#work progression

1. First of all, write up a plot draft to script out how the comic gonna be. You don’t hafta write a whole novel, just scenes and pieces of dialogues and other important details, including the plot summary and estimated number of pages. For example here, I write on the Notepad and penned out my ideas (although this is a sample, so the writing is VERY crude). Detail out what’s going on in each page and such.

Name the characters if need be, but you don’t have to write out how characters looks like unless its story relevant. This should be one of the earliest drafts you can submit to me before approval.

2. After the script is done (and approved), then move on to the storyboard phase. In this example, I simply made an A4 canvas with 6 panels, representing each pages (they were B5 sized but scaled smaller). You may do it your own way, however. Traditional artist can even use testpad paper to draft out pages, as long it can represent the script.

3. Here is a rough example of the first three pages. You can use very basic block-man to represent the character (label them if you have to). This phase is to plan out the arrangements of scenes, panels, characters and dialogues. This part is also when you can revise the script and make necessary modifications, in case a page is not enough to convey a scene (or the opposite) This is the second draft I expected you to send in once you’re done, along a revised script if have to, just for the editor to check and maybe drop some advice. This draft is particularly important, so editors can plan ahead with the book arrangement.

4. Once the drafts are complete and approved, it’s time to do the real thing. I used Manga Studio EX for this job, and I used these settings for my digital work, but the dimensions must be followed for everyone. Since the manga draft settings are only for Manga Studio/Clip Studio Paint, there is a .png template for those using Photoshop or SAI. Traditional artists may also refer the page guideline measurements. (The Multiple pages is also an option not necessary to follow)

5. On the new canvas, refer to your storyboard or in my case as a digital artist, I simply copy paste the sketch from the storyboard and enlarge it to fit the canvas. Of course, traditional artists have to look at the draft as reference for their final pages. Either way, you draw out the real thing on what you have planned out on the storyboard.

6. The next step we do is to make a more refined sketch. This is where most of the real work coming to life. At this point, I don’t really expect you to submit progress, but I will check on you guys from time to time. It is still important that you take your quality time with this however, so don’t rush it if you can. (However, don’t take TOO much of your sweet time on it coz you know, deadlines) Just open up you music player and listen to your favorite metal music while you draw. (Other music optional) Once the entire refined sketch is done, you can choose to send me the sketch progress if you need some editorial help or if you are confident enough, move on to the next step.

7. After the sketch phase, it’s time to ink and tone it, which is pretty obvious. This is where you finalized the art, but be sure to have a backup in case there is a need to modify the art.

8. On a separate layer folder (if digital), add in the overlay parts such as title graphics, dialogue balloons and texts and such. Traditional artists that scanned their work can add the dialogue stuffs using Photoshop and Manga Studio/ClipPaint. Note that in the layer panel I place graphics and dialogues in a separate folder, is so you can easily modify it in your own convenience. (just in case of typos) However, we editors CAN edit the texts ourselves if need too, but only the ones in the dialogue balloons since other texts like sound effects and such are unnecessary effort for us to do on a finished .jpeg file instead of from a .psd file.

9. Finalize your work. Once you got everything done, export them as high quality image file (jpeg or png). Colored work must be in CMYK color, so it can be print ready.

For convenience purposes, name your files in this format

ARTISTNAME_COMICTITLE_PAGENUMBER.jpeg (e.g: Tfw-No-GF_SpookyScarySkeletons_1.jpg)

10. Once everything is done. Put them all in an appropriately named folder and submit them to me via Dropbox, by sharing the link or better, invite to collab. This can be done even during the draft phase. Don’t celebrate just yet, as there might be some editing works and proofreading to be done to ensure quality. Once it’s all approved and confirmed, then be happy about that and look forward to it’s printing.