Marta Traba, La pintura nueva en LatinoamĂŠrica (1961). p. 25
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Marta Traba, La pintura nueva en LatinoamĂŠrica (1961). p. 25

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everyone envies me for my Mateo Point
how it feels to read 85 pages of a book in one sitting
england when it's time to play a meaningless game for consolation points:
PIER PAOLO PASOLINI
Accattone (1961) â Mama Roma (1962)
The Gospel According to St. Matthew (1964) â The Hawks and the Sparrows (1966)
Oedipus Rex (1967) â Teorema (1968)
Pigsty (1969) â Medea (1969)
The Decameron (1971) â The Canterbury Tales (1972)
Arabian Nights (1974) â Salò, or the 120 Days of Sodom (1975)

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A trend on Twitter: four small tasteful stills from a film. Thereâs virtually no film you canât make look good in this way. There are films I loathe or am wholly indifferent to that I still find quite breathtaking presented this way. Letterbox slivers. Tiny moodboard postings of âiconicâ stills from canonical films. Cine-fetishism. Image addiction. Micro-gaze. What began on the big screen reduced to glints on a flat tiny surface. Cinema turned into a digital stamp album.
Ian Penman | Fassbinder: Thousands of Mirrors
Mali
AntologĂa De PoesĂa Surrealista de la Lengua Francesa: âLos Poetas Negrosâ, Aldo Pellegrini

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Radiant Che
Alfredo Rostgaard, 1969
Poster for the OSPAAAL (Organization of Solidarity with the People of Asia, Africa and Latin America)
Iâm starting a gofundme to get a mojito
call my dick the tower of babel the way god wont let me erect it
Splitting Gordon Matta-Clark 1974

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Trinicon Colour Camera DXC-1610P, Sony, 1980s