Heyšš» I noticed while passing through your Phantom of the Opera tag that you often mention Eriks rage fits (or what ever name is most fitting). I was wondering if you could write an S/O dealing with one or, if that makes you uncomfortable, the aftermath of one??
Hello! Yes, Erik does have rage fits (thatās essentially what they are, though Iām sure thereās a proper name for them somewhere). Heās just so emotional and so hurt that he has to vent somehow. Heās often like a caged animal⦠But I digress. To be honest, when Erikās having a rage fit, the best thing his s/o can do is get out of the way. Seriously, or they might end up hurt (resulting in his anger melting into sorrow so quickly you get whiplash and your head spins trying to understand what happened) and thatās the last thing you want. So, keep out of his way. Let him scream, yell, rant, slam doors, bang on his piano or make his violin screech. Leave him to it and eventually, heāll exhaust himself. If youāre near him when heās like this, youāll bear the brunt of his anger and heāll say and do things he doesnāt mean.
I think Erik would end up coming to you afterwards, when he can think again, to apologise. Heād just calmly come into the room and in a hoarse voice, apologise for his behaviour and then heād either mock himself or mock you, in place of mocking himself. Iāve said this multiple times before and Iāll say it again - his s/o needsĀ to be in a good mental place consistently to be able to date Erik.Ā
When he comes to you, donāt demand answers or youāll set him off again. Just⦠Let him do the leg work. Heāll tell you what he needs from you without even needing to say it. Itās in the way he shuffles into the room, looking a little shy, like a child who got caught doing something naughty. Beckon him over, wrap your arms around him, hold him, and you might find that his anger was actually sadness and he didnāt know how else to express it because all heās ever known is anger and hatred. If he goes off on you, just remember this: Itās not you heās angry at (unless you did something really stupid like remove his mask without asking or probe him about what happened with the Shah of Persia - even mentioning those three words will make him rage fit for monthsĀ or break him completely), heās angry at the world. All heās ever known is violence so thatās how he deals with things, though of course this is no excuse⦠It merely serves as an explanation for the way that Erik behaves.
Maybe a scenario would help to explain what I mean?
You sighed again as a door slammed for what must have been the fifth time in as many minutes. After Erik had snapped at you for asking if he wanted tea, you had decided to go to your room and stay there. It was ridiculous, a fully grown man acting like a two year old who had been told,Ā ānoā, but that was how it was sometimes.
After the door slammed, there was a ringing silence for several moments before the lid of the piano banged open and Erik began hammering on the keys, making a song so sad, so terrible, that you were forced to put your hand over your ears, not wanting to listen to the sweet torture of Erik venting his feelings through music. He was a magician, an angel of music, but he was also a madman and you once again cursed all who had ever hurt him.
This was the third rage fit this month, which made for a bad month if the previous months were anything to go by. You knew that some external force had set him off, for you had done nothing wrong and he seemed fine just an hour ago⦠Time seemed non-existent in Erikās home for there were no windows and the only clock was above the mantelpiece in the designated living room and you were wondering whether you should risk venturing out to ask if he was all right.
You neednāt have bothered, for the door swung open, making you jump, and Erik stepped through, his usually immaculate clothes looking like heād been through a war, of sorts (you supposed that he had been in a war against himself and your heart broke all over again), and his breathing was ragged as he fought for control over his usually cool and distanced composure.
He came to your side and stood there, just looking at you. You waited and soon enough, he dropped to his knees before you, fisting your shirt in his hands as he bowed his head, sobbing anew. You grabbed his hands and pulled him up, letting him collapse against you. Somehow, you werenāt sure how, but you managed to get him cradled in your arms, your back against the headboard of your bed.
Silence reigned for a time before he spoke, his voice hoarse from shouting.Ā āGo. Leave me.ā
You jolted and he looked at you then, fire in his eyes. He was still angry.
āNo.ā You held your breath, waiting for his response. Be strong, Y/N. Itās not personal, itās not personal, itās not per-
The fight seemed to leave him all at once and he sunk into you, clutching you tightly. A pool of moisture gathered on your dress and you suppressed a sigh, your heart aching for the man on your lap. How could the world have treated him thusly over something he had no control over? You stooped your head to kiss him, which only made him cry harder.
All you could do was hold him.
Phantom of the Opera: @liemarce @bingewatchingmylifegoby@sky-the-llama @suddenlyitisntwhatitusedtobe @phangirl-ofthe-operra @phantom-of-the-keurig @oddybutgoodie @starwarsandstufff @shingeki-no-julchen @keithmoonmoon @wolfwithabook @morningisnotalright
JUST Erik: @amariscorvo Ā @allthatyoudreamedicould