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⟨ some tag aesthetics ! ⟩
hey pals !!! below the cut you can find ( + 06 ) tag formats. i will update this post over time. the site i use to change the format of my text can be found here. enjoy and please like / reblog if you found these useful ! thank you.
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made Not-Donna mee Donna and….. they hate each other??? Whyy
ϟ THE 13 FEMININE SEDUCTION ARCHETYPES.
◟ ━━━ this is a masterlist of labels from the 13 feminine seduction archetypes. it’s a fun quiz to take while looking for archetypes for your characters. i’m using it as a reference for the character aesthetics i’m going to do soon but i thought, hey, why don’t i post it too.
TIPS FOR WRITING STARTERS / a rp guide.
A 2021 updated reupload from my former blog !
1) Ask yourself “Do I need this part?”
One thing that can really weigh down a starter is information that isn’t vital to the scene; key word being scene not the plot entirely. That in depth character analysis might be great writing, but a writing partner can’t really reply to meta. It’s not something their muse can interact with or use to further the scene. I know sometimes our writing gets away with us, and I have often times taken parts out of replies and then later expanded on it in another separate post because it was more suited there The same thing can be said for backstory; while I am always a fan of backstory, I’ve noticed a trend where people try to summarize their entire plot in the first starter, both for their partner and for any one outside reading it. It’s always good to set up something in a starter, but keep it focused on that specific scene. A partner cannot reply to just meta and backstory, you need to give them something to respond to.
2) “No really, do you really need this part?”
I cannot stress this enough; your starter needs to set the scene --- so it really needs to be focused on that scene. If your starter involves one or two (or more) scene changes before you even reach the part where your partner’s muse comes into play; than odds are that you need to step back and focus on what really matters. Ask yourself what the purpose of this interaction is, what is it your muse wants from mine specifically. Are they an obstacle? A goal? Scene direction and focus is very important in both starters and replies.
3) ALWAYS CUT 10% BEFORE FINISHING
This is actually something echoed in many writing classes and by authors, filmmakers, and various other content producers for years ! What this does is force you to focus on what actually is important to your scene, and help you remove anything that might be nice writing but doesn’t contribute anything.
4) Establish, thoughts, action
A starter should always be equal parts establishing information, what your muse wants, and an action to react to. It doesn’t need to be in that order, and there might be times where you need to outweigh one over the other due to the unusual nature of the scene; but 90% of the time, regardless if it’s a short para, proper para, or novella, you should always keep these three balanced.
Establish what is vital information for your partner to know right off the bat, you can always flesh things out in replies later both in character speech and in narration. Giving the reader a glimpse into their head is not only good writing, but it can communicate the direction the scene may be going further down the road. This can allow for more coherent plotting and a chance to plot a new direction if you aren’t up for that.
Give your partner some idea of what’s going on in your muses’ head. How they feel about the situation, what they want. This doesn’t need to be expository, you can convey this easily by describing the others. If they are speaking pleasantly or angrily, if they view the location as a nice or bad place. Things like that help make a scene feel more organic.
Lastly, of course there are actions. This covers: speech, physical actions or anything in your reply that’s observable to the other muse to respond to. Your partner’s character needs something to respond to
5) Remember you do not have to establish everything
While it’s important to give your partner something to work with, do not get carried away or think the sole responsibility of fleshing it out rests on you. Let your partner’s reply add more to the world, add in details and give it colour. It’s way to easy to accidentally god mod in starters by setting the scene as if you are expecting a certain response. Leave some of it to them. Its your shared scene, you both are responsible for giving it life.
6) Watch out for accidental god modding
When we think of godmodding, we often imagine someone writing out our character’s actions or feelings or outright telling us what to do. The thing is, it’s easy to do it accidentally in more subversive ways.
If you write a starter that’s clearly angled for a certain type of response or end goal, plotted or not. It can make your partner feel trapped, like their just going through the motions of your fantasy, and not your shared one.
If you haven’t plotted, ask questions like “is it okay if I say this?” if referring to their muse or past events that would involve them both. If you have plotted, than try to stick firmly to what was already discussed. Don’t embellish beyond that. You can allow things to grow naturally in the scene and continue to discuss things ooc with your partner as the thread continues.
Adding things that aren’t strictly locked to your own muse is another way of godmodding without realizing it. You are eliminating your partner’s ability to decide and choose things for themselves.
6) Communicate
Regardless if you plotted or not, it’s okay to admit it if you are stuck. Sometimes some scenes are fun to plot but don’t lend themselves to writing as a thread as easily. Sometimes you need to talk a little more to get creative juices flowing. Do not be afraid to reach out.
7) Accept that not all starters will be knockouts.
Sometimes a starter just won’t take. It doesn’t mean you’re a bad writer. It doesn’t mean their rude for not answering. Sometimes things in that set up just don’t click. Occasionally, you can fix this by taking a new approach, but sometimes you’ve gotta cut your losses and try again. It’s going to happen, and accepting that this isn’t a reflection on you can be the biggest challenge yet.
8) BE FLEXIBLE
Roleplaying is a mix of writer’s craft and drama/improv; the writer’s craft part is obvious but there are key stage rules that apply as well due to the back and forth nature of RP. Sometimes you’ll set a scene, and your partner might see a starter and take it in a direction you weren’t thinking of when you wrote it. That’s okay ( as long as it’s within both of your comfort zones).
The rule of improv is “Yes, and...”, meaning that if you expected your partner to say X but the end up saying Y, don’t go turn around in or out of character to say no it’s x.
This isn’t so much about writing starters as it is accepting that once you’ve written it, you have to let it go. It’s someone else’s to be creative with. It might not go the way you want it to, but that’s not a bad things inherently.
9) ACCEPT FEEDBACK AND GROW.
Let your craft develop by opening yourself up to notes and suggestions. You’ll become bored with writing if unchallenged and your partners will become bored of the same thing constantly. This doesn’t mean rebrand yourself a million times, but let yourself grow. There are many guides, books and activities that can help you do this !
@itsnotpatsy replied to your post “autistics are naturally better writers bc of how we see the world,...”
Heck yeah. I imagine the difference in sensory stuff must be a radical detail to be able to describe.
yeah! the sensory stuff is true,
but i was mostly talking about... hm, how to word it. it’s a combination of a autistic people having own culture of social cues and trauma that is shared among austistic people.
for example, a lot of autistic people have had to literally learn body language and how to tell sarcasm ect to try to ‘pass’ for non autistic, which means we learn to describe body language differently, we learn to describe other people’s emotions better because we constantly have to process ‘tells’.
examples: look people in the eye, don’t clap your hands softly, if someone has their arms folded it means they’re upset, if someone’s voice is all wobbly it means they’re upset, sometimes a voice going up and down means sarcasm. this makes it really easy for me to write actions into the scene, it’s more like a puzzle i guess.
oh boy that also ties into the trauma of having to pass, the teaching isn’t always nice and it’s really confusing why all these rules matter-- which makes me more intentional in how i describe body language or other details.
and there is research into mindblindness, where people with autism (im speaking generally here) have trouble like, seeing other people’s perspective? like, if something is happening and someone is upset, my first reaction is ‘i’m not upset, why is this person upset?’ (i respond ‘more appropriately’ now since forcing/faking empathy was drilled into me, which ironically makes me better at understanding a character’s emotions because i have to literally do the same thing to IRL people)
in my writing, or more my reading process (which informs my writing) i will read a book with a really specific & vivid description of a room but i still keep seeing a room i’ve seen in real life that is similar because it’s hard to imagine something wholesale sometimes? so then because i’m constantly having to tie things back into real experiences it makes my writing feel more alive, though it does limit topics i can write about sometimes. (basically Write What You Know but turned up & twisted around)
THEN there’s like, the way we organize things and sort them into categories, so when i write i sort of structure each paragraph into stages to unfold the story. like, that’s basic writing tips, to let a scene unfold in a sequence-- from the floor to the ceiling, from left to right ect, but it’s instinctual to me because of how i’ve processed the world since birth
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Outside of London; A Guide.
Hello, friends! I think there’s a semi-substantial amount of roleplays based around England, but honestly 90% of them are in London and while that’s great, England is made up of a lot of cities and I figured I’d show some #representation.
In this guide we cover: Housing in England, location and travel!
Disclaimer: This is based off of my experience and the experience of those around me. Most of my knowledge is concentrated around Birmingham, as that is where I grew up, but I’ve spent a fair amount of time in Stoke-on-Trent, Blackpool and Liverpool so I feel that I have a semi-decent shot at helping out.
If you found this guide helpful, please reblog this as it helps to show me that there is interest and I’m not just shouting into a void. If you have any suggestions or comments about things I could/should cover in these guides please let me know! Any specific questions? Shoot me an ask and I’ll do my best to help you out.
double spacing tutorial / hack by tiffany !
hi guys !! today i’m gonna show you how i go about double spacing my text threads. instead of using a generator, i find it’s more convenient just to use my notes app on macbook. 😇 also not saying people don’t know this trick already, just thought it would be nice to share in case someone doesn’t !
