Closing Time: Marcus Pike x F!reader
A/N: This is my first installment in my Year of Kisses themed creation challenge! I was invited to join the fun by @oonajaeadira and @yearofcreation2023! I have never really participated in anything like this so be gentle. This fic plays fast and loose with Marcus Pike canon. I wanted to write for our Perfect Boyfriend without watching seven something seasons of the mentalist. If Marcus is OOC that is entirely on me. Also Sherri is entirely based on a supervisor I had once. I loved that lady to pieces.
Warnings: Angst. Break ups. Language. Alcohol. Some drunken flirting and kisses. Reader has a truly shitty ex.
         This is the last place he wants to be. C'mon, Marc it'll be fun, said Danny. You need to get out of this fucking office, said Sherri. You're just gonna sit home and mope otherwise.      I'm not going to mope.      You're gonna sit home and watch old movies and pine. For that stupid Lisbon woman, or whoever's managed to break your heart lately. Sherri gives him the look.      Fine. She means well. Sherri and Danny and Big Bill, they all mean well. They know him well, too well maybe. Marcus's New Years plans involved getting take out and catching up on the Christmas movies he'd neglected. White Christmas. Die Hard. Gremlins. The classics. Fine. I'll go. For a little while.
     And now? The jukebox is playing "Hallelujah," John Cale's version. It's just past midnight and the ball dropped on the tv over the bar and people kissed each other and called their friends and Marcus's phone sits like a brick in his pocket, a fossil from when Lisbon would call, from when Dierdre and Sarey would sometimes call. Can't think of a single person he wants to call. He stands arm in arm with his friends who dragged him here, rocking back and forth with them, "hallelujah, hallelujah, Halle-loo-oo-oo-oooh-jah--"      And that's when he sees you, hunched at the bar, the only other person in this dive who isn't paired off, who isn't singing along with a bunch of drunks, your face pinched and closed off in the bleary bar mirror, peeking out around plastered on stickers and flyers for long defunct bands. He can tell that you've been crying.
     You drink and watch your phone light up with messages. Hey you okay? Did you make it home? U ok? What happened? You don't give a fuck. They can wait until tomorrow to find out if you lived or died or caught an Uber back home. Fuck. Home's not even home anymore technically. Staying the night at my Mom's. He'd texted. We'll figure out the logistics tomorrow. He'd texted. Logistics. Three years and it boils down to fucking logistics. Three years in and he dumps you at 11:50 on New Years Eve. So that's how you find yourself alone in this little pub with a bunch of drunks singing along with the jukebox, but at least it's quieter here. You catch your own reflection in the mirror, face peering over half empty liquor bottles with plastic spouts stuck in them, eyes puffy from crying. You laugh. A low and bitter sound. Who dumps somebody on New Years Eve?      "...couldn't've waited twelve more hours," you say, muttering into your half-finished drink, into the black hole at the center of the galaxy, "Couldn't've sucked it up for one more fucking night!" The last bit comes out loud, and you feel eyes on you, hunker down into yourself, into your glass, like a snail pulling into its shell, and then the noise of the bar resumes.      He'd rested his hands on his shoulders and peered into your face like he did when he meant kiss you or say something sweet. I'm not in love with you anymore, he'd said, the same tone of voice used for things like hey can you take the garbage out, or hey, we need more dish soap the next time you go to the store. Okay, so maybe bitch-slapping him in the middle of the dance floor in front of all your friends wasn't the best move, but it felt good and right. And now he keeps texting you about his stuff. His clothes and his x-box and you and the girls did a round of tequila shots before and you can't quite figure out how this all happened.      Why now? Why tonight? Things were good, weren't they? Or at least not bad, and you watch the ice melt in your drink and feel tricked, bamboozled, and oddly relieved. If he's willing to pull this shit you're better off without him, you think, but deep down you just wish it was all a mistake, that you'd just have someone warm to come home to, even if things weren't great. That maybe the both of you will wake up tomorrow and be like did we really break up last night? That's crazy. But he's texting you about his x-box and his ps 5 and how he really needs it even though you went halfsies on it. Text me one more time and you get nothing. You hit send and turned off your phone. Thank fuck his name's not on the lease. Let him stew. Let them stew. Fuck 'em.      You feel someone settle at the bar beside you.      "Hey, are you okay?"      "What do you think?" It comes out harsh and you regret it instantly. This stranger  in this dive on New Years Eve has nothing at all to do with what's happened. You turn to look and you see a tired man with his lips quirked up in a smile that doesn't quite hit his eyes.      "Sorry," you say, and shake your head, "I'm not--fuck--this has been a hell of a night. I hope you're not looking for a hookup because I got dumped at ten-till and the last thing--" He laughs, a soft low sound.      "A hookup's the last thing I want," he says and holds out his hand, "Come and sit with us. So you're not all by yourself." You eye him skeptically.      "Is this some sort of pity thing?" He laughs a little, a soft exhale, "If it is, we can be pitiful together. He glances over at a table of drunks, "I'm only here because they dragged me. I was going to order a pizza and watch Christmas movies-"      "It's past Christmas."      "I spent Christmas working," he says, "If that's not pitiful I don't know what is." You feel yourself warming to him.      "I bet you don't even have a tree up."      "I do!" He smiles, and this time it does touch his eyes, frames them in lovely crinkles, and maybe it's better to hang out with a handsome stranger in a bar than sit and drink and brood about how tomorrow you're gonna have to clear your boyfriend's shit out of your place. Ex. Ex boyfriend you have to keep reminding yourself. "It's not a real one, and it's only four feet tall. But it's there!" He offers his hand again.      "C'mon," He says, "You don't have to be all alone." Fuck it, you think, down the watery dregs of your whiskey sour and place your hand in his, allow him to draw you from your place at the bar. He is striking, leather jacket across broad shoulders, tight jeans that grip him just right, and eyes so deep and warm a girl could fall right in and drown.      "I'm Marcus," he says, and gives your hand a squeeze, but doesn't let go. You tell him your name and he leads you away from the brightness of the bar, back to where the jukebox plays a distorted love song "the curl of your bodies, like two perfect circles entwined see you feel hopeless, and homeless, and lost in the haze of the wine--" back to his table of friends, smiling and laughing, sticky shot glasses and half-filled pints between their hands. Sherri. Danny. Big Bill. Sherri has large blonde hair and gummy blue eyeliner and a cigarette roughed voice.      "You seem nice enough, what're you doing with this sad sack of shit?" She jerks her head and Marcus looks like he wants to evaporate and you laugh.      "I got dumped--let's see--" you power up your phone just long enough to check the time, lock screen lit with a tangle of missed texts --"47 minutes ago? Guess two sad sacks of shit are gonna find each other, huh?"
     The night passes in a warm blur, you and your newfound friends drinking together and laughing, Sherri's got stories that leave the table wheezing laughter and all through it Marcus is a warm presence at your side, your hands keep finding each other's, his gentle grasp an anchor in this storm of a night. You feel like you've speed-run the stages of grief over your ex. Sherri eyes you over shot glasses that have popped up like mushrooms over the course of the evening.      "Listen here," she says, pointing a pink lacquered dagger of a nail in your direction, "Keep the PS5. He paid his half in cash right? Unless you wrote him out a receipt he can't prove shit. His name's not on the lease. Leave whatever you see fit in a cardboard box by the front door and block his number. Wash your hands of him. You don't owe him shit."      "Yeah, fuck him," says Danny, and Big Bill comes back from the bar holding too many drinks and Marcus rests a warm palm on your shoulder.      "Hey," he says, those big dark eyes full of concern, "You don't think he's gonna try anything do you? You're safe, right?" And your first impulse is to laugh, the only thing your boyfriend, ex-boyfriend is a danger to is game controllers and the fifteen year olds who roast him over discord, but Marcus looks so sincere.      "Yeah. He's--I'm not worried."      "Can I give you my number? Just in case something happens--" Danny launches in to the worst mob-movie New York accent you've ever heard in your life.      "You give Markie here your number, see? One woid and your ex'll be sleepin with the fishes. We'll fit him out for the old cee ment loafers, we'll--"      "Jesus, Dan, you sound like the bastard child of Tony Soprano and Rizzo the Rat--" And everyone loses their collective shit.      "If I'm Rizzo the Rat, then you're Miss Piggy--"      "No way am I Miss Piggy! I'm nowhere near that wound up--"      "Bill here is Sweetums."      "If I'm Sweetums, Marc's that grouchy Eagle."      "No way," you say, "He's Kermit. Tell me I'm wrong."      "Hi-ho this is Kermit the frog here with a muppet news flash," and that's it. You are crying into your drink with laughter, and once you can breathe and put words together you tell him--      "You are the last person in the world I would've thought could do Kermit the frog--" And he smiles, a bashful one that pinks his cheeks and turns his face away.      "Marcus has many talents," says Sherri, "Don't let him fool you."
"I can see that you are lonesome just like me And it being late, you'd like some company Well, I turn around to look at you, and you look back at me The guy you're with, he's up and splitâthe chair next to you is free And I hope that you don't fall in love with me--"
     The lights are up and Tom Waits plays through the bar. People settle their tabs and head out into the bright night. It's snowing, large flakes that catch and hold the light, street-lights haloed in whirling yellow.      "Do you need a ride?" He asks, snow catching in his hair, his hand warm around yours.      "I can walk," you say.      "I'll walk with you,"      "How'll you get home?"      "Taxi. Uber. I'll manage," he smiles, soft and sad, "Let me get you home safe, okay?"      "Okay." Marcus offers his arm like some old time movie character and you loop your arm through his. Snow falls, slow and soft and heavy, and the bars let out all around, spilling people into the streets, closing time everywhere, and people sound happy, buoyed on the promise of a better year, at least for a few days until the shine wears off and it's back to business as usual. Sooner than you want you're at your front step.      "This is me," you say, and wish it wasn't, wish for more time in the swirling snow with him, and his hand traces down your arm, his fingers find yours and lace through.      "Are you okay?" he asks.      "No. But I will be." You surge forward and hug him, wrap your arms around his broad back and snow-dotted jacket, and he grips you in kind, cradles the back of your head in his hand, tucks your face into the warm join of his neck and shoulder, "Thanks for looking out for me." He squeezes you tighter.      "It's my pleasure," he says drawing back to look at you, his hands on your shoulders, "And if your ex--"      "He won't," you say, "He couldn't even wait till midnight. Couldn't even give me a kiss. I mean, not that I'd want him to now--" Marcus reaches for you, brushes the pad of his thumb over your cheek, the question hanging in his eyes. You nod and he presses his lips to yours, waits for you to kiss back, and then his tongue slides soft between your parted lips, tender, undemanding, your face cradled in his warm, calloused hands.      "Come upstairs with me," you say, and you feel him draw back, bright line of hurt in your chest.      "I want to," he says, "I want to take you to bed if you'd have me--"      "Then why--"      "I don't want to push you," he says, "I move fast. I scare people off sometimes. I like you a lot. I don't want to hurt you, okay?"      "Okay." That line of hurt resolves itself into a dull ache, "I should get some sleep. Gotta dump Asshole's stuff on the curb bright and early." He leans in kisses your cheek.      "See you next year."      "See you."
     At some point in the deepest ditch of night you turn your phone back on. Peer bleary-eyed at the notifications, unanswered texts. You send a group text to the girls, home safe don't worry about me. You give your ex a time to come get his shit and then block his number. You drift in the dark, and your phone vibrates against your chest.
     M: If you don't feel too terrible, I know a place that does breakfast all day. Best blueberry pancakes in town.      M: I'd like to see you again.










