Favourite Relationships: Dean Winchester & Castiel (Supernatural)
“Don’t make me lose you too.”
“Let me bottom-line it for you. I’m not leaving here without you.”
“We’re family. We need you. I need you.”
“I could go with you.”
One Nice Bug Per Day
dirt enthusiast
I'd rather be in outer space 🛸

Love Begins
2025 on Tumblr: Trends That Defined the Year
PUT YOUR BEARD IN MY MOUTH

todays bird
noise dept.
Stranger Things

JVL

祝日 / Permanent Vacation
he wasn't even looking at me and he found me
i don't do bad sauce passes

@theartofmadeline
h
ojovivo
YOU ARE THE REASON

Origami Around

seen from Türkiye

seen from Brazil

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seen from Italy
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seen from United States
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seen from United States

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seen from Malaysia

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@textviolet
Favourite Relationships: Dean Winchester & Castiel (Supernatural)
“Don’t make me lose you too.”
“Let me bottom-line it for you. I’m not leaving here without you.”
“We’re family. We need you. I need you.”
“I could go with you.”

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Favourite Relationships: Dean Winchester & Castiel (Supernatural)
“Don’t make me lose you too.”
“Let me bottom-line it for you. I’m not leaving here without you.”
“We’re family. We need you. I need you.”
“I could go with you.”
Universal Gate 5
Ch. 3 How Mom and Dad Got Together (I)
-Universes spitting time: Detour / Detour / Chinga
UNIVERSE DTI ,1997
“Wait, you’re ditching me?”
Her words stop him dead in his tracks.
Mulder turns around and takes a good look at her. She’s still holding the little silver tray with cheese, crackers, and wine.
it's actually really important that aziraphale talked about who crowley was as an angel, it's not insulting, it doesn't reduce him to his past. it's not in any way contrary to their relationship.
for the very first time, aziraphale fully understands that there is no fundamental difference between angels and demons, that those who fell aren't evil, that they didn't fail at being good.
that there's nothing to fix.
the entire time we've known them, aziraphale has been stuck in his black and white thinking, terrified of being cast out, of no longer being on the "right" side. crowley on the other hand always knew sides were arbitrary, there's no innate quality that makes someone an angel or a demon, it's not even their choices. they're characters in her book, they cannot escape the ink on the pages.
acknowledging that crowley was the best of them means accepting that crowley is perfect the way he is. it means that he loves him for his past and his present, that he understands how he views the world now. he is finally seeing the universe through crowley's eyes without hesitation, he's not turning away like he has quite literally done so many times before.
an artist, a scientist, a cosmic engineer—none of those are contradictory, they're one and the same. saying crowley was the best of the angels doesn't negate him being perfect as a demon or "private individual". he's all of those and more.
for millennia, aziraphale struggled to balance two opposing views of crowley: the starmaker and the demon.
all demons are evil, they have to be for angels to be good, but the crowley he knows isn't evil. so either his perception of crowley is wrong (impossible, it can't be, it can't be) or the celestial dichotomy is meaningless (it can't be, it has to matter, he cannot question god). his behaviour was inconsistent, dependent on circumstances, both beliefs true and false at the same time.
he just wanted to do the right thing but didn't know how. god lays it out for him, though at that point it's just the final tiny nudge, most of the work was already done. listing his sins which an angel should not have, and yet there he is, the second best angel she ever had. aziraphale can hold both beliefs in his mind now without struggling, without fear, without caution.
finally, he knows how to do the right thing, how to love crowley without feeling like it means losing himself.
it's good, it's honest, it's the truth. real shades of grey.
what IS going on in the 911 buddie fandom? are they canon yet?

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That Carrie post reminded me of my biggest and oldest pet peeve: adaptations taking a character who's supposed to be ugly, or at least not beautiful, and casting someone perfect-looking. A lot of the time this is simple misogyny, but the inability to allow ugly people to exist also extends to men and boys, and I remember how pissed I was when I started understanding this at around the age of eight.
Bastian of the Neverending Story is fat and weird-looking, in the movie he's a perfectly photogenic all-American kid.
Hermione is buck-toothed and unpretty, in the movies she's a perfect little girl who grows into a very attractive woman.
Carrie is fat and unpretty, in the movies she's a supermodel in slightly unflattering clothes.
Don't even talk to me about Ugly Betty.
The latest Frankenstein adaptation continues a long trend of trying to convey the message of "this monster is not inherently evil" by making the monster look good. Because obviously if the monster did look bad, it would be evil and people would be justified in shunning it.
Even supposedly more serious media does it. Imre Kertész's Holocaust novel Fateless has a minor character, a wimpy weird-looking member of the group of boys who got deported together. The other boys don't really like him, and disdainfully agree when he's deemed not fit for work - of course they don't yet know that it's a death sentence. In the atrocious movie he's not weaker just younger, a photogenic little boy, and him being sent to his death is played as a sentimental tearjerker for the audience instead of forcing us to grapple with the complexity of the original, where mundane teen boy cruelty continues to exist in boys who are currently victims of a genocide.
A written text says: this person is ugly, this affects how people treat them, this affects how they feel about themselves, how they behave, how they live in the world. This might just be an incidental part of their story, or it might be its entire point of the whole fucking book. And then the movie sweeps in and says: oh, but they aren't ugly! They have always been beautiful! They are being bullied and shunned for no reason! So unfair!
And the unintentional but very obvious implication arises that if they *were* ugly, of course they would deserve the bullying, the audience would agree that they deserve the bullying, the audience would want to join in, kick spit point laugh. The idea of empathizing with an actually ugly person doesn't compute. (Maybe it's clear by now that this has done low-grade but long-lasting damage to me as a person: weird ugly people are simply not allowed to exist, not even in stories about being weird and ugly.)
Btw this is why "everyone is beautiful" type body-positivity does nothing for me, and why I'm hyper-sensitive to how people discuss ugliness in reality and in fiction. For example, I love the Just King Things and the Shelved by Genre podcasts, but I think they struggle to see the value of written descriptions of ugliness. They interpret Steven King's descriptions of Carrie as cruel, they interpret Tiptree's description of P. Burke in The Girl who was Plugged In as cruel and fatphobic. Sure, I don't want to give King kudos for all his depictions of women, but he did get it right that time, and Tiptree absolutely did. Describing a character, especially a woman as ugly, genuinely ugly, no not secretly beautiful, actually ugly, and then telling her story, a story about existing in the world as an ugly woman, is really really fucking important. And people keep shying away from it, oh, it's cruel to call anyone ugly, let's pretend that ugly people don't exist instead.
Well, at least she died doing what she loved—getting her dick sucked.
made a yoonmin playlist, heavily inspired by my fav yoonmim fics (kyrifics i love you)
hope y'all enjoy
happy birthday to my favorite sam winchester, season 1 sammy
… Impulses… Why am I so determined to be alone? What made me like this? (x)

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will you accept the challenge?
And finally...3. See you soon 😇😈
WHO'S THE WOMAN IN THE BOOKSHOP
And finally...3. See you soon 😇😈
What’s your thoughts on Delicious in Dungeons Character Designs?
Ryoko Kui is the best to ever do it.
To expand on this a little bit: Ryoko Kui takes the tools of character design seriously, and uses them with forethought and consideration to set her characters apart, give them personality and specificity, and thinks very carefully about what each piece of design communicates and how it interacts with all the other design in her story.
Body shape, face shape, noses, eyes, brows, hair, proportion, fashion, ears, posture, roundness and angularity, broadness and slenderness, posture... Kui clearly thinks about ALL of it, and incorporates all of it.
And this is part of what gives her story such a profound sense of taking place within a world, a whole world inhabited by thousands of people each of whom are as full and unique and distinct as every other one. You look at a group of her characters and none of them feel like Copy Pasted NPC Placeholder #3457, they each feel as though there is a life there, an individuality, even if they are never actually deeply explored in the story.
Compare and contrast with something like Genshin Impact's style of character design:
Now, I don't bring this up just to sh** on Genshin - its character design style is adapted very effectively to the kind of story and world it is trying to build, which is to say a gacha story where every part of a character is formulated towards the singular goal of appeal. It's a world inhabited by nothing but main characters, essentially, and it is a laser-focused power fantasy structured around constantly pursuing the high of maximum damage numbers pumped out by maximally cool and badass battle moves executed with maximal grace by physically perfect avatars who provide the player with maximal aesthetic pleasure.
But because of that, its character design style is under severe pressure to regress to the mean - i.e. skinny bodies, young bodies, beauty ideals, and a minimal amount of physical difference. This style of character design tends to focus all of its effort in colorful, detailed and attention-grabbing fashion and hair styles, and generally avoids "alienating" design features like, well, literally anything that could be conceptualized by anyone as "ugly." Big strong noses, for example, or larger ears, or wrinkles, scarring, skin folds and so on. Fatness functionally does not exist in Genshin Impact's character roster for this reason, and it's part of the reason why the franchise struggles so notably to design characters of color - the concept of "beauty" is deeply bound up in systemic biases of class, race, gender and nationalism, and since Genshin's character design ethos is "make every character as broadly beautiful as possible" it has to keep hitting the same limited set of beats over and over and over again, and it reinforces the biases it inherits with its inability to step outside of them.
So Genshin Impact characters have a tendency, for me at least, to all kinda blur together into a brightly colored cavalcade of lowest-common-denominator ambulatory clothing racks, characters whose bodies exist for the primary purpose of transporting a highly elaborate costume around.
Kui by contrast very very actively seeks out elements of physical difference, and incorporates them into her design process - she seems to delight in inventing as many nose shapes as possible, as many different kinds of eyes as she can think of, and the result is that she has a character roster which is recognizable even if you change or remove very important parts of their basic design.
Where Genshin Impact (and that style of character design) would severely struggle to make characters recognizable without their costumes, because the characters in large part are their costumes, Kui's design style makes characters extremely recognizable not only in and out of costume, but even if the fundamental nature of their bodies change across species, and it makes her characters of the same race and species eminently recognizable from one another, even while sharing many physical traits and aesthetic features.
anyway tl;dr Ryoko Kui is the best to ever do it.
Not much longer now...

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since it’s midnight here already, happy november 5th, can’t believe it’s already been 5 years
I kind of painted something