Hey, it's February 29th, the Leap Year day! The strangest day on the calendar, I realize, ought to be celebrated with a bit of a strange rip to go along with it, and there was certainly plenty to pick from. The channel has seen its share silly rips like :D, utterly unhinged rips like Sex - Steve Harvey, and everything bizarre other kind of weirdness out there like Mr. Rental [B Side] ~ Out of Options or waterwraith pokos. Yet what surprised me about my rip :) wasn't for being the most silly, or most chaotic, or what have you - but rather, for being an utmost perfect blend of all the above kinds of rips, whilst remaining shockingly listenable.

I mean, there's something eyebrow-raising about the rip's mere existence alone. A rip from PONG? As in, one of the first video games ever made, the one from 1972, which barely even had SOUND in it, let alone music? The channel's obviously tackled a number of strange cases of games to rip before, such as the ongoing Circus trend with Five Nights at Freddy's and rips like Chex Invaders, but there really was no precedent for what to expect with this rip before clicking on it - the only prior rip of PONG was a whopping 15 seconds intentionally playing off of how little audio the game has to begin with. How could my rip :) hope to make a relevant joke out of PONG worthy of 3 minutes of runtime?

The answer, as it turns out, was to just do every single thing at once.

It starts off so innocuously too: the joke of adding rapidly repeating PONG sounds of various pitch to form a discordant melody, similar to that of CrazyBus, is a pretty funny bit in of itself! Yet before that bit has had even the slightest time to register, it's joined by Space Jam's infamous backing beat, a source that I've only covered in a good light here through actually impressive rips like Hoopache and Mother, Father, TechnoMan, yet is most well known in the community for being perhaps the most overdone and easy-to-use mashup source of them all. Before THAT has time to settle in, it's joined by yet more infamous mashup sources: The Season 5 demons themselves Yankin and Astronaut in the Ocean of Epic Rap Battles of History: Funny vs. Funnier fame, Crank Dat Super Mario, Watch Me Whip/Nae Nae - and, to note in case you're not listening to the track yourself as you're reading, NONE of these sources ever sound as if they ever go away from the mix. What in its first seconds is nothing but isolated bloops of an ancient arcade machine becomes this absolute cocophany of noise and melodies, yet through some miracle (and skill on brubsby's part) they're guided along to still form some sort of melody.

All the noise is mainly guided by the use of Gangnam Style as a surprise source amidst all the rest, whose melody builds and builds toward its own climactic beat drop Gangnam Style, upon which everything goes silent for just a moment, approximately eight sources all fading at once...before exploding back onto the scene like an unstoppable mob. Its just keeps going like this - by the end, twelve different sources are all competing for attention. Or at least it sounds that way - I genuinely have no clue if some tracks get phased out as the rip progresses, but the rip's noisiness never appears to die down until the very end of its runtime.

Yknow, for as much as I like to go on and on about Season 2 being my favorite period of the channel's life - it may honestly just be due to my own personal investment being at its highest at that point. Its a herculean, damn near impossible task nowadays to actually try and critically evaluate a season of SiIvaGunner in retrospect, and most of what I go off of obviously just comes from my own experiences and memories. It goes to reason, then, that Season 5 is my least favorite season of the channel not necessarily due to any fault of its own, but just due to my own personal investment in the channel being rather low at the time. I say that, because with every rip I cover from the Season - now including Epic Rap Battles of History: Funny vs. Funnier - I'm baffled as to why I'd ever consider the season anything less than peak.

When I have that discussion with other people (or just with the voices in my head), the reasons tend to primarily boil down to a lack of lore developments made during the year. Yet as I talked about way back in Knowledge of the Depths, even that feels like doing the Season a disservice, given just how enjoyable and, in a way, lore-crucial the audio dramas made during Season 4 Episode 2 and Season 5 wound up becoming. Which again makes me point toward my own lack of attentiveness toward the Season as the one to blame: because how else could I have missed out on how genuinely engaging and interesting the lore regarding Lady, Yankin', Masked Wolf and Astronaut in the Ocean was? And as the cherry on top - how could I have missed just how perfect of an ending to it all Epic Rap Battles of History: Funny vs. Funnier wound up being?

I've dissected and talked about Masked Wolf before in Aquarium in the Ocean and Snow halocean, as the figment who best fits the role of a true anti-hero within SiIvaGunner - an agent of chaos whose rips only occasionally bother to actually sound good, yet one we wound up loving despite (or because of!) it all. Yet as Season 5 began to truly ramp up, his role seemed to change from agent of chaos to necessary evil - as the only remaining figment capable of stopping the reign of hell that Lady's "Yankover" was subjecting us all to. No doubt SiIva has had its contentious, long-lasting takeovers before (Harlem Shakeover and Totally Shaaking Out Right Now, anyone?), yet nothing truly compared to the neverending downpour of hellfire cast upon us by one particularly crass rapper singing about her genitalia. And for once, it seemed as if the SiIvaGunner team agreed - Lady became, for all intents and purposes, the actual villain of Season 5, with her figment form reimagined as a full-on demon in need of imprisonment. And small nuggets of lore were being handed out week by week (nuggets that I, again, unfortunately glazed over back in the day), Lady's defeat wound up happening at the hands of HoBART, everyone's favorite mixer from the King for Another Day Tournament. Yet to me, Epic Rap Battles of History: Funny vs. Funnier still sits at the most pure, befitting end to her reign - a battle between the Season's fallen angel and its lawless demon, set to the tune of a game whose entire hype cycle practically enveloped Season 5 in its entirety.

Back in Satinpanties Symphony, I mused over how Friday Night Funkin became a mainstay feature on SiIvaGunner almost overnight, and how it feels as if the two projects share a lot of DNA that make them a perfect fit for one another, in how they handle the idea of legacy. What better game, then, could there be to depict the encounter between these two legends that defined the season, than with the game that defined the year - coincidentally, one entirely focused on duels between rappers. That's not to imply that Epic Rap Battles of History: Funny vs. Funnier isn't an absolute banger on its own - the melodic core of Ugh, paired with the implementation of both Astronaut in the Ocean and Yankin's backings into the back-and-fourth, creates a fantastic re-imagining of the song that's both endlessly relistenable and incredibly charming with the custom visuals. Yet its the same point I made in Take You To The Desert - with all that context in mind of all that led up to this battle, the knowledge of how much the community suffered under the thumb of both rappers yet came to understand one for his harmless-if-strange tendencies yet came to loathe the other...Epic Rap Battles of History: Funny vs. Funnier becomes something genuinely legendary. Paired with so many small flourishes added on top, such as the original track's "Ugh" sample being replaced with Masked Wolf's opening "Astro", the reference to Lady's attempted Thanksgiving resurrection ritual in Twerkey (seriously), down to Lady being positioned as the player character to truly sell home how dominant she was during her reign...It feels like yet another one of those, for lack of another word, Perfect, rips.

The cherry on top of it all though is, of course, the ending. Despite the seemingly even back-and-forth in the battle, Lady is suddenly dragged back into the pits of hell, as Masked Wolf leaves her with his parting words.

If you ask any avid SiIvaGunner fan to recount the most important parts of Season 5, you'll find two songs to be nigh inevitable to be brought up. There's many concise ways to identify the fifth season by today - it was one of the lightest years on the channel in terms of new lore, it was the season tasked with succeeding the indescribable scale and success of the King for Another Day Tournament and its celebration the year after, it saw the official debut of SiIvaGunner Fusion Records, and it overall was one of the highest-quality years in terms of rips uploaded. Yet two icons remain dominant in the minds of many a SiIvaGunner fan, two songs that caused an absolute uproar during their heyday - Astronaut in the Ocean and Yankin'.

Its hard to really overstate just how much chaos these two songs alone put the channel audience in: I once previously tried to summarize it all in my post on Knowledge of the Depths from the same season. Put simply, Astronaut in the Ocean began to appear frequently in low-effort, unsynced mashups in reference to its origins as a TikTok meme, which gave it a sort of perception as an anti-hero for the fanbase - the joke that, no matter what it was attached to, would never even try to deliver something that sounded conventionally "high quality". If the astronaut was an anti-hero, Yankin' was a full-on villain - the crassness of the song paired with the somewhat hard to listen to vocals and immediately identifiable beat made the song into a source of downright hatred within the comment section, on a level only really previously matched by Season 1's "Bean" (more on that guy at a later date). It was fascinating, for a year without much in the way of proper story progression, to see so much community discourse still happen althesame regarding the state of the channel.

Months later, when Season 6 arrived, the dust had settled´. Astronaut in the Ocean had gotten a sort of cult following for its apathetic, inconsistent use in rips very much unique to it, and Yankin' even had its own takeover, to directly address and cement the meme's status as a villain on the channel. The memes are now a staple of SiIvaGunner despite - or perhaps because of - our ire, and they've been infrequently appearing in rips the same way that Grand Dad, Snow Halation, The Nutshack and so many others oft would back in the early days. And to me, no rip better illustrates that new status quo than Aquarium in the Ocean.

Aquarium in the Ocean follows the style of several rips preceding it as a "mashup medley", most easily comparable to something like Memey Hell from Season 1. While that rip acted as a sort of celebration to Season 1 as a whole, Aquarium in the Ocean feels like it does the same for Season 5's two big jokes as discussed above. Despite featuring both the Season's bringers of hell, they're used in very genuine, serious ways - Astronaut in the Ocean leads the song off and is actually, for once, tuned to the original song's key, and Yankin's vocals play surprisingly softly when paired with different instrumentation. The two are blended together with several other memes from the channel's history, be it old-school like Soulja Boy or more recent ones like Barack Obama vs Mitt Romney's Epic Rap Battle of History - its a sort of scattershot selection of jokes, yet each one is given enough time to sink in as funny whilst matching the Aquarium Park instrumental backing quite nicely.