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US Vogue May 1, 1954
Round Hill: Jamaica. Ms. Liz Pringle leaving the terrace for the sea, in a Wyner blue jersey suit in worsted wool and Vicara gathered with Lastex.
Round Hill: Jamaïque. Mme Liz Pringle quittant la terrasse pour la mer, dans un costume en jersey bleu Wyner en laine peignée et Vicara froncé avec Lastex.
Photo Horst P. Horst
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US Vogue September 15, 1952
Barbara Mullen wears a camel cardigan, high-waisted at the back over a matching skirt and a white jersey blouse and scarf, in Wyner and Vicara wool. By Claire McCardell. Stroock fleece coat. Camel fluffy hat by Mr. John. Ball earrings by Napier. Chanel lipstick "Grenat".
Barbara Mullen porte un cardigan couleur camel, taille haute au dos sur une jupe assortie et une blouse et écharpe en jersey blanc, en laine Wyner et Vicara. Par Claire McCardell. Manteau en polaire Stroock. Chapeau pelucheux couleur camel de Mr.John. Boucles d'oreilles boule par Napier. Rouge à lèvres Chanel "Grenat".
Photo Roger Prigent vogue archive
US Vogue May 1, 1954
Liz Pringle leaving the terrace for the sea, in a Wyner blue jersey suit of worsted and gathered Vicara wool with Lastex. (Round Hill Jamaica)
Liz Pringle quittant la terrasse pour la mer, dans un costume en jersey bleu Wyner de laine peignée et froncé Vicara avec Lastex. (Round Hill Jamaïque)
Photo Horst P. Horst vogue archive
Boston Symphony Chamber Players
WYNER - “Into the evening air,” for wind quintet (2013)
DEBUSSY - Sonata for flute, violin, and harp (1915)
SCHUBERT - Octet in F, D.803, for clarinet, horn, bassoon, two violins, viola, cello, and double bass (1824)
Wyner and Debussy… Blue. Bluish hazy skies right before sunset. I dream of being directionless, sitting or wandering, thinking of nothing. Escaping language. The Wyner and Debussy are parallels in their use of poignant unisons amid harmonically strange mists. A ghostly flutter tongue flute creates a wave of some sort. Motives are passed between instruments, developed in unlikely but utterly innovative ways. A simple tritone becomes a symbol. Bursts of simple tonality wash over sections of the Debussy; the lonely unison pierces out of the sweetly atonal textures of the Wyner.
Schubert: what the fuck?! It’s hard to comprehend how badly such a great composer could write. It was oddly amelodic for Schubert: a complete pastiche of Beethoven with gratuitous Schubertian lieder and atmospheric tremolos. The piece is 1 hour of complete hell; one sits through an disingenuous Beethoven, the last movement replete with a horrible number of false endings. Beethoven’s false endings create a prolonged musical orgasm, while Schubert’s leave a limp phallus and a pool of fetid cum. I ran out of the concert hall in horror.
Kenneth M Wyner - Kenneth M Wyner Photography Inc
living by Kenneth M Wyner Photography Inc
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These are greeting cards taken from the Wyner family collections. Most are sending wishes for a Happy New Year, or Rosh Hashana. Each of these cards has their own sort of style; though all are embossed and colorful, each differs. The top for instance has a distinctive indigo ink splotch, the one bellow it has two fuzzy pink roses on the front, two of the others are accompanied with silky ribbons.
