Marta Traba, La pintura nueva en Latinoamérica (1961). p. 25
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Marta Traba, La pintura nueva en Latinoamérica (1961). p. 25

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Panetta argued—in a probably conscious paraphrase of Anne-Marie Slaughter—that “girls don’t have to change who they are” to become arms dealers and military officers. Rather, the war machine must change for us. And which female “us” is that? The writer and journalist Rania Khalek once sardonically declared that, in American geopolitics, “all that actually matters is breaking glass ceilings, even if that means breaking the actual ceilings of women in Yemen.”
Enemy Feminisms by Sophie Lewis
Real events bore out Khalek’s observation with spine-tingling crudeness when, in 2019, the weapons manufacturer Raytheon (responsible for many lethal drone bombings of Yemenis) wrote a check to the Girl Scouts of the USA, after which the two organizations cosponsored a series of “Cyber Challenges” themed around juvenile females’ career advancement. Smiling cadettes learned code and received “mentorship,” all courtesy of the “defense” megalith that ongoingly profits from selling bombs to Saudi Arabia, which end up obliterating Yemeni school buses.
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la revolución debe ser roja y sabrosa como una frutilla (1971) de roberto matta

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Sam Neill and Isabelle Adjani at the Cannes premiere of Possession, 1981.
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this post is about john lennon and paul mccartney. pls dont reblog with anything else except for the person who said "transfem mulholland drive"

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