#dc comics#dc#batman#bruce wayne#dc fanart#tim drake#dick grayson#batfam#batfamily
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Wayne Edson Bryan, The Woods, 2024, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
https://wayneedsonbryan.myportfolio.com
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Wayne Edson Bryan, The Believers, 2025, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
https://wayneedsonbryan.myportfolio.com
I create hybrid images where paint, pixels, collage, and drawing collide. Drawn from a wider field of popular culture, high & low art, memory, music, and miscalculation, my work is born in the space between digital and handmade, illusion and virtual presence. These compound images resist easy categorization, asking viewers to question not just what they see, but how they connect with a world built on screens.
Just cause you got the monkey off your back doesn't mean the circus has left town. - George Carlin
https://www.adamsongallery.com/wayne-edson-bryan
Wayne Edson Bryan, Trans Boy Scout, 2025, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
In a world increasingly filtered through screens, I create images that hover between presence and illusion.
My work is a collision of analog and digital - paint, pixels, collage, and code - layered to form dense, hybrid spaces where meaning fragments and reforms. I draw from the noise of the everyday: outsider art, advertising, punk energy, glitch logic. These elements don't just coexist - they clash, dissolve, and recombine. I'm interested in what happens at these points of friction: where abstraction absorbs representation, where authorship slips, and where the viewer is invited not just to look, but to question their relationship with the image.
Using digital photo-editing tools alongside hand-drawn marks and photographs, I construct visual surfaces that feel tactile yet untouchable - illusions of depth and form that ultimately reveal themselves as constructs. These are not paintings in the traditional sense, nor are they purely digital artifacts. They are something in between - transitional objects for a transitional age.
My work is rooted in the belief that art should challenge perception, resist categorization, and mirror the fragmented, fast-moving world we now inhabit.
https://linktr.ee/wayneedsonbryan
Wayne Edson Bryan, Racing Sunset, 2016, gif file. 96 separate images were drawn to appear as a continuous pan shot.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Wayne Edson Bryan, Monster, 2025, digital collage/mock-up for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
Combining information from a wide array of pop cultural sources, merging painting-like surfaces with digital technology, these works continue to illustrate my interest in creating within a multidisciplinary field to reflect the new hybrid spaces we inhabit.
Wayne Edson Bryan, How Much Difference Does It Make, 2024, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
https://wayneedsonbryan.myportfolio.com
Wayne Edson Bryan, Ready For Mr High Pockets, 2024, digital collage/study for painting created with 26.1.0 Adobe Photoshop. No generative ai tools were used.
https://wayneedsonbryan.myportfolio.com
