"But Venezuelans are celebrating-" Anyone who is celebrating the invasion shouldn't even be calling themselves Venezuelans. They don't get to speak for me, my loved ones, or my country.
Not today Justin
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@that-spider-witch
"But Venezuelans are celebrating-" Anyone who is celebrating the invasion shouldn't even be calling themselves Venezuelans. They don't get to speak for me, my loved ones, or my country.

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every chapter of deltarune has a secret npc who only appears if you leave and re-enter the room 1225 times while you have a bagel in your seventh inventory slot and the npc is a sentient doorknob and when you talk to them the music cuts out and they’re like “who’s that whispering in the trees, it’s two sailors and they’re on leave, pipes and chains and swinging hands, who’s your daddy, yes i am” and then within four hours there’s a thirty minute long video on youtube titled “ASGORE IS FRIEND??? DADDY THEORY EXPLAINED” and it already has 100,000 views and then a year later people call the next chapter disappointing because it was focusing too much on developing the main characters instead of explaining the doorknob guy
Tendría que darme bronca pero la verdad me da MUCHA risa que los piratas británicos y los pro piratas británicos anden diciendo que Argentina es un país blanco imperialista... y por eso las Malvinas tienen que seguir siendo británicas.
#lei a alguien q parafraseando decía los q se identifican como zurdos por allá apenas hablan de algo que pasa por acá se vuelven Kissinger
Es que es así! Yo discutí con una canadiense acá por el tema de Malvinas, y la tipa se hacía llamar comunista. No solo nos están llamando nazis e imperialistas, también dicen que somos "far right" porque fue la dictadura quien ordenó el conflicto armado, entonces para ellos defender Malvinas = defender la dictadura. Yo les voy a decir la posta, la mayoría de "zurdos" del primer mundo no son antiimperialistas. No apoyan movimientos armados de liberación, no apoyan personas que estén liderando procesos de descolonización que no hayan sido electas democráticamente (como Ibrahim Traoré), no cuestionan los años de propaganda contra países de América Latina. Muchos que usan al Che en sus remeras ni siquiera lo apoyarían si estuviera vivo hoy.
Comparto el excelente comentario de @ ZipiGonzalez:
"Acá hay un género literario entero: el cosmopolita que ama al Sur Global mientras el Sur Global pierda con elegancia y dignidad.
Ishaan Tharoor escribió su obra maestra en este sentido.
Hace una lista de "países encantadores" de la copa: los ponjas que limpian el estadio, los coreanitos amables o Vozinha, el perdedor con dignidad.
Todos adorables, entrañables, memorables. Todos eliminados.
Lo cierto es que el pintoresquismo tiene condiciones. El otro es celebrable mientras rinda ternura. Y en general, son tiernos porque pierden y son inofensivos al poder.
Tharoor construyó "su amor" por Argentina en la decadencia: la hiperinflación, el caos, el equipo sufrido por las injusticias.
Esto es una relación estética con la periferia. Cuando la periferia deja de ser pintoresca y empieza a ganar, se le rompe el juguete.
La cita del uruguayo Galeano sobre el Diego y el Nápoli es evidente: muestra un sur oscuro que humilla al norte blanco que lo despreciaba. Y usa esa cita para decir que Argentina hoy es el norte. Ahí opera algo que no escribe: el sudamericano que "parece" europeo no cuenta como triunfo del Sur.
Argentina es Sur global aunque no le guste. No es algo que él pueda elegir porque le parece más o menos simpático.
Encima, a todo esto, se le suma que su prueba de que somos el orden establecido es que Milei se va a sentar al lado de Trump en el palco (cosa que parece que no va a ser así).
¡Es exactamente al revés!
Un argentino de invitado en un estadio de New Jersey, del lado del que manda, es la escena más periférica posible.
Confundir proximidad con poder es un error de lectura básico. Nunca fuimos menos soberanos que cuando fuimos más amigos. El abrazo es la sumisión sin fricción alguna, la rendición.
Lo que le pasa a Tharoor no es que Argentina se volvió mala. En realidad, le gustaba una Argentina que perdía. Eso dice bastante es sobre él."
A los primermundistas (inclusive los de izquierda) les gustan los underdogs que no molestan. Nunca le van a perdonar a un latino que no agache la cabeza.

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Why doesn’t Argentina have more Black players in the World Cup?
I know the article title is inflammatory, but give it a second! I only note that it's from 2022, citing situations from even further back, which is my way of showing that this isn't a "brand new" conversation being held because of this recent World Cup.
So, in looking more into the author of the book we're gonna read by Dr. Erika Denise Edwards, @toiletpotato found some really good articles for me to read from a Reddit AMA she was a part of and sent them to me!
And what's crazy to me is, reading all of this... I'm starting to feel like this entire argument has been kind of pointless because we weren't (fully) disagreeing with each other. I mean, I'm definitely seeing the "myths" part about why the Black population decreased so drastically, so I admit I see what (SOME of) y'all were saying. That was misinformation.
But I'm also still seeing how there was a societal, systemic effort by the Argentinian government to shift the country towards (the facade of) European Whiteness. Of putting it in the Constitution to encourage European immigration. Of how 1/3rd of an entire population still "became" less than 1%. Of the expectation that "you'll have to go to Brazil to find Black people".
"But White Argentine leaders such as Domingo Faustino Sarmiento, ex-president of Argentina (1868-1874), crafted a different narrative to erase Blackness because they equated modernity with whiteness. Sarmiento wrote “Facundo: Civilization and Barbarism” (1845), which detailed Argentina’s “backwardness” and what he and others perceived as the need to become “civilized.” He was among those who shared a vision for the nation that associated it more strongly with European, rather than African or Amerindian, heritage.
Argentina abolished slavery in 1853 in most of the country and in 1861 in Buenos Aires. With its history of slavery behind it, Argentina’s leaders focused on modernization, looking to Europe as the cradle of civilization and progress. They believed that to join the ranks of Germany, France and England, Argentina had to displace its Black population — both physically and culturally.
In many ways, this was not unique to Argentina. This whitening process was attempted throughout much of Latin America, in places such as Brazil, Uruguay and Cuba.
What makes Argentina’s story unique in this context, however, is that it was successful in its push to build its image as a White country."
Or this part, of how it would benefit Black people (who could) to shed that identity and "become white" for legal purposes and benefits. And if not, to become an Other rather than be Black-
"As for the nation’s Black and Amerindian populations who were in Argentina before this mass European immigration, many began to strategically identify as White if they could “pass” or to settle into more ambiguous racial and ethnic categories.
These categories included criollo (pre-immigrant background often affiliated with Spanish or Amerindian ancestry), morocho (tan-colored), pardo (brown-colored) and trigueño (wheat-colored). While these labels ultimately cast them as “Others,” they also helped dissociate them from blackness at a time when that was a state imperative."
Again, to ME, these are signs of a deliberate cultural genocide, that "yeah I'm here but I have to say I'm anything other than Black". But mayhaps they just... Don't feel that way? I still have questions. And this time, we're gonna read the book together and find out.
"It's like describing the same damn quote everyone's been using about this movie every time to someone who's heard it a million times and asking them to say 'sure, the dog quote is cool but there has to be another way to refer to this movie' or whatever" Joking aside i loved the movie, absolute peak. As much as clark ended up becoming a bad guy, i gotta say that i really related to his curiosity of the backrooms.
awaken the nijiku within
Everytime I draw them 049 gets longer. The parasites are back my god

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Bustling night life
Ireland, juin 2024 © marinebeccarelli
Canon AE1 / Kodak Gold 200
wanderings | Mamiya RB67 | expired Fuji NPS 160 | 2025
A sheep in the role of Cordelia in “King Lear With Sheep.”Credit” Nick Morris.
Source: ‘King Lear With Sheep.’ Yes, Sheep.

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