#weebcon 2025

            I find this revelation interesting, because given how long production in animation takes, it always amazed me how quickly Dana was able to get another show running, after TOH ended! So learning it was technically in the works since before TOH ended fits things nicely into a timeline here; Dana didn’t simply take a surprisingly short showrunning hiatus and then come up with this, it was being formulated as TOH was wrapping up!

            No surprise, Disney and Glitch are “Night and day” in their treatment of artists and showrunners, with Dana mentioning she feels taken care of by Glitch, treated nicely.

            If Dana had the opportunity to voice one of her characters, she said –if she was suddenly good at voice acting- King, due to his “explosive range” while mentioning a KoG character who has yet to debut.

            Pitching a show is starting an idea, working on it from months to year; TOH only took a couple months before Dana pitched it to Disney, because she needed to do this, to try and see if it got any traction. She brought it a room of 2-3 people who pretended to be interested, because they’d heard a bunch of other pitches that day, so when Dana stood out, it felt nice. It takes three months for executives to decide if they want to move forward on it, and then another 3-6 months, etc.

            Dana got be involved with the voice actors as much as she wanted to and could, with seasons 1-2, she was there for almost every performance. With S2B and S3, Dana could trust Eden Riegel to direct in her place as she was more involved with writing at the time. Dana was mostly involved in writing, in figuring out the scripts and working with the weird curveballs Disney threw them; Some solutions were successful, others not as much. There were many limitations in S1.

            Every performance of Hooty by Alex in the booth was hilarious; He’d often start riffing in Hooty’s voice and going a full minute longer than his actual two lines to say. They were able to use a couple of Hooty lines, but most were unused.

            This was the part where us fans were invited to line up and ask questions!!!

            If Dana could change one thing about the show (other than the cancellation) she admitted to wanting to rewrite Once Upon a Swap LMAAAAOOOOOOOOO-

            To come up with the concept of TOH’s universe, Dana started off with the initial concept that she disliked a lot of fantasy novels and stories. So when she created, it came from a place of cynicism and negativity (not always great, in her words), and she liked to challenge herself to take something she disliked and found frustrating, and figure out a version of it she could love. So Dana turned this fantasy world into something more gruesome, scary. She put a horror spin, gave everything teeth and claws; Make it fun for her!

            Five years ago, the character Dana related to the most was Luz because of plenty of her stories, esp in regard to her father’s death at a young age and not fitting in. But now that Dana’s thirty-four, she relates to Eda a lot; She finds herself becoming more isolated and against the world. At some point she might start wearing solely red dresses.

            When creating the concept of the Collector, Dana’s thought process was wanting to create someone very ethereal and childish, and had this thought of a child flying through space, who never understood death, and liked to create chaos and destruction in his wake. She doesn’t really know why. The thought process and the galactic aesthetic of someone like that was very interesting to Dana; The Collector ended up being one of her favorite characters.

            (I find this info very vindicating, as I’ve seen people speculate that the Collector not knowing of death was a contradictory retcon done in S3 to make them more sympathetic; No, that was always the idea, since the very beginning! Since they rewrote the Collector prior to S2B, mind you; Before that, Dana confirmed during her Gallery Nucleus that they originally had a different personality and direction as seen in 2A, which is likely why that depiction was made into a separate character, an Archivist. But by Elsewhere and Elsewhen, a Collector oblivious to death was always the goal. We’re getting Ship of Theseus here about characters during the development process.)

            Onto my question!!! I asked about the Watching and Dreaming storyboard in which Odalia would’ve been there alongside the Hexsquad, watching the horizon after Belos’ defeat, and how Rebecca Bozza confirmed there was a cut confrontation between Camila and Odalia in the Archives.

            Dana mused that if Camila ever met Odalia, it probably wouldn’t be a pretty situation; There’d be a lot of glares. But there’s no canonical confrontation, so Dana could only pretend that Camila would’ve smacked her.

            I think Dana may have misheard my question? And/or she didn’t recall what they had planned for the finale (I was too shy to clarify, press her about it); It makes me wonder if the idea had been too shortlived, and the writers juggling so much (in addition to Dana handling KoG, as we’ve just discovered), that it’s since slipped her mind after two years. This does make me wonder if it was, in some part, a fluke by the storyboard artist; After all, Clouds on the Horizon had storyboards in which Amity wore the portal key necklace while confronting her mother within the Abomaton bubble.

            Of all the TOH scenes Dana wrote, her favorite was the whole third act of King’s Tide; She co-wrote it with Zach Marcus. Dana handled a lot of how it paced out, the way the dialogue came out. Sometimes Dana writes a script and it’s the most painful, struggling experience for her; So difficult to perfect and get out, requiring a thousand changes. But for King’s Tide, there it was! And she’s very proud of it. Dana has a hard time looking back at the show, because it’s like an old sketchbook for her; She’s always wishing she could’ve done something better. But King’s Tide is one of the few episodes she can say she nailed that one.

            (God I feel that. Personal aside, I think something a lot of writers take for granted is their ability to always look back and edit and revise at their own leisure, even after posting, whenever they want, until the end of time. But writers for shows don’t exactly get that luxury, especially when a script needs to be finalized so animation and everything else, its own beast, can follow suit. Can’t easily update a script –esp at the last second- without demanding the rest follow!)

            Two questions about KoG; What was the moment when Dana worked with Glitch that made her realize the difference between it and Disney? Dana was very cautious going into Glitch, and as she told some there, that she was going in like a stray cat who didn’t trust anyone, like she was left out in the cold. But slowly, over the course of the year, Dana realized Glitch actually treated their artists with respect; If someone says something isn’t working and offers another way, Glitch actually listens and changes! Wild! They’re a company (she’d rather say “group of people”) that seem very determined to learn and grow and make sure everyone’s doing right. Glitch is a far cry from Disney.

            The other question was what was the process of Glitch doing 2D animation for KoG instead of its usual 3D; Did Dana have to convince them, or were they open from the start? Dana thought Glitch was always excited to do 2D, and one of the things she was able to offer was her experience in doing a 2D show and how production for it would look. It was an arrangement that worked out for everyone, where Dana got to create her own pipeline for the show which has been working very well this far. There’s no odd restrictions from Glitch’s management, it’s been very nice.

            In regards to cosplays she’d like to see of her characters, or which stood out to her, Dana once saw a 7-foot tall (before the horns!!!) Belos cosplay that was size-accurate via giant platform boots underneath the cloak; It was awesome. Dana always loves seeing King costumes because they’re essentially giant furry suits, but she speculates it’s also why she doesn’t see many of them, because furry suits can be very intense to make. But Dana was very excited to see any KoG cosplays in the future.

            This part intrigued me, because the day prior, a fan dressed as the princess from KoG had shown up to meet Dana Terrace and I’d come across them, exchanged info, and clarified that the schedule for Dana had updated since it was announced back near the end of February; At first she was going to be there for all three days of Weebcon, but could only be there for two (On her Bluesky account, she did allude to some trouble occurring to her that Friday, which may have been the reason for this change). I’d reassured the cosplayer they hadn’t missed Dana or done anything wrong…

            And lo and behold, the person who asked the question had also met this cosplayer, and brought it up to Dana! Dana was excited and wished she could’ve seen, and asked for anyone with a photo of the cosplay to tag her on Twitter or any other social media.

            What Dana listens to when doing art is True Crime podcasts, which sucked her in during the pandemic. Other than that, she listens to classical music, as it fires certain neurons within her brain that get her very focused; She has a hard time watching anything when drawing. Sometimes Dana goes into psycho mode, pure silence; Earplugs in, nothing but the beat of her own heart, and pure focus. Locked-in, takes a certain insane mood for sure.

            A fellow Raine cosplayer asked Dana what she was most excited for in regard to KoG, and she said Episode 4!!! There’s lots of stuff Dana and co. are planning; Obviously the pilot’s not finished right now, but the things they’re thinking about are very exciting and she’s excited for everyone to see the character designs and stunning animation. Dana lamented that if she kept going, she’d end up saying something she wasn’t supposed to. She’s so quiet posting online, because otherwise she’d just be posting KoG and inevitably slip up. Overall, she’s excited.

            If Dana got to do Owl House with no restrictions, Dana absolutely would’ve leaned more into the horror theme; She initially pitched it as PG-13 and leaning more into horror, though this doesn’t mean they would’ve taken away any of the heart or sweetness between the characters (Which I’ve suspected and really appreciate to hear; Always good to have the heart beneath it all). All this means is that the intense scenes would’ve been more intense, and the tension between characters more intense.

            Overall the art direction might’ve been grittier; But during development, executives kept suggesting the crew round out the characters to make them more appealing, and at some point Dana was frustrated because her personal art style has a lot of straight lines. She would’ve liked to have leaned more into horror and the original vision, BUT she’s still very happy with how it came out.

            Someone I met and talked to earlier about Isabelle Rosalini’s role in the show, and the enormity of the feat, also brought it up again with their question about whether there was a TOH design where Dana had a specific actor in mind to play them.

            The interviewer, at that point, had the perfect segue to bring in none other than Zeno Robinson himself, who I’d just found out was going to be at Weebcon the first day I attended, and even got a signed print from him! I’d wondered if he was going to be there at Dana’s QnA and forgot to ask him about it, but of course he was. There was no way he wasn’t going to be.

            Going back to the question, Dana decided she’d want everyone to be voiced by Zeno. But in all seriousness, Dana said she wasn’t allowed to answer that question.

            If Dana hadn’t made TOH through Disney, was there a specific plotline she wanted in the show that couldn’t be added or was axed because of “the rat”? Dana would’ve loved to explore the Bat Queen’s arc (talk about good timing with the prior question mentioning Rosalini, which Dana acknowledged) and had a whole thing planned, it was going to be very sweet and somber. Dana loves drawing the Bat Queen. But when they had to cut down plotlines, BQ unfortunately had to be cut.

            Dana’s reaction to the internet’s reaction to various TOH developments wasn’t a specific one; Her stomach was always in a knot whenever an episode dropped, and she and some of the crew would watch the comment section on the sides of livestreams. It was always stressful, even if overwhelmingly positive; Zeno could relate.

           Zeno mentioned how when an artist gives so much of themselves, the art is never finished in their eyes; They could’ve always done this, or added this thing. (“It was like 90% there” Dana concurred). It’s the most presentable version within the time constraint they’re given, but sometimes it’s never like that 100% finished product one wished they had, so it’s tough as an artist to look at something objectively because you just don’t get why everyone likes it. Zeno sometimes re-listens to his Hunter audition, which Dana found so good, and wonder how he got cast. Dana clarified it was the part where Zeno freaked out.

            (Can I say how much we take for granted as fans that we can always, at our leisure, go back to update and improve our own works? Or take as long as we need to create the best version of something, without any deadlines to meet?)

            If there was a full S3, Dana confirmed to Zeno he would’ve voiced every single hypothetical Grimwalker, and that they would’ve alluded more to Darius’ mentor, talked about it more plainly for sure. Dana joked about doing it in a S4, but also clarified that would never be in the cards… Supplementary materials on the other hand!!!

           Zeno mentioned wanting to see an exploration into the past of Hunter and the prior Golden Guards, and their connection to Caleb and Belos; Like a single graphic novel, Dana concurred, as there’s so many storylines in TOH that would make awesome TOH one-shot comics. She joked to Zeno about it being time to pitch spin-offs, with Zeno replying it’s been enough time.

            When coming up with the magic system for TOH and how it contributed to the characters, and what her inspirations were, Dana explained it all stemmed from the basic idea that Luz herself can’t do it; Everyone else around her can do it so easily, with a literal flick of their wrist. Luz has to work extra-hard in drawing the complicated designs each time and remembering them, learning how to combine them in different ways, and the worst part, finding them in the first place, which Luz didn’t even know she had to do at first.

            So it might not have been the most elegant place to begin building a magic system, in Dana’s words (if she could go back and redo it, she’d have some better solutions to some walls they ran into), but for her any kind of system, be it worldbuilding or magic, has to start with how it affects the main character, why it affects the main character, what’s the purpose of the system in the first place.

            In regard to the (leaked!!!!) pitch bible, which Dana was chill about, there are a lot of things she wished she’d kept from it; The main thing she learned as a first-time showrunner was that she needed to stick to her gut more. She had to trust her instincts more, because if she didn’t like what she’s doing or the suggestions being made, then she’s going to have a miserable time for the next four years.

            One of the changes Dana did like was Lilith going from Hexside’s principal to head of the Emperor’s Coven; Being a principal just wasn’t as exciting as being behind enemy lines. Plus we got to see her fall from grace, which was really funny for Dana (same here for me). It’s tough; One needs to learn to stick to what they love, but also learn not to be precious(?) at the same time, because new and better ideas come all the time, and one needs to learn to let go of old things to embrace the new and cool things. At the same time! You need to learn how to see what’s unnecessary, and stick to an older idea; It’s a balance.

            (I feel this one a lot with GEverse.)

            Dana can’t clarify on how many KoG episodes there will be, just that the pilot is in production.

           Dana has taken inspiration from artists such as Tatsuyuki Tanaka, who she’d murder to draw like; She was just looking at some of his works before arriving to Weebcon. Hieronymous Bosch was a huge inspiration for TOH, though she doesn’t necessarily want to draw like him; She still derives from him. She loves Naoki Urasawa, and Dana and Zeno love his Pluto, which makes Dana cry everytime she reads it; She admires Urasawa so much as an artist and storyteller. He’s one of her top favorites ever.

           What’s the deal with Hooty and the Titan? It was a symbiotic relationship. Worms are a type of parasite.

            Dana would’ve loved to put a scene in S3 (it was one of her original ideas for it!) building off of how Belos tried to manipulate Luz in King’s Tide on the basis of her being human like him and so he’s trying to “help” her; She wanted to make that moment so much more longer and manipulative by setting a scene in an autumnal forest, where the leaves are falling, it’s quiet and serene and creepy, and Luz and Belos are speaking about their experiences with death.

            With Luz it was her father Manny, with Belos it’s his brother Caleb; Obviously, it’s very different circumstances, with Luz pointing out her father died. Belos killed Caleb. Them having a very intense conversation was something Dana always wanted to do, and she’s so sad she never got to do it.

            (To go on a tangent, I find this fascinating for obvious reasons, and I think the writers managed to somewhat adapt the concept into the final episode? There’s the parallels in Belos bringing up their similarities as “witch hunters” in order to gaslight Luz, as well as his Woe Is Me schtick about Caleb, only for Luz to shut it down with the very blatant point that Belos murdered Caleb, he brought that entire situation upon himself!

           In general, the parallels still manage to speak for themselves, so you can feel them shadow that canon callout by Luz. So even if the exact idea didn’t go through, I think the spirit of the contrast between these two deaths that motivate Hero and Villain in opposite ways, because of opposite roles they played, culminates in Luz having every right to call out Belos’ hypocrisy, as the theme of Death asserts itself before the Collector learns later on.)

            If TOH was given a PG-13 rating and Dana could insert one F-bomb, she deliberated on either Hooty or Eda saying it; It would take her so long to figure out where in the show. Perhaps if Hooty met Belos, he’d say it there.

            The final question: How much does an actor know about a character when coming into an audition, and how long have they known that information prior to the audition? According to Zeno, usually there’s a description and a bit of what the character is about, maybe there’s a bit on their arc. Sometimes productions are incredibly detailed, or just detailed enough. Sometimes he gets a basic idea of a character’s trajectory, their traits and inspirations, other times it’s just the main personality traits and what they like; You usually know what you need to know, and not much more than that.

            For example, Zeno didn’t know Hunter’s real name when he auditioned; He was just the Golden Guard, with Dana explaining they were being very cagey about his name, not sure of how much they could put out about him. Zeno saw his face and five lines, but one can infer things from lines; It can provide more insight into personality than the description itself.

            Woke up early the next day, but the line was still long; Didn’t stop me from making it in at 10:00 AM on the dot, as was the official time! And dang was it surreal seeing Dana Terrace herself, in the flesh, as an actual breathing person who could react to me, rather than a livestream or pre-recorded video. I was most startled by how short she was, I think a bit shorter than me? I do consider myself relatively short, and she didn’t seem short compared to other people I’d seen her next to in photos and videos.

            On a psychological level, I guess I looked up to Dana Terrace, so that made her ‘bigger’ in my mind. I know it’s not advisable to worship celebrites like that, but it’s what happened. Ultimately, my point is that I kept thinking of “General Grievous; You’re shorter than I expected” from Star Wars, which I found funny. Sorry to any short people.

            As I’d guessed, the line was surprisingly short! Esp compared to some of the other booths; On the one hand, it’s neat to not have to wait long. On the other hand, it did make me feel a bit sad, that an entire showrunner was being eclipsed, and/or that TOH was potentially fading from relevancy; Of course, Dana herself has Knights of Guinevere right around the corner for herself at least. Her line didn’t get much longer throughout the day either, though I wonder if the location in Irving, Texas had something to do with it.

            But yeah, I actually got to meet her in-person! I mentioned how when I first saw the announcement poster for this show, something about it gave me a good feeling, and so when I invested my time and hopes with it, it paid off in a way I never could’ve imagined! I loved how each season of the show was about Eda, King, and Luz in that order, and Dana was delighted and told me “You get it!” I also added how I loved how she gave Luz Catholic Guilt without making her actually Catholic, and she laughed kinda sheepishly, bowed her head, and then repeated You get it. I got to take a picture with Dana, in which I took a moment to take out this bard sigil sticker I’d bought on Redbubble; It’d fallen off my skin early on the previous day, as I’d guessed, so I made sure to prepare backups for the occasion, and to save them for this photo. Dana half-jokingly called it an evil thing.

            She was also offering an original sketch to four exclusive buyers, and I’m chuffed to have been one of them! If Dana couldn’t draw it on the spot, she’d do it overnight; She had four red cardinal dolls for you to return with, as proof of purchase! I half-jokingly lamented what she’d done to Flapjack while still appreciating the decision, as Dana laughed and said that SHE hadn’t done it.

            I definitely panicked for a bit as I tried to calculate what I wanted from her, since I never really expected this opportunity, and wasn’t even sure that there’d be anything outside of the Q&A itself; But after seeing other booths, I got the idea and was enamored at the thought I could just come up to Dana in-person by myself and just say things.

            Honestly, it was tempting; The line itself was short and even absent at times. But in the end, as nice as it’d be to fantasize about taking advantage of this to talk to Dana Terrace for as long as possible, hanging around the area… Realistically, she’s another human being with boundaries, who doesn’t necessarily like every social interaction, and probably feels pressure from fans. Hell, I feel pressure from asks on Tumblr and happy Ao3 comments at times! So I decided to respect that. You can like someone and you can respect them. These are two very different things and not always the same, but you can make them overlap if you’re thoughtful.

            (I also didn’t want to come across as an obsessive creep either, so there’s that.)

            Was again surprised both pleasantly and with a tad disappointment at how surprisingly small the crowd for the Q&A was, and I had a moment trying to find it because the app wasn’t helpful. I’d actually asked Dana’s friend who was sitting beside her where to find it, they told me to stick around and follow for when they were escorted because they themselves weren’t sure… And alas, I went off to explore for a bit, reasoning I could be back in time, because again I didn’t want to discomfort anyone. Luckily I just had to ask a random employee and they directed me.

            I was pretty thrilled to have an up-close seat in the second row near the middle, and saw others recording, though in hindsight I was the only one who posted! Why record if you’re not gonna post it for everyone else to get the information? There were at least two others… For a moment early on I accidentally ended the recording and had to re-start, so I missed part of a question. But it was just the interviewer elaborating on the question; When the clips are cut together, it’s like nothing’s missing at all!

            Someone actually brought up what cosplays Dana would’ve liked to see, and she brought up Knights of Guinevere; I wasn’t the only one who saw it from yesterday and I wasn’t the only one agonized to not see them around as we brought it up to her! Dana told us to tag her if we ever got a pic.

            (Later on I went to insta to inform the KoG cosplayer and saw that Dana had an Instagram story celebrating her arrival at the Westin, the hotel right next door from the convention center where various events, including the Q&A itself, were held!)

            AAANNNNDDD of course! Zeno ended up showing halfway through as a surprise guest, because we knew it! We all knew it! They’ve done Post-Hoots together before! I eventually got to line up to ask my question, the line wasn’t long nor particularly rushed, and in the end everyone got through at the last second! I asked about what the scrapped storyline between Camila and Odalia in the series finale would’ve been, but I think Dana misheard my question, or just didn’t remember because it was too brief an idea and it’s been over two years, because she seemed to have interpreted my question as how the two characters would interact; Which is to say, a lot of glares, and Camila probably smacking Odalia. Real.

            Alas, that’s my contribution to the TOH lore haha! But yeah, some pretty insightful things… I eventually went back to the floor where Zeno and Dana had their booths and was pleased to see more TOH fans from that Q&A, and then some, lined up. It made me feel a lot better to know that others got to partake in the chance, I suppose.

            Not TOH-related but later on, I finally reunited with someone else I’d hoped to see: This guy I’d seen at Anime Fest 2023 and 2024, as well as last year’s Anime Frontier, who always dressed up as Resident Evil 4’s merchant! And fittingly, he acted as a place of refuge and supply for other cosplayers, providing free repairs with the vast tools underneath his coat, which he’d open like the merchant himself!

            As I stood in line solely to take another picture, I helped a girl who needed some safety pins, having brought glues and pins in case I needed to do repairs. This was justified as earlier that morning, some of the gold trim on my vest’s hem was getting loose, which I re-sealed. She ended up needing just safety pins too, and despite her hesitation I told her to take as many as she wanted; I’d have gotten way less but this was the smallest amount available at the time, and I didn’t have the patience to find a smaller amount elsewhere. I guess that was the literal price I paid for convenience. She thanked me… and later on, I saw her at that night’s cosplay contest, where she ended up winning a reward!!! I suppose one could say I did my contribution toward that. /j

            (She’s the one in the white wig and outfit between Dimention and Dio. Speaking of, I was thrilled to see Mr. L and Dimentio cosplays perform, and despite an issue onstage with Dimentio’s mask falling off, they handled it gracefully and even had a Dark Prognosticus and Chaos Heart, the latter created by taking the actual in-game model! Super Paper Mario was a formative experience to me and I thanked them for it as I took a pic!)

            The next morning I saw a lot of people heading down the general direction of the convention center in suits, but guessed they weren’t convention goers until I remembered what day it was: Easter! Normally my family would celebrate but these years we don’t, split up and everything, so this this more than made up for what would’ve otherwise been nothing. As I was in line for Weebcon’s final day, I even met up with someone I’d seen earlier and we talked about TOH together!

            I also wonder if Dana’s presence encouraged both more TOH guests to show up on those days, and more TOH events, because there was a second cosplay meetup at the exact same location later that day, AND first thing in the morning, a TOH-styled jeopardy game of trivia! I showed up, three teams of two, and ended up being a bit overqualified, by a long shot haha; Was a little disappointed the questions weren’t a lot harder. Gotta remember it’s a kids show and the panel was for casual audiences. Thankfully I kept myself in check and ended up coming in second; The questions were all obvious to me. Ironically the one I blanked out on wasn’t Glyphs 1000, it was Glyphs 800, a smaller number like that;

            The 1000 question was the elaborate glyph to teleport to the skull, but I think that one’s obvious because it’s plot-relevant and also the only one that big. Whereas a lot of the other glyph combos, I can’t necessarily remember and their components can be a bit more esoteric; So I couldn’t guess Lilith’s snow glyph from Escaping Expulsion!

            (Personally I’d have gone BS mode if I’d done it; Like, Covens 1000 would be “Who was the first coven head to appear in the show?” That would definitely border on trick question because it’s Mason, who debuted in Covention to introduce his own coven to the audience!)

            Right after that I got my completed drawing from Dana, and it was great; I brought up how I loved the irony of Raine Whispers, my cosplay, being a character who couldn’t look the other way and that’s why they rebelled, yet their rebellion forced them to look the other way in regard to Eda, Hunter’s neglect (esp with Terra being all close with Raine; I wiggled some fingers to convey her touchy-feely vibes), etc. Raeda broke up because Eda kept secrets; They’re kept apart years later because Raine does the same. Dana confirmed, yeah, they were alike.

            I also got to keep the cardinal doll!!! And bought a signed Funko Pop of Eda; I’d been meaning to get the TOH collection but never did. So I figured now was the perfect time to get Eda’s, who was the only one; Otherwise my wallet would’ve been even lighter that day!

            Got to go to the cosplay meetup and thankfully there was a lot more people, though not ones I’d talked to before alas! We discussed, took photos together, joined a group discord, etc. I even did a bit of a photo shoot with someone I’d met later that day, after the con, at this picturesque location they’d found; Only a 20-minute walk, and halfway along the path was the hotel where my car was, so we drove the rest!

            Just before that though, in the final hours of the convention, I had this funny little experience where this girl in a playboy bunny costume recognized my cosplay and complimented me on it! Now this has happened multiple times before, and so at that point it was a reflex to extend the same, say “I like your costume too!” So I did, and in doing so reference. The playboy bunny outfit.

            (And you know what? Yeah. I liked it! I liked her outfit! I like playboy bunny outfits and I’m gonna say it! And in hindsight, the surprising prevalence of people dressed as such was definitely a riff on how it was Easter that day, and its associated bunny. Talk about a happy, memorable Easter all right!)

            As I’d walked off, I think I heard her bring it up to her friend (or it was the other way around) as they laughed about it. I’d like to think so, it was a pretty funny thing. But before that, she showed off her epilogue Flapjack tattoo on her left arm (just like Willow!), at the center of some other tattoos! Really cool to recognize a fan even when they’re in some other cosplay.

            It was after this and then the photo shoot that I returned to the area in cosplay. The event was already over but I guess I wanted one last glimpse and feel before I changed out; As I passed through the neighboring hotel’s lobby, which still had a few stray cosplayers, I actually saw Dana through the window chatting with some friends (I assume waiting for their ride) as I passed through the doors and waved at her! She waved back and it was a funny little coincidence. One could’ve attempted to strike another conversation but I feel that would’ve been disrespectful, going beyond the allotted context for meetings.

            It does make me wonder about the logistics of guests going to cons, if they have their own routes to the convention rooms away from other con-goers so they get some privacy; I did notice doors leading to private ‘back rooms’ and passageways but still! That insta story did make me realize that yeah, a lot of the invited guests had rooms in that very hotel and probably ran into fans on the way to and from.