere in the apple orchard
Penleigh Boyd (Australian, 1890-1923), ‘It Stood – A Thing Apart – Unsullied by the Common Growth’, 1922. Oil on canvas, 71.5 x 81.5 cm.
Bürresheim Castle by the Eifel River (Frederik Sødring, 1838)

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One sentence puzzles me: The world was constantly speaking to Ancient Man. I do not understand why this sentence is in the past tense. The World still speaks to me every day.
– Susanna Clarke, Piranesi
Mstislav Valerianovich Dobuzhinsky - Set design for Tannhäuser - c.1930 - via Sotheby's
“Couple and Window Open to the Sea” (Couple et fenêtre ouverte sur la mer) George Barbier, 1926
a warmth in the meadows

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To my surprise I discovered that the act of remembering was extremely potent. My mind was immediately freed, my vision cleansed. The long, complicated ritual that I had prepared became completely unnecessary. I no longer saw or felt the rain. I was standing in the clear, strong sunlight of early childhood. The colours of the roses were supernaturally bright.
All around me doors into other worlds began appearing but I knew the one I wanted, the one into which everything forgotten flows. The edges of that door were frayed and worn by the passage of old ideas leaving this world.
– Susanna Clarke, Piranesi
The Hill: Hobbiton-across-the Water
by J. R. R. Tolkien
Idyll (c.1880-81) by Frederic Leighton
"A Magical Morning" was created by British artist Thomas Edwin Mostyn.
June, 1876 Fidelia Bridges

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Duel in Mediterranean Seaport, Johann Wilhelm Baur, c. 1637, Harvard Art Museums: Drawings
Harvard Art Museums/Fogg Museum, Bequest of Frances L. Hofer Size: 15.3 x 21.3 cm (6 x 8 3/8 in.) Medium: Watercolor and gouache on parchment
https://www.harvardartmuseums.org/collections/object/295709
Animation backgrounds from Disney’s THE BLACK CAULDRON (1985).