Lark’s Wyrd 5 Welcome to the mid point between human and fae, or in Lark’s case, instrument and person. Additions since Wyrd 4 include more turnable tuning pegs, on her knuckles and four in her head where her bun’s become a much more solid violin scroll. Sound boards at the small of the back, cheekbones, arm joints and wrists. 4 new strings under each eye, four strung on each forearm to hand, and four from the back of her head down to her lower back, all of which are tight and do NOT detached, like the harp-wings would. Total, she now has 40 strings, equivalent to the minimum expected of a standard harp. She has forced perfect posture and a plethora of stringy noises while moving about. All the tuning pegs do loosen and tighten a string somewhere.
She is having a time getting used to it.
