Occult Chemistry, same, EP, Dining-Out rec., 1980
seen from Romania
seen from China
seen from Netherlands

seen from France
seen from Australia
seen from Iraq
seen from Australia

seen from United States
seen from United States
seen from Romania

seen from United States
seen from Australia
seen from United States

seen from Malaysia
seen from United States
seen from United States
seen from Australia
seen from United States
seen from India

seen from Malaysia
Occult Chemistry, same, EP, Dining-Out rec., 1980

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Some Cut/Paste/Destroy for the Black Church Preorder.
Black Church T-shirt+48 Pages Zine in B/W.
This One Is the bonus for the Preorder only.
For Every Order One original Microzine in one Copy collage art.
Here
Books/Prints/Original Artworks Run by Officina Infernale
Another 1980s aesthetic: album covers that look photocopied, with decorative colored highlights. (These are from the late 1970s to the mid-1980s.) Especially prevalent in the punk scene, with its shock-effect collages of newspaper clippings (suggesting ransom letters), and also harkening back, I suppose, to pop art, Warhol in particular.

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Kameelah Janan Rasheed is a Brooklyn-based interdisciplinary artist, writer, and former public school teacher who describes herself as a “learner first.” Her exploratory approach embraces unfinished, in-process thinking over easy interpretations—or “readings”—prompting the questions: Are we reading closely? Are we reading with care? For the artist, close reading is an exercise to hone attention and engagement as well as a strategy for liberation, particularly in respect to Black experiences.
Read Closely 🔎Â
For years, Rasheed has collected photographs documenting the life of Black people. Gesturing to the Reader (2020) includes xeroxed-based black and white photograph of three Black people in a room. Look carefully at the photograph. What do you notice about the image? How would you describe the interaction between the people in the photograph? What mood does the photograph convey?
Now consider the juxtaposition between the photo and a xeroxed index listing for the word “self-determination.” How do you define self-determination? In what ways does the word self-determination and it’s index listing inform your reading of the photograph? How does the photograph inform your reading of the word and index listing?
Reading and reflections by Keonna Hendrick Kameelah Janan Rasheed (American, born 1985). Gesturing to the Reader (detail), 2020. Vinyl. © Kameelah Janan Rasheed. (Photo: Courtesy of the artist)
"The Being That Lives Inside My Stereo (Wants To Grow A Body Of Its Own)" [Stencil on paper, xeroxed; 2019]