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@telepathiic-archive
THIS ACCOUNT IS OFFICIALLY ARCHIVED!
i needed a fresh start, i miss charles, i will still be low activity for the most part, but you can find me OVER HERE!

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me? suffering? all the time
erik could almost believe him. with his spiked-eyelash concentration into the chocolate box. with his steady and level voice.Â
he could almost. but heâs looking too hard, like he always is. maybe someone else wouldnât notice how steadfastly charlesâ eyes wonât meet his.
his grin is awful and smug.
cold wine at the back of his throat, charles distorted by the raised glass, erikâs eyes crease. thereâs only a mouthful of wine left when he puts the glass down.
he slouches in the lush armchair and crosses his legs.
he pauses for a second, as if savouring the pinot on the tip of his tongue.
   "Youâre an awful liar, Charles.âÂ
he doesnât pay him any mind. itâs easier if he pretends he isnât there at all. thereâs a little wrinkle in between his brows from how hard heâs concentrating on not acknowledging erikâs very pointed presence.Â
when he finally looks over, box still in his lap and not a single chocolate picked out, he catches the edge of erikâs smile. oh, no.
he feels an embarrassed, unmistakable sort of heat crawling up the back of his neck. this was a terrible idea. he shouldâve asked raven what to do instead. he shouldâve done absolutely nothing at all.Â
      âI donât know what youâre talking about.â
he looks at him, blank-faced, flatly.
      âI havenât lied to you at all.â
he takes the glass of wine and has a generous sip, box still suspended between them.
    âIf you think about it,â
his arm retreats so he can take another look himself,
     âyou get more chocolate with the heart-      shaped ones.â
chocolate and wine are a strange mix, especially with the toffee in his molars threatening to seal his jaw shut. that doesnât stop his next throat- bobbing sip, but it does make him think twice about taking the strawberry-jelly heart.Â
    âand Iâm only surprised theyâre nice      because there arenât many people here     ââ aside from you, maybe ââ who would     have the class to buy a box of chocolates     with an instruction leaflet and tissue paper     inside.â
his smile is pleasant and unsuspicious, and completely dangerous as he looks back up at him and hands the box over.
he doesnât want to hear about what erik thinks about and he doesnât want to hear about what erik thinks he ought to think about, either. back to him, charles drains half his glass and only turns back around when he feels as if heâs teetering on the edge of rude.
      âDo you? Iâve never thought about it.â
charles tries to smile but it looks more like a tight- lipped grimace.Â
      âMaybe people are learning from me.â
he takes the box from him and pretends to look through it, as if he doesnât know the entire select- ion himself.
      âLead by example, and all that.â
also when iâm not here (which is most of the time tbh, sorry guys!!) iâm over at my smol mutant babe @ruinaa

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the study is warm and dim, and thereâs something about it that makes it seem like the ceilings are less high than the rest of the mansion, the windows smaller. erik sits down and folds open the chocolates on his knee.Â
   âTruffle. Mint. Salted. â These are nice.â
thereâs not one tear on the cardboard of the box. not a dent from opening it. even popping a toffee barrel out of the plastic is casually careful, carefully casual.Â
   âWhoever it was has good taste.â
  âI donât think Iâll be able to lie to them if they ask me.â
as he pops the toffee in his mouth he gives charles a disapproving look. the sweet ruins the effect, sticking out at his cheek.
   âWhat one do you want? Thereâs one here with ââ
the card thatâs included describes each chocolate in a looping font,Â
   âStrawberry jelly in it â and oh,â he says, like heâs delighted, âitâs a heart.â
he holds out the box.
now that theyâre here -- which is as much as heâs talked himself up for, as far as heâs allowed his plans to go -- he doesnât know what to do with himself. casually, with the air of someone who is determined not to seem bother- ed by anything at all, he busies himself pouring wine. itâs likely not the best drink to choose, especially not on a day like this, but.
but. here they are.
      âYou sound surprised that theyâre nice.â
he matches erikâs look with one of his own. flatly,
      âOh, Iâm sure youâll manage.â
he hands erik a glass of wine and refuses, again, to look at him. he focuses on the box in his hand instead. it isnât any better.
      âSomething that isnât heart-shaped.â
erik ââ hand on the doorknob, surprised fingers lingering ââ makes an oh shape, small and soft, with his mouth and moves out of the doorway to let charles roll past.Â
his mouth twitches, hidden from charles, as he crosses the room in long strides to pick up and rattle the box. the twitch threatens to spread, his cheeks tight with the effort to keep his smile closed.
he has to do a fast walk-jog, chocolates like stones in a rattling tin, to catch up to charles down the corridor.Â
   âDo you think someone forget to take them    on their date?â
walking promptly beside him, erik doesnât seem to catch the cue that theyâre not meant to be meeting each otherâs eyes.
  âI wonder who left them.âÂ
he starts to walk backwards, facing him.
  âAngel or Sean. Azazel. A burglar.âÂ
ahead of charles already, footsteps deliberately measured (no spring), he pushes open the study door and holds it ajar.
  âA shame, anyway. Iâm sure theyâre kicking   themselves.â
      âI suppose so.â
he shouldâve thought this lie through a little better. erik catches up to him quicker than heâd thought he would and charles can feel heat creeping up the back of his neck, a flush of pink.
he refuses to look at him. he focuses instead on not catching his chair on the toes of erikâs shoes, but heâs tempted to. it would serve him right.
      âI donât know who left them. There wasnât       a name or anything. If there had been, I       wouldnât have offered them.â
his voice is tight, clipped. he wheels past erik and into the study and regrets the invitation. heâd rather keep this entire bottle to himself and his red-faced, sudden shame.
      âProbably.â
he finally looks at erik.
      âBut weâll have to tell them we donât know       what happened to the box.â
the hypothetical they is going to be the death of him.
      âIf anyone asks.â
raven. who would be unbearable, probably. who splits his grin open now â a smile more crooked than usual, a sleepy row of white teeth bordering on a laugh. the thought of her isnât particularly funny; he can imagine her grin, her raised eyebrows, her rolling eyes. it warrants a smaller smile from him, the thought. but charlesâ flickering smile, the blink- and-you-miss-it amusement is infectious.Â
he tries to stifle it, lips thinning from the effort.Â
his eyes flick to the door as if to say out there?
       âah,âÂ
he nods. as if heâs been let in on a secret.
       âthey might get the wrong idea.â
raven would be terrible. raven will be terrible, when she finds out. because she will, he knows it. raven finds out everything in this house far easier than he ever has or ever will and -- she will find out about this.
he can already see the look on her face, the waggle of her eyebrows above the rim of a coffee cup. it makes his stomach twist. heâll never live it down.
still, he finds himself grinning, eyes crinkling before he catches it.
      âOh, undoubtedly.â
he doesnât know why he finds this funny, either. hadnât he been skirting around this weeks ago, with raven?
      âIt would be a scandal.â
( @mutantism )
      âSomeone left these.â
he gestures awkwardly to the box of chocolates in the middle of the kitchen table, unopened. no oneâs left them. he bought them, embarrassed himself thinking of giving them as a gift, and came up the lie last minute.
with a bottle of wine tucked between his leg and the side of the chair, he rolls past.
      âYou can have them.â
he refuses to make eye contact with erik.
      â-- Iâll be in my study if youâd like a drink,      too. I think everyone else is -- out.â
the fast beat of his heart, the dissonance between that and his slow fatigue, the heavy weight of it â it creates air bubbles in his chest. like pancakes in the pan. pockets of trapped, light air. that lightness catches onto the aborted twitch at the corner of charlesâ mouth. his snort is clumsy, unintentional â an air pocket from his light chest.Â
                 ââ is this funny?â
heâs very close when charles turns. he shifts away, moves down onto both of his elbows, stomach down. he canât help but look at charlesâ hands when he does. itâs a better alternative to trying to read his expression.
watching his hands, his fingers, his wrists and the underside of them disappearing into the cuff of his pyjama shirt, erik knows he should leave. heâs good at it, after all. they both know that.Â
but âÂ
thereâs a pillow mark running pink from his jaw to the bump of his cheekbone and, though heâs unaware of the mark, he knows his resolve is suddenly as soft as that reddened skin.
                 âitâs late.â
the do you want me to leave is there somewhere. reluctant, but ready to be pulled from the air.
itâs not funny, not really. or maybe it is in the two a.m. way all things are funny. maybe it is in an i- told-you-so way, because after the last time, heâd been foolish (?) enough to think that it wouldnât happen again.Â
a smile flickers in the corner of his mouth again, there and gone, and he shrugs.
      âno, no -- well, i donât know. maybe.â
he rubs at a spot beneath his eyes with his ring finger. when he blinks, itâs a dry, scratchy feeling.
he isnât surprised when erik says it, and he thinks he knows whatâs going to follow. heâd expected it, really; kiss or not, heâd never considered erik stay- ing through the night. his falling asleep hadnât been intentional, after all. why wouldnât he go?
      âmhm.â
still, he seems reluctant to do so, and charles is reluctant to let him.
      âyou might run into someone in the hall,       though, you know. raven, or someone.â

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@telepathiicâ | jawline kiss
eight oâclock and erik follows him into his room after dinner, walking behind him with wide hands and big gestures and a deep investment in a conversation heâs since forgotten.
ten oâclock and charles has to interrupt him mid-conversation to go and brush his teeth. he follows him again, through the bump of his wheels over the doorway, and sits on the closed toilet talking to him, leaning against the wall, nodding through his foamy-mouthed rebuttal, watching him in the mirror.
eleven and heâs almost lying down in the armchair in the corner of the room, legs in front of him, ankles crossed, forearm draped over his brow, over his eyes. charles changing into his pyjamas.Â
one in the morning, closed curtains and silence outside, and heâs sitting on the edge of charlesâ bed, nodding and interrupting him and grinning and listening and â suddenly, it seemed to make sense that his eyes have been closed for a while and he can hear the pages of charlesâ book turning leafily somewhere near him.Â
he doesnât know when he kicked his shoes off. hours ago, probably. but his feet are on the bed, his socks twisted half-way wrong.Â
it must be two. half-two. late enough that his eyelids are heavy and charles is squinting at his book in the low light.
stirring without moving, his foggy eyes adjust to being awake.
he blinks at charlesâ profile. his creasing brow, his nose, the dip of his upper lip that erik imagines is the exact size of the soft pad of his own index finger, his chin, the smooth line of his jaw.
he kisses it. his jaw. the corner of it. above his shoulders that rest against the deep pillows. above the warm and almost hidden line of his neck. below his earlobe. right below it. his nose touches the soft shell of his ear. is ticked by his curling hair.Â
he canât remember making the decision.
he stays up on his elbow after drawing back.Â
his voice is soft and rough and strange. as low as the dim light.
        â â iâm sorry i fell asleep.â
he doesnât think of telling erik to leave. which might be the start of the things, really. that he doesnât say anything at all even as erik toes off his shoes and sits on his bed and falls into the sort of heavy quiet charles knows means sleep.Â
the thought, which seems so obvious now, never once crosses his mind.
he reads. used to the solid weight of someone be- side him -- raven, usually, her head tucked against his shoulder in a way that seems Very Long Ago -- he doesnât think, again, of this being odd. maybe it is, maybe it should be. but it isnât. not now, at least. not with the comfortable familiarity of his bedroom and the drawn curtains and the quiet of the rest of the house.
half-past two and his eyes burn, the stubborn sort of itch that he remembers too well from oxford, the time after it.
he isnât aware that erik is awake and watching him until itâs too late and even then, he doesnât do any- thing at all. thereâs a moment of quiet, near-panicked stillness that lends itself too easily to the wet thud of his heart in his throat. he wonders if erik feels it, too, and hopes that he doesnât.Â
(he isnât sure why. but another time floats into the back of his mind and sticks, something too similar to this and how strange it is now that of all things, erik has chosen to say.)
      âoh.â
he marks his place in his book. places it back on the beside table. looks at his hands, the faded blue stripes of his pajamas, and feels the sudden, ill- timed urge to laugh.
he stifles it. turns to erik, instead.
      âdonât worry about it, really.â
@telepathiic
for a man with a limp and bruised ribs he barges into charlesâ room with a surprisingly blitz-like energy.Â
on the âbathâ of can i use your bathroom? erik has already shuffled quickly past charles and slammed the en-suite door shut.
hiding from post-fight raven, using a bathroom hatâs not his own (that she has made herself so comfortable in turning up at) is imperative.
from behind the wood, running his new black eye under the cold tap he calls a muffled,
  âtell mystique itâs time for her to move out.â
heâs too surprised when erik opens the door without so much as a knock to say anything until itâs too late. the bathroom door is already shut; he hadnât even gotten a proper look at him. itâs suspicious.
and telling, he thinks. charles leans forward and tries to see through the crack in his bed- room door, as if he expects to see someone (raven) trailing five steps behind erik, knowing- ly.
      â-- why?â
marking his place in his book, he gets out of bed, wheels himself to the spot just outside the bathroom door.
his knuckles rap against it.
      âWhat have you done now?â
& @telepathiic
sheâs been here a hundred times before, and she will be here one hundred times again;
raven, endlessly and timelessly, all at once age nine and thirty- one, hovering outside charlesâ bedroom door before she pushes the heavy wood open and peers in.
    âCharles? Are you busy?â
settled in bed with a book, he looks up as soon as the door opens and marks his place.Â
      âNo, not at all.â
he canât say heâs surprised to see her here, but thereâs something about it (now, After) that makes him feel as if thereâs somehow something different in it, too.
      âEverything all right?â
she barely resists rolling her eyes, as a tired sort of exasperation fills her. because she is tired of this.
tired of facing this same thing, her brotherâs biggest weakness, for all these years and have nothing change.
    âIsnât it always, with you?â
trying to control the bitterness in her voice leaves her words tight and angry, still, sharp in their obvious wariness.
    âThereâs always something.â
he stares at her for a long moment, then two. something sharp and guilty twists in his stomach. he doesnât know what to say to her, what she wants to hear.
(maybe thatâs always been his problem, theirs. that heâs only ever given her the opposite.)
      âYes.â
heâs surprised how easy it is to admit it, suddenly, but it doesnât change anything. it never has.
      âI suppose there is.â
(he doesnât think it will ever change any- thing, either. but he keeps that to himself.)
he sighs.
      âWhat would you rather have me       do, Raven?â
her fist curls and uncurls. her neck prickles, and her scales want to curl away from him, away from this discussion.
even after all these years, all the poisonous words that have left her mouth, she finds it hard to tell him the truth â when he knows it will hurt.
    âIt makes people feel like youâre     not ashamed of them, maybe.â
( but, they have both grown. and this feels like a turning point, her dry palms and angry, itching throat, all too reminiscent of before, when they had let things fester. )
he stops, goes still. tension settles along the tight line of his shoulders and, not for the first time, he doesnât know what to say.
      âIâm not --â
voice faltering, he clears his throat and tries again.
      âIâm not ashamed of him.â
admitting it does nothing to lift the heavy weight from his chest. it offers no relief.
      âItâs just -- complicated.â

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[me, screaming with my mouth closed] i regret logging on for this
all traces of light-hearted humor leaves her face. something twists in her expression and she says, a little quietly,
    âYou know, even if it is just to me,     at least he can admit it.â
raven gets to her feet.
    âFine. Since youâre not gonna look     again Iâm gonna go find Emma and     see if she does.â
thereâs an uncomfortable, guilty tug in the middle of his chest. he loosens his collar and debates, for a moment, sim- ply letting her go.
      âRaven.â
voice quiet and tight,
      âItâs not -- Iâm not -- what does       admitting it do?â