Richard Brautigan // "I drank coffee and read old books and waited for the year to end."
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Richard Brautigan // "I drank coffee and read old books and waited for the year to end."

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A Dublin gatepost March 2020
“If we winter this one out, we can summer anywhere.”
Oddly enough, this is not a line of poetry; it’s a quote from an interview he gave in 1972, referring to the Troubles in Northern Ireland at a time when they were at their most deadly. It was also an oblique reference to his third collection, Wintering Out, published in the same year. In Dennis O’Driscoll’s book of interviews, Stepping Stones, SH speaks of how the title for that volume came “from memories of cattle in winter fields. Beasts standing under a hedge, plastered in wet, looking at you with big patient eyes, just taking what came until something else came along. Times were bleak, the political climate was deteriorating.”
He may also have had in mind a line from a verse called ‘Sarah-Ann’ by the Tyrone poet and Presbyterian minister, WF Marshall (1888-1959). The song – about hiring fairs – includes the line:
“I wunthered in wee Robert’s,
I can summer anywhere.”
"The Estate of Seamus Heaney"
The Wool Trade by Seamus Heaney
'How different are the words "home",
"Christ", "ale", "master", on his
Lips and mine'. Stepen Dedalus
'The wool trade' - the phrase
Rambled warm as a fleece
Out of his hoard.
To shear, to bale and bleach and card
Unwound from the spools
Of his vowels
And square-set men in tunics
Who plied soft names like Bruges
In their talk, merchants
Back in the Netherlands
O all the hamlet where
Hills and flocks and streams conspired
To a language of waterwheels
A lost syntax of looms and spindles,
How they hang
Fading, in the gallery of the tongue!
And I must talk of tweed,
And stiff cloth with flecks like blood.
Vanished music, twilit water— A smooth libation of the past Poured by this chance vestal daughter. But now our river tongues must rise From licking deep in native haunts To flood, with vowelling embrace, Demesnes staked out in consonants.
Seamus Heaney, from Opened Ground
What did we know then Of tinder, charred linen and iron, Huddled at dusk in a ring, Our fists shut, our hope shrunken? What could strike a blaze From our dead igneous days?
Seamus Heaney, from Opened Ground

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It's twenty to four On one of the last afternoons Of reasonable light. Smell the tidal Lagan: Take a last turn In the tang of possibility.
from Seamus Heaney, Linen Town
The Irish nightingale Is a sedge-warbler, A little bird with a big voice Kicking up a racket all night. Not what you'd expect From the musical nation. I haven't even heard one— Nor an owl, for that matter. My serenades have been The broken voice of a crow In a draught or a dream, The wheeze of bats Or the ack-ack Of the tramp corncrake Lost in a no man's land Between combines and chemicals. So fill the bottles, love, Leave them inside their cots. And if they do wake us, well, So would the sedge-warbler.
Seamus Heaney, "Serenades"