Ik heb verder gewerkt aan mijn doolhof en de doos zelf zit nu zo goed als in elkaar. Vanaf volgende week kan ik de onder plaat en palen maken en daarna kan ik de inhoud van de doos vullen. Voor volgende week sta ik dinsdag in de werkplaats in gedeeld en ben ik van plan de rest van de week in de leerwerkplaats te werken voor de invulling. 

Wonder Years: Werkplaats Typografie 1998–2008 / Design by Alex DeArmond, Jeremy Jenson, Julie Peeters, and Scott Picnic / Published by @roma.publications / Available @pagespread * * * * * #wonderyears #roma #typografie #werkplaats #design #graphicdesign #graphicdesigner #graphicbooks #books #book #bookdesign #booksondesign #type #typography #typographic #typedesign #typeface #logo #logodesign #publication #publishing #grid #layout #designstudent #designstudio https://www.instagram.com/p/BwdF14TFp4_/?utm_source=ig_tumblr_share&igshid=jviwey5ull7n

OASE 67: After The Party / Available at www.draw-down.com / Designed by Karel Martens & Aagje Martens, Werkplaats Typografie. This edition of Oase, one of the leading professional journals on architectural theory, asked a critical question in 2005: had the party ended? In the early 1990s, favorable economic and political conditions in the Netherlands created an advantageous climate for unorthodox design approaches and experiments. In the years that ensued, architects developed a unique aesthetic, producing works that remain pragmatic, self-assured, uncompromisingly modern and unmistakably Dutch. Since the turn of the century, however, economic design and market-driven politics seemingly brought an end to the post-ideological party of the 1990s. More recently, there have been contradictions between interest groups, ideas and mentalities, which have resulted in inevitable confrontation. It seemed as though the sky was clearing in the mid-aughts, however, and, as evidenced in Oase 67, there was new space to think about architecture, public concerns and the culture and design future of the Netherlands and Europe. #graphicdesign #typography #KarelMartens #Werkplaats #OASE

Last Copy! OASE 67: After The Party / Available at www.draw-down.com / Designed by Karel Martens & Aagje Martens, Werkplaats Typografie. This edition of Oase, one of the leading professional journals on architectural theory, asked a critical question in 2005: had the party ended? In the early 1990s, favorable economic and political conditions in the Netherlands created an advantageous climate for unorthodox design approaches and experiments. In the years that ensued, architects developed a unique aesthetic, producing works that remain pragmatic, self-assured, uncompromisingly modern and unmistakably Dutch. Since the turn of the century, however, economic design and market-driven politics seemingly brought an end to the post-ideological party of the 1990s. More recently, there have been contradictions between interest groups, ideas and mentalities, which have resulted in inevitable confrontation. It seemed as though the sky was clearing in the mid-aughts, however, and, as evidenced in Oase 67, there was new space to think about architecture, public concerns and the culture and design future of the Netherlands and Europe. #graphicdesign #typography #KarelMartens #Werkplaats #OASE

OASE 67: After The Party / Available at www.draw-down.com / Designed by Karel Martens & Aagje Martens, Werkplaats Typografie. This edition of Oase, one of the leading professional journals on architectural theory, asked a critical question in 2005: had the party ended? In the early 1990s, favorable economic and political conditions in the Netherlands created an advantageous climate for unorthodox design approaches and experiments. In the years that ensued, architects developed a unique aesthetic, producing works that remain pragmatic, self-assured, uncompromisingly modern and unmistakably Dutch. Since the turn of the century, however, economic design and market-driven politics seemingly brought an end to the post-ideological party of the 1990s. More recently, there have been contradictions between interest groups, ideas and mentalities, which have resulted in inevitable confrontation. It seemed as though the sky was clearing in the mid-aughts, however, and, as evidenced in Oase 67, there was new space to think about architecture, public concerns and the culture and design future of the Netherlands and Europe. #graphicdesign #typography #KarelMartens #Werkplaats #OASE

#podcast #ziekteverzuim #reintegratie #arbeidsrecht #werkplaats

Wie komt ons team versterken? #vacature #4doptiek #arnhem #werkplaats #medewerker #opticien #linkinbio (bij 4·D Optiek) https://www.instagram.com/p/CPcv0-lHYdf/?utm_medium=tumblr