send me ‘🃏 !’ and i’ll write you a starter using a tarot card as the inspiration !
can either be pulled from a physical deck, or be randomised using a website. the reading of the card can be as literal or as interpretative as the mun chooses.
Claire Keane

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@taskhand
send me ‘🃏 !’ and i’ll write you a starter using a tarot card as the inspiration !
can either be pulled from a physical deck, or be randomised using a website. the reading of the card can be as literal or as interpretative as the mun chooses.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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ballroom dialogue prompts. below, you can find dialogue taken from ballroom scenes or scenes revolving around the topic from period dramas, for all your fancy dress and intimacy needs. as not all of these are specifically about dancing, i would recommend adding to the end a note that this is the sentence meme you’re sending it for!
❝ is this what you [origin/nationality/family] call dancing? ❞
❝ then i will introduce you to some pretty young noblemen instead. ❞
❝ allow him his fancy. ❞
❝ but no warfare tonight, i trust. ❞
❝ oh, dear me, i’m no dancer, let me find a better partner for you. ❞
❝ i can think of nothing less appealing than an evening of watching other people dance. ❞
❝ will you please come and set an example for your companions? ❞
❝ would you take a drink with me? ❞
❝ i may not be [name], but may i dance with you? ❞
❝ may i have a waltz? ❞
❝ have some more wine, my wine. ❞
❝ take a dance in the garden, my garden. ❞
❝ the pretty young noblewomen of [place/family] would delight to have you paw at them. ❞
❝ but if i were to become a woman with half your grace and beauty, [name]… i would be proud and happy. ❞
❝ you look… as lovely as ever, [name]. ❞
❝ it’s a relaxation to dance with you, [name]. ❞
❝ i’ll save you the third dance just because it’s your first ball. ❞
❝ he has the strength of an ox. and sadly the grace of an ox as well. ❞
❝ the whole party is here to help my father prepare for the party. ❞
❝ you and your idiot matchmaking. ❞
❝ you have shown yourself to be a fine dancer, despite all your protests. ❞
❝ do you not dance, mr. [name]? ❞
❝ though i am an old married man, i would enjoy dancing with [you/name]. ❞
❝ will you stay for the [name/celebration] ball, [name]? ❞
❝ oh, isn’t this room just like a fairyland? ❞
❝ tonight is for celebrations. ❞
❝ how do you like my hair? i did it myself. ❞
❝ oh, i had the most wonderful time! it was out of a dream— ❞
❝ where do you want to be taken? ❞
❝ if i may have the pleasure, will you join me in a [dance]? ❞
❝ she hates us both. hardly a reason for courtship, surely. ❞
❝ you fear for the constancy of your lover’s affections? ❞
❝ put on your best finery, [name]. your most beautiful dress. you’re coming with me. ❞
❝ it’s the last dance. ❞
❝ there is a response to such an insult. but it would not be appropriate here. ❞
❝ if i may be so bold, i would ask for your advice. ❞
❝ i would dance with you, if you will ask me. ❞
❝ sprezzatura. i have heard it means ‘ the effortless display of grace ’. ❞
❝ i see no evidence of sprezzatura. ❞
❝ i care nothing for your pretty young noblewomen. ❞
❝ if you will be my partner, [name]. ❞
❝ it would not be improper for us to dance. ❞
❝ [name] told me she does not mean to dance this evening, but i do see a young lady whom i should like to see dancing. ❞
❝ i dare say, but if i’m not to dance with you, i’m getting out of this operetta and going home. ❞
❝ i come with some admirable qualities. ❞
❝ [name] looks quite entrancing, does she not? ❞
℧ - for essek bc that good good sibling interaction
verin and essek going to an event that requires formal attire.
essek trains verin in combat. ( okay but young them with dunamancy, )
verin and essek eating dinner together
* send me ℧ for me to generate three scenarios for our muses.
Davidson Obennebo @ Elite Models
a tiny wishlist off the top of my head.
“hi we’re friends with your brother” “my brother has friends?”
religion talk bc the luxon is weird as hell but verin believes in it 100%
sparring things with other martial people
i have a mighty need for paladin bros with all y’all paladin people
( also the concept of verin converting lost-threatened-to-become-powerless fjord into a follower of the luxon is…. v sexy )
( the concept of verin converting anyone is v sexy )
verin as security detail for Important Things
verin got blamed for the beacon theft instead of the other taskhand
i just. want plots tbh.

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℧
verin loses a bet to ashmenet.
ashmenet and verin in hand to hand combat.
verin and ashmenet going to an event that requires formal attire.
* send me ℧ for me to generate three scenarios for our muses.
Send me ℧ for me to generate a scenario for our muses
Using THIS generator. .
℧
verin discovers melanie's terrible secret.
verin and melanie go to a bar. melanie gets too drunk and verin has to take them home.
verin saved melanie's life. melanie is honour-bound to return the favour.
* send me ℧ for me to generate three scenarios for our muses.
🙴 𝐈 𝐖𝐀𝐍𝐓 𝐓𝐎 𝐁𝐄𝐋𝐈𝐄𝐕𝐄—𝐍𝐎❟ 𝐈 𝐂𝐇𝐎𝐎𝐒𝐄 𝐓𝐎 𝐁𝐄𝐋𝐈𝐄𝐕𝐄—𝐓𝐇𝐀𝐓 𝐈 𝐖𝐀𝐒 𝐌𝐀𝐃𝐄 𝐓𝐎 𝐁𝐄 𝐀 𝐒𝐀𝐍𝐂𝐓𝐔𝐀𝐑𝐘. verin thelyss of critical role campaign two.
consecution and rebirth into new bodies is a coin toss, and being born into a body that visually doesn’t correlate with how you perceive your gender, how you perceived it in your previous life, is not only not uncommon but an inevitability for those who live through multiple lifetimes. as such, the limitations and obstacles of transitioning—socially, physically, medically—have been very much minimised in the kryn dynasty. finding your comfort with your body and your gender identity is not only not an issue, but even encouraged as a part of the nation’s goals of creating your best self and bending fate to what you will of it.
verin came out as a child, going through the process of arcane transitioning in his early twenties, but didn’t settle on his current name until some time after his hundreth birthday. ( it’s from a book; one of essek’s, actually, that he stole and read in his room in his fifties or so, until essek noticed and stole it back—the meaning or origin he cared little for, but his parents seemed approving of his choice, and he felt like it fit him ). before he was verin, he was many other names, some still found in occasional documents—most mentions of him, however, from before he chose his adult name, have been scratched over, wiped clean, or simply left blank where his first name should be, with simply the word youngest in front of the name of his den.

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Free to watch • No registration required • HD streaming
Send me ℧ for me to generate a scenario for our muses
Using THIS generator. .
a tiny wishlist off the top of my head.
“hi we’re friends with your brother” “my brother has friends?”
religion talk bc the luxon is weird as hell but verin believes in it 100%
sparring things with other martial people
i have a mighty need for paladin bros with all y’all paladin people
( also the concept of verin converting lost-threatened-to-become-powerless fjord into a follower of the luxon is.... v sexy )
( the concept of verin converting anyone is v sexy )
verin as security detail for Important Things
verin got blamed for the beacon theft instead of the other taskhand
i just. want plots tbh.
🙴 𝐈 𝐖𝐀𝐍𝐓 𝐓𝐎 𝐁𝐄𝐋𝐈𝐄𝐕𝐄—𝐍𝐎❟ 𝐈 𝐂𝐇𝐎𝐎𝐒𝐄 𝐓𝐎 𝐁𝐄𝐋𝐈𝐄𝐕𝐄—𝐓𝐇𝐀𝐓 𝐈 𝐖𝐀𝐒 𝐌𝐀𝐃𝐄 𝐓𝐎 𝐁𝐄 𝐀 𝐒𝐀𝐍𝐂𝐓𝐔𝐀𝐑𝐘. verin thelyss of critical role campaign two.
one desire — midnight empire. here and below the cut, you can find 70 sentence starters—pre-established, icebreaker, angst, et cetera—loving lifted from the lyrics of the ten songs on one desire’s second album, midnight empire. tw: ( metaphorical ) drug mention, war / battle, injuries.
❝ you wouldn’t like it out there. ❞
❝ it wouldn’t protect you. ❞
❝ you hate it, that’s why it hates you. ❞
❝ if you try to stop me, i’ll eat you alive. ❞
❝ come on and dance with me. ❞
❝ i’m right here. talk to me, [name]. ❞
❝ cross my heart, i didn’t know we would get this far. ❞
❝ tell me, why did we go separate ways? ❞
❝ i thought that nothing could do us no harm. ❞
❝ you came with your kiss and you left with a smile. ❞
❝ so you knew all this time we were living a lie. ❞
❝ you could never be mine. ❞
❝ you broke my heart when he took you away. ❞
❝ i’ve been searching for an open door. ❞
❝ you’ve been watching me since day one. ❞
Keep reading
𝐀𝐍𝐈𝐌𝐀𝐋 𝐈𝐍 𝐘𝐎𝐔.
YOU ARE A DEER. ( you may also be: dolphin, sable )
petite to average size • beautiful • elusive • flexible • idealistic • inconsistent
this beautiful and delicate creature is a classic example of a prey species, and with few defences other than its nimble mind and agile body it must be constantly on the lookout for danger. deer are active and lithe creatures with little excess body fat, and enjoy and excel at most athletic pursuits. their athleticism and grace may well create a fine first impression; it often masks a scatterbrained and emotionally taxing inner core.
best known for their highly-strung and skittish behaviour, deer personalities are shy and demure. with a propensity to withdraw emotionally for fear of getting hurt, deer often struggle to settle down, and their motivations are certainly difficult to predict. because their coquettish behaviour is rooted in deeply buried insecurities, deer are drawn to the entertainment industry as actors and models, where---by hiding behind the mask of characters---they find temporary refuge from the painful elements in their own lives.
the deer's quest for a balanced life goads it into wildly emotional searches, and stability may take the form of solitude or an obsessive relationship. but more often than not, sanctuary is found in its strong spiritual beliefs. many deer personalities have strong religious convictions, and spend a great deal of time in the company of like-minded individuals. deer are also habitual people-watchers and enjoy nothing better than quietly ruminating while the world goes by. the outdoors is where they feel most comfortable and they are drawn to the freedom of wide-open spaces where their graceful movements and love for music can express themselves.
when it comes to work, deer are not known for their stability---repeatedly switching jobs while trying to find the perfect career. in part, this is because most bosses tend to be larger, predatory animal personalities, and proximity to lions, warthogs and bears make the deer nervous. consequently, the deer will feel most at home as a member of a large team.

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verin wholly, utterly believes in the process of consecution. not even for himself—his goals regarding it are significantly more about finding acceptance and a place in his own family than actual pursuit of immortality—but as an universal concept: something that anyone who wants it, anyone who wants to tie their soul into the luxon and live again, should be able to get if it’s possible for them. it’s a matter of evening the scales: giving as many people as possibile the chance to become their perfect selves, achieve their full potential, and give everything they have to give for the betterment of this world before they let go of it. on principle, verin believes that the natural order of life and death isn’t fair. success is stacked against some years and years before their birth: a goblin is expected to achieve greatness in shorter time than a drow takes to reach adulthood—and, exluding the privileged and the highly talented ( or both, as in the case of essek and him, not that he sees it that way ), very few of even the most accomplished dark elf folk have achieved greatness in that age.
( in that vein, that is where verin’s views don’t fully align with the dynasty’s: as someone who believes that natural lifespans are inherently stacked in the favour of others, the idea of the dynasty’s meritocracy, of requiring the same potential to be reached in order to be consecuted regardless of race doesn’t work with the message tied to the dynasty’s religion. )
the beacons, he treats with the same solemnity and with more respect as one would a crypt. even with his religion pushed aside—the belief of them being a physical part of the luxon, that within itself comes with inherent respect towards them—the beacons are also a vessel of lives in his eyes: a beacon lost means lives lost, as people die without a beacon for their souls to return to, unknowing at the moment of their death that this life will be their last one. the amount of lives a beacon can hold is limited: verin sees it as a universal benefit for the kryn dynasty and those who seek consecution to find more, as it allows them to save more people—hopefully eventually those, too, who aren’t given the chance to be something extraordinary in their first lives.
the thought of consecution and rebirth, while not an ultimate goal for verin ( in fact, on some level, he’s come to terms with the fact that given his chosen career path, he may well die in the service of luxon and his nation before he reaches that potential ), is, as a thought, very comforting to him. the concept of eternity, service for a light that trusts their creation to learn and adapt and become knowledgable, the knowledge that if he reaches that milestone he believes his family requires of him, he will have the rest of this age to become what his god wants him to become, bring peace to him. while that immortality isn’t a value he seeks for its own value, he’s still—as every child of the dynasty, as far as he’s aware—spent countless hours imagining it, and finds comfort in the idea of one day reaching a point in his life where he can fall, and not have to fear having left something undone, something unfinished, or someone grieving for his loss.
verin wholly, utterly believes in the process of consecution. not even for himself---his goals regarding it are significantly more about finding acceptance and a place in his own family than actual pursuit of immortality---but as an universal concept: something that anyone who wants it, anyone who wants to tie their soul into the luxon and live again, should be able to get if it’s possible for them. it’s a matter of evening the scales: giving as many people as possibile the chance to become their perfect selves, achieve their full potential, and give everything they have to give for the betterment of this world before they let go of it. on principle, verin believes that the natural order of life and death isn’t fair. success is stacked against some years and years before their birth: a goblin is expected to achieve greatness in shorter time than a drow takes to reach adulthood---and, exluding the privileged and the highly talented ( or both, as in the case of essek and him, not that he sees it that way ), very few of even the most accomplished dark elf folk have achieved greatness in that age.
( in that vein, that is where verin’s views don’t fully align with the dynasty’s: as someone who believes that natural lifespans are inherently stacked in the favour of others, the idea of the dynasty’s meritocracy, of requiring the same potential to be reached in order to be consecuted regardless of race doesn’t work with the message tied to the dynasty’s religion. )
the beacons, he treats with the same solemnity and with more respect as one would a crypt. even with his religion pushed aside---the belief of them being a physical part of the luxon, that within itself comes with inherent respect towards them---the beacons are also a vessel of lives in his eyes: a beacon lost means lives lost, as people die without a beacon for their souls to return to, unknowing at the moment of their death that this life will be their last one. the amount of lives a beacon can hold is limited: verin sees it as a universal benefit for the kryn dynasty and those who seek consecution to find more, as it allows them to save more people---hopefully eventually those, too, who aren’t given the chance to be something extraordinary in their first lives.
the thought of consecution and rebirth, while not an ultimate goal for verin ( in fact, on some level, he’s come to terms with the fact that given his chosen career path, he may well die in the service of luxon and his nation before he reaches that potential ), is, as a thought, very comforting to him. the concept of eternity, service for a light that trusts their creation to learn and adapt and become knowledgable, the knowledge that if he reaches that milestone he believes his family requires of him, he will have the rest of this age to become what his god wants him to become, bring peace to him. while that immortality isn’t a value he seeks for its own value, he’s still---as every child of the dynasty, as far as he’s aware---spent countless hours imagining it, and finds comfort in the idea of one day reaching a point in his life where he can fall, and not have to fear having left something undone, something unfinished, or someone grieving for his loss.