#yaxha

Plate with rattle feet

Maya

Late Classic Period, A.D. 650–750

Place of Origin: Department of El Petén, Guatemala, Yaxhá-Holmul-Xultún area

Tripod plate with tall, cylindrical supports. Its interior surface is painted with the image of a Maya lord dancing in front of a bench throne which is decorated with sky signs. The lord peers into a divination mirror which is set atop the bench and leaning against a stack of cloth topped by long, quetzal bird feathers, both of which represent tribute or a gift received by the lord. The black background of the scene may indicate the event is taking place at night or a supernatural location.

The interior wall of the plate are divided into 4 sections by short, vertical, pseudo-glyph texts, each section embellished with a profile saurian head that likely provides locational information for the depicted event.

The exterior wall of the plate is painted with large blood or water scrolls on a black background, which may indicate an underworld or supernatural location for the event.

“Supported on tall rattle feet, the tondo boldly painted with a corpulent lord standing before a large bench throne, looking over his right shoulder with strong arms in a gesture, wearing loincloth, jade necklace and earrings, the headdress of a snouted monster head with thick feather panache at back, the bench laden with tribute including a stack of bound codices, a plumed perforator resting on top, and a mirror propped against them, the rim encircled by four bands each with a profile head of the long-lipped monster, the exterior rim decoratively painted with alternating scroll and mat motifs/ the whole with areas highlighted by pink pigment against the black and orange.” [from Sotheby’s catalogue text]

A ruler’s primary responsibility was to channel supernatural forces through vision quests (journeys to the spiritual realms) in order to affect human affairs. Here, a lord gazes into a divining mirror and dances before a throne embellished with celestial icons. The stack of valuable cloth, quetzal-bird feathers, and rare, spondylus shells on the throne indicate his political and economic success. Vision serpents, conduits to the supernatural realm and conveyors of visions, adorn the plate’s interior.

A series of commissioned photographs taken in very rural, off the grid communities in Petén, Guatemala. Thanks to Kingo, these people can now have access to basic solar powered energy - a real life changer for most of them.

Isla Topoxté, 2017