#willyblah

Like this:

Ooh yeah! Good question!

Bunk Bed Junction || Thanks to Kliff’s additional help, B2J’s final move appears as a powerful laser beam. After striking the heart of their enemy, it creates a shockwave, illuminating any lights within five miles. Their showstopper line is slightly different in that, instead of saying only “Red light! Green light!”, they say, “Red light, yellow light, green light!”. I think you can tell who the yellow light is!

DJSS || The parasite's control causes DJ's power to become much more unhinged. Rather than fighting on a giant disc, it feels more like a minefield. Imagine it like this: First phase, you are trying to dodge hidden parasites from the ground while breaking open planets that are locked in place. Second phase is when things become chaotic. Meteors are introduced, and DJSS's arms stretch out to attempt grabbing you, or slashing at you. Third phase is when the parasite comes out.

Sayu || Unlike her canon counterpart, where everything is bright and colorful, you are fighting in complete darkness for most of this boss. Your only light sources are the music stands you need to activate to light up the stage, Sayu's eyes, and Kliff's flashlight. The darkness makes it impossible to shoot her, so you have to attack her up close. As you fight, Kliff's flashlight will shine on her, revealing more of her appearance until her final phase, when you have finished turning on all the lights. She attacks by attempting to stab you with her trident, or she tries to bite you. She is much faster than her canon counterpart. In her final phase, her attacks are wild as she struggles to stay alive.

Yinu || Being undead, Yinu can barely play. Mother does all of the attacking, and after having to protect her child from many enemies, she has become much faster and stronger as a result. Her anger and fear of losing her child forever makes her attacks almost unpredictable, animalistic. Like Manus from Dark Souls. She is always holding Yinu and her piano in one hand as she fights. Surprisingly, there is no health bar. Mother actually cannot be defeated; instead, her boss battle is an endurance and skill test. Once you reach her final phase, though, both her and B2J tire out. This is when B2J finds the opportunity to talk to Mother, trying to console her into letting go.

Hello! I really want to make more Nowhere Roads art, but I have a lot on my plate lately. So if you would like to collab with me in finishing up the rest of the NSR bosses’ album art, please DM me!

Basically, what I planned on doing was making redraws of the original NSR albums. But turning them into Nowhere Roads / horror versions. See the Sayu one as an example, linked below.

I prefer you do the sketch, but you can ask to do colors instead. Lineart is optional. All I ask is that the drawing follows the theme, which all the info you need is here: [x]

I’ll update this list whenever slots are taken.

DJSS - TAKEN / wip - @r3v3ri3s

Sayu - finished

Yinu - TAKEN / wip - @that-pedestrian-girl

1010 - TAKEN / wip -  @lightbrand

Hello to everyone who found me from Nowhere Roads (NSR horror AU)!

My friends asked if I could make a discord, so here it is! https://discord.gg/QDNXnnnucY

Hello everyone,

I’m going to close my ask box until 2021 because I’m working on a really huge project. I’m making a big animation, it’s my first time doing it and I want to finish it either by the end of 2020, or in January 2021.

ALSO, once that animation is over, I’m going to make a fanfic for Nowhere Roads! It will have some sketches thrown in as well. Hopefully once the fanfic starts being posted, it will answer a lot of questions.