TAKES A TEENAGE RIOT

“…Aftersun is a personal film. Most films are, of course, but this film more than even those most. The essence of what I have to say about that is held within the 145,440 frames on screen. This film is unmistakably fiction, but within it is a truth that is mine; a love that is mine. Photos, videos—records of different types—are enclosed in the film and so it felt appropriate to enclose one here. A photograph of my dad and of me—the starting point for this project—each a single shot because photos of us both are in short supply in that pre-selfie era. I am 10 or 11, Sophie’s age in the film. My Dad is 31 or 32, a little younger than I am now. We happen to be in Turkey.”

2/? gifsets of Julian Casablancas: Someday

POV: you’re out drinking with the strokes in the early 2000s

Aftersun (2022) dir. Charlotte Wells

Fire of Love (2022) dir. Sara Dosa

Gate Keeper of the Cable Car Station by EvenShift///3 Via Flickr: Chiatura, Georgia

https://www.instagram.com/p/ClTl8l7KiMr/?igshid=NGJjMDIxMWI=

The Worst Person in the World (2021) | dir. Joachim Trier

Normal People by Sally Rooney // The Worst Person in the World (2021) // The Edge of Seventeen (2016)

Yukio Ohyama, from Photographers Index 1 (1985)

Fight Club (1999)