#william (jackson)

Cornwallis’ conditions proved inadmissible. He asked for the honors of war to be granted to his garrison in the ceremony with flags flying and the right to march to music of their choice. For some Byzantine reason of European custom, the right of the capitulators to play the national airs or anthems of the victor was considered to imply that they had put up a good fight. Washington did not think so. In his judgment, in a letter to Governor Sim Lee of Maryland, Cornwallis’ conduct “has hitherto been passive beyond conception.” In Washington’s creed, danger was created to be overcome. Moreover, at the surrender of Charleston, eighteen months before, the British had allowed no honors of war to the defenders and required them to appear with flags cased – that is, furled. Laurens, who had taken part in that occasion, was adamant in refusing to allow the British the honor of marching to the music of their choice with regimental flags flying. When told by Major Ross that this was a “harsh article,” Laurens reminded the Major that after a gallant defense of six weeks in open trenches at Charleston, the same had been refused by the British there. Ross replied that “Lord Cornwallis did not command at Charleston,” and was firmly told by Laurens, “It is not the individual that is here considered. It is the nation. This remains an article or I cease to be a commissioner.” Next, the British wanted honors for the garrison of Gloucester, while Laurens insisted it should be treated as one with the rest. A compromise was finally found, allowing the cavalry to ride with drawn swords and sounding trumpets while the infantry must keep its colors cased.

To plunge into passionate dispute over the trivialities of so-called honor is a queer but not uncommon gambit of men who have just come from putting their lives at stake in serious combat. These were men who had been fighting for empire in one case and for national independence in the other. Did they think they were altering the verdict of the battlefield?

A more substantive issue next arose in the British demand that British and German troops as prisoners be returned to their countries of origin under parole not to re-engage. The same provision granted at Burgoyne’s surrender had permitted the prisoners to fill the places of other troops at home, who could then be sent to America. This time it was disallowed. The most obstinate issue concerned treatment of the Loyalists who had fought for Britain and whose protection Laurens said he had no power to grant and which he was sure Washington would not permit. While the army waiting outside the parley stirred in restlessness at the delay, the arguments dragged on, until the terms were finally concluded at midnight.

When copied and delivered to Washington, he promised to reply to the modifications early in the morning, with another two hours granted for Cornwallis’ signature, expected at 11 a.m., to be followed by surrender of the garrison at two o’clock, failing which, hostilities would resume. The signed papers were duly delivered in the given time. Promptly at 2 p.m. on October 19, 1781, the first steps took place in the ceremony so often described, inaugurating the existence of a new nation.

Lined up on one side of the road to Williamsburg were ten French regiments in their white uniforms, with white silk flags bearing the royal fleur-de-lis in gold. On the other side stood the Americans, with the Continentals drawn up in the front and the less disciplined and shabbier militia, some with toes poking through broken boots, behind. The British, with polished black boots and gaiters whitened, and wearing fresh uniforms issued by their commissary so that they should not be included in the surrender of property, marched out between the lines with colors tightly cased, no flags flying to wave them along. As required, they marched to the music of their own nation – according to one of history’s most memorable invented legends, a ballad, as everyone supposes, called “The World Turned Upside Down.” In fact, no such song or melody by that name existed.*

*The words occur in one of many versions sung to the popular tune “Derry Down.” Best known of these was the ballad “The King Enjoys His Own Again,” an old Jacobite serenade to Bonnie Prince Charlie, anything but appropriate to this occasion. Another version, entitled “The Old Woman Taught Wisdom” or “When the World Turned Upside Down,” contained these lines of notably uninspired poetry:

If buttercups buzz’d after the bee If boats were on land, churches on sea If ponies rode men and if grass ate the cows And cats should be chased into holes by the mouse If the mamas sold their babies To the Gypsies for half a crown If summer were spring And the other way ‘round Then all the world would be upside down!

The statement that “The World Turned Upside Down” was the tune played by the capitulators has been traced to John Laurens, who is supposed to have told it to William Jackson, his close associate during Laurens’ trip to France and also the recorder of Laurens’ conference on surrender terms with Cornwallis’ aides. Jackson, later assistant to a Secretary of War, is said to have communicated what Laurens told him to Alexander Garden, author of Anecdotes of the American Revolution, published in Charleston in 1828. It has been suggested that what Laurens said was something to the effect that the capitulators marched in a slow and dispirited manner, as if they felt the “world had been turned upside down,” and that Jackson presumed he was referring to the ballad containing those words. Variants as to date and origin of the ballad, as to whether it was or was not a marching tune – e.g., “The rhythm in 6/8 time is not adapted to marching” (Frank Luther, Americans and Their Songs), and, alternatively, “The music makes an excellent march” (Kenneth Roberts, Northwest Passage) – have led students through a maze of contradictory references, leaving us with only one certainty: that the tune played by the capitulators at Yorktown, like what song the sirens sang, is historically obscure.

From The First Salute by Barbara W. Tuchman

I thought this was an interesting explanation of the possible origins of the claim that “The World Turned Upside Down” was the song that Laurens requested be played at the British surrender at Yorktown.  The book also includes some sheet music for one of the possible versions of this tune: