#zero mostel

Una O'Connor:

she eats this:

The things this woman does with her face when she sees Frankenstein's creature. Your fave could never.

Zero Mostel:

"The chase scene in FORUM is just. it's fucking iconic. It's one of the funniest pieces of cinema I've ever seen in any context, everything about it is genius, and the heart and soul of it is Zero Mostel as Pseudolus. Casting him alongside a young Michael Crawford (of later Phantom of the Opera fame) really highlights the differences between the young romantic lead and the older, sensible, and yet entirely scrungly middle aged man (Mostel was 55 at the time) somehow manages to come off as even more desirable. He has no shit together, not very good plans, is panicked for most of the story, and the charisma of a champ. His flailing, helpless attempts at fighting the gladiator is so... he's so scrungly. "

"He's not fancy, he's not pretty, he's not good at much of anything, but he is Genius despite that."

"There is a magic to Zero Mostel that he manages to bring to roles where he is simultaneously the worst person ever, and also, compelling in every possible way. He had his biggest period of fame in middle age after he got taken off the Hollywood blacklist, and being a fat middle aged man with thinning hair is what gives every single bit of his characters power. As the original Max Bialystock he would eat the entirety of The Producers except that Gene Wilder as Leo Bloom is a genius casting decision, as Mostel's intensity against Wilder's deep discomfort ends up being the right chemistry. In many ways he reminds me of Buster Keaton, the pinnacle of hot scrungly little guy—a unique and expressive face, an instinctive understanding of comedy, active at the same time, and also they were both in FORUM together. Mostel came from an Orthodox Jewish family, was a trained painter with a degree in art, spoke four languages, and when he was blacklisted during the Red Scare and brought before the HUAC, he didn't just refuse to name names, he made fun of the senators. He was disabled after an accident, and still did dancing in movies and things like stunts in FORUM. He did a ton of work on Broadway too, including originating Tevye in Fiddler on the Roof, making the musical more Jewish as he did so. Frankly, I don't think any of those roles (or the eventual later film versions of Fiddler/musical version of the Producers) would work with anyone else. It had to be a fat balding middle aged leftist Jew from Brooklyn. The scrungly is essential.

"the scrungle factor of max in every version of the producers is through the roof but nathan lane does it as suave scrungle. zero mostel does not do suave scrungle. he does old jewish man getting into an argument with the rabbi at the full synagogue passover seder about how much wine has to be in the glass for it to count as "one cup" scrungle; he does old jewish man whose entire fridge is full of pickled herring scrungle. it's offputting in all the ways that make it genius."