#williamsharvey

Karlheinz Stockhausen ‎– Momente (1965 Version) #Nonesuch 1967 🇺🇸 US Choir – Chorus Of The Symphony Orchestra Of Radio Cologne #KölnerRundfunkchor Conductor, Composed By, Liner Notes – #KarlheinzStockhausen Design [Cover] – #WilliamSHarvey Liner Notes [Translated By] – Joshua Rifkin Orchestra – Members Of The Symphony Orchestra Of Radio Cologne #KölnerRundfunkSinfonieOrchester Organ [Hammond] – Aloys Kontarsky Organ [Lowery] – #AlfonsKontarsky Painting [Front Cover, Titled "PST"] – #MaryBauermeister Soprano Vocals – #MartinaArroyo https://www.instagram.com/p/CL7tJkoMIXK/?igshid=1l1gh3vz2q3ip

Morton Subotnick ‎– The Wild Bull #Nonesuch 1968 🇺🇸 US Art Direction [Art Director] – #WilliamSHarvey Artwork [Cover Art] – #BobPepper Composed By, Liner Notes – #MortonSubotnick Coordinator – #TeresaSterne Design [Cover Design] – #ElaineGongora Other [Modular Electronic Music System Originally Built By] – #DonaldBuchla https://www.instagram.com/p/CK_dkDtMYpM/?igshid=8vxyjdc778z1

Morton Subotnick ‎– Silver Apples Of The Moon #nonesuch 1967 Composed By, Synthesizer [Buchla], Producer – Morton Subotnick Coordinator – #TeresaSterne Cover [Cover Art] – #AnthonyMartin Cover, Design – #WilliamSHarvey

David Lewiston ‎– In Praise Of Oxalá And Other Gods / Black Music Of South America #Nonesuch #explorerseries 1970 US Art Direction – #WilliamSHarvey Artwork [Cover Art] – #RichardLucik Liner Notes – #GuillermoAbadia Recorded in Colombia, Ecuador and Brazil. Throughout South America, the descendants of the millions of slaves brought to the New World by the Spanish and Portuguese still pay homage to the pantheon of their African ancestors, often, albeit, under the identities of Christian saints.