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Black Panther Vol 8 #12 (2022) // Marvel Comics

Story: John Ridley, Art: German Peralta Cover Felipe Massafera

Get the comics here

[SuperheroesInColor linktr.ee / FB / IG / Twitter / Twitch / Support ]

•18+ Adults Only

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andrew-garfielld

Issa Rae as Jessica Drew/Spider-Woman in SPIDER-MAN: ACROSS THE SPIDER-VERSE (2023) dir. Joaquim Dos Santos, Kemp Powers, Justin Thompson

First Gen Teaser from Glenn Billups on Vimeo.

First Gen is an experimental documentary utilizing archival home videos, super 8 footage and digital formats to create a piece representative of a family's multiple generations and their journey with education.

Directed and Produced by Glenn Rico Billups

martinsfrancisco

COLORS OF THE WIND

www.martinsfrancisco.tumblr.com

• Photography/post-production/styling: Francisco Martins Photography

• Model: Paulo Pascoal (actor)

__

For more pictures of this model check out my tumblr or my facebook photography page.

If youve seen Veep, you likely know Richard Splett, which could mean you know Sam Richardson. It more likely means you know what it is to be so convinced by a performance that youre unsure where the actor stops and the character begins. How does an artist make that happen, especially when hes the newcomer to one of the most talent-packed comedies on TV? Well, it might be a stretch to say Richardson grew up on the mean streets of Detroit, but growing up on the citys tough comedy stages taught him a thing or two. Now, Motor City serves as backdrop and inspiration for his own TV show. We discuss the parallels between playing a pitchman on Detroiters and actually pitching Detroiters, and how growing up between two countries inspired its unique take on race and traditional sitcom relationships. He also explains why a fake laugh is no courtesy, but a crime against humanity.

#sam richardson #interview #ghanaian #detroit #comedy #veep

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Black Panther by silverjow

savesuho-blog

me too spock

scifiction

Boris Vallejo

Keepsake (Short Film) from Edith Snow (aka Meredith Sause) on Vimeo.

Estranged sisters reunite to deal with their late, hoarder-mother's estate and discover a family secret.

(Some harsh language; 17m 20s)

Directed by Meredith Sause (a.k.a. Edith Snow) Written by: Eryk Pruitt Story by: Meredith Sause & Eryk Pruitt Director of Photography: Ismail Abdelkhalek Production Design: Derrick Ivey Starring: Tracey Coppedge & Meredith Sause Score: Emma Nadeau & Josh Starmer Additional Music: The Moaners Supervising Sound Editor: Walt Bost Assistant Director: Monique Velasquez Field Sound: Piper Kessler Gaffer: Matt Hedt Camera Assistant: Courtney Satterfield Set Still Photography: Gail Goers Jib Cam/Op: Ben Root Paintings by: Kendall Music Schenkenberg Photos Courtesy of: Mark Miller & Nicole Farmer PA: Nathan Logan Catering by: Lana Pierce

Social Media: facebook.com/KeepsakeSausePruitt/ tumblr.com/blog/keepsakefilm

For inquiries or EPK, please email: [email protected]

famousblackcelebs

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(via Trippy RollerCoaster Ride - YouTube)

(via Luminescent fruit)

#art #painting #citrus

hyrude

tell me why this budgetless gay youtube series made for fun by a group of friends has the best editing and writing of anything i’ve watched in a year.

also tell me how this single scene can contain every single one of the top three most iconic lines in history.

benepla-deactivated20180521

this is from “the gay and wondrous life of caleb gallo” & i implore u to look it up and watch every episode immediately

biivory69

It’s Pride Month so I’m being this baby backs round cause yes!

tiggahtigz

This kills me every time I see it. So good!

thadman

Freckles is GOAT

tired: sunset wired: moonrise Moving toward 40 and past, into the galaxy. Starbound. #BirthdayMoon #cancerseason♋️

#birthdaymoon #cancerseason♋️

cameraxscreenxmarvel

Luke Cage season 2 👊🏾

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I said what I said.

Believing, like willing, seems fundamental to autonomy, the ultimate ground of one’s freedom. But, as Clifford also remarked: ‘No one man’s belief is in any case a private matter which concerns himself alone.’ Beliefs shape attitudes and motives, guide choices and actions. Believing and knowing are formed within an epistemic community, which also bears their effects. There is an ethic of believing, of acquiring, sustaining, and relinquishing beliefs – and that ethic both generates and limits our right to believe. If some beliefs are false, or morally repugnant, or irresponsible, some beliefs are also dangerous. And to those, we have no right.

You don’t have a right to believe whatever you want to | Aeon Ideas

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