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INTRODUCTION - DRAMATIS PERSONAE - FAMILY TREE - LOCATIONS - PART ONE
BEWARE! The following information might make the events of this narrative REDUNDANT! (AKA SPOILER WARNING)
PRINCE HENRY, DUKE OF GLENCAIRN (1787 - 1840)
The third son of King Louis II, and father of King George. Unlike his elder brothers, he was soft-spoken and tender. An amateur composer and dramatist in his adult years, Henryās life was turned on its axis when he became second in line to the throne. He died of a fever just six months after the birth of his much-adored son, the first male-line grandson of Louis II to be born in over thirty years.
LADY IMOGEN LONGFORD, later DUCHESS OF GLENCAIRN (1806 - 1881)
The mother of King George and Princess Octavia of Glencairn. At the relatively late age of thirty-one, she left her native England to marry the Duke of Glencairn. Following her husbandās death, she was vocal in her belief that her son George should come before the children of King James I and Queen Caroline in the line of succession. Her relationship with her children was strained and often the source of public controversy, but she remainedādoggedly, unapologeticallyāat her sonās side until her death in 1881.
PRINCESS OCTAVIA JANE OF GLENCAIRN (1838 - 1902)
The only sibling of George, the pair were inseparable as children but drifted apart as they grew into adults. Often jealous of her brotherās inheritance, the relationship broke down when George refused to accept Octaviaās choice of husband. Although the pair later reconciled, Octavia never married. George was devastated when Octavia died alone in 1902.
LOUIS II (1757 - 1817)
King of Sunderland from 1802 - 1817, and grandfather to George. Sunderlandās second monarch, Louis II is largely known for establishing sovereignty and resisting efforts to turn Sunderland into a Prussian puppet state. In 1807, he changed the family name from Hohenzollern to Warwick, inspired by the countryās largest city. Though a successful king, he was harsh towards his children. His fearsome anger sent reverberations down the Warwick family tree.
LOUIS III (1782 - 1850)
Georgeās Uncle Crown, Prince Louis William Thomas became king in 1817. Holding the throne for an impressive thirty-three years, Louis married twice; one wife he loved and cherished, the other he despised and tormented. His only child, Prince Frederick, died after a long and harrowing struggle with tuberculosis. George was born in the last decade of his uncleās life and their relationship was distant but cordial. George would remember Louis III as a large and gout-ridden man, always roaring with laughter.
PRINCE FREDERICK JAMES (1806 - 1835)
The only son of Louis III and his beloved first wife. Prince Freddy was everything his father was not: tall, dashing, and popular. Although expected to be a great king, his life was cut short by tuberculosis, the spectre that haunted North America throughout the 19th century. Freddyās death sparked the succession crisis of 1835, prompting a mad scramble from his aging uncles to marry and produce an heir.
JAMES I (1785 - 1857)
The second son of Louis II, James I succeeded to the throne at sixty-five years old, the oldest monarch in Sunderlandās history. James married the flighty and insecure Caroline of Mecklenburg-Stralsund at fifty-three, by then having had 11 children with his mistress. A reformist politically, Jamesās short but eventful reign is today overshadowed by interpersonal drama. He was cruel to his nephew George, who in turn despised his Uncle Lennox and prayed for his death.
PRINCESS CAROLINE OF MECKLENBIRG-STRALSUND, later QUEEN CAROLINE (1812 - 1869)
The tormented wife of James I, Caroline hailed from a microscopic German state and spoke little English when she arrived in North America. Upon marriage she be Her marriage produced five children, but only one, the future Louis IV, survived infancy. Over the years Caroline grew shrewd but also paranoid and possessive of her delicate son. She served as regent during Louisās minority, the only woman in Sunderlandās history to rule from the throne. While competent, Caroline was decisive as Queen Regent, being dismissed by George and his family as Karoline, das kindermƤdchen.
LOUIS IV (1840 - 1860)
Georgeās sickly and vacillating little cousin, as the son of the Duke and Duchess of Lennox, Louis immediately supplanted George in the line of succession. Sheltered and constantly ill, Louis deifed expectations by outliving his neglectful father, becoming king at just sixteen years old. Upon reaching majority in 1859, Louis flung himself into a scandalous and ill-advised marriage with Rosalyn Brair, an American commoner from South Carolina. Louisās health deteriorated throughout his reign and he died aged twenty, but not before defying expectations again and declaring his estranged cousin his heir presumptive over his infant daughter.
INTRODUCTION - DRAMATIS PERSONAE - FAMILY TREE - LOCATIONS - PART ONE
SUMMARY: The prologue to my long-awaited prequel series, this focuses on King George I, who reigned for over sixty yearsāthe longest of any monarch in Sunderland's history.
WARNINGS: References to pregnancy and child loss, substance abuse, domestic abuse and colonialism
WORD COUNT: 2.9k words
MENTIONED CHARACTERS: King George I, King Louis II, King Louis III, Queen Alexandra, King James II, Prince Arthur (Duke of Albion), King Louis V, Queen Anne, Prince James (Prince of Danforth)
AUTHOR'S NOTE: So, here it is. The introduction to the long-planned prequel series. This little introduction is completely prose, something I'm getting into more and more, but don't worry: this series will mostly be traditional story posts, with screenshots and everything. I don't want to give too much away, but I will say it's extremely important that it's James writing this prologue. I hope you all enjoy, please tell me what you guys think, huh?
DOCUMENT VERSION
It seems the whole country breathes at Georgeās command.
ā Sarah, Lady Turner, Dining Room Notes, 1860, āFor the Kingā
Devilish little brute.
ā Grand Duke Vladimir Alexandrovich, Statement during the wedding of King George to Grand Duchess Alexandra Alexandrovna (April 1861), quoted in Brig. Bernard Sidneyās The Life of King George, Vol. II (1922), p. 164
HE WAS THE tallest man in the room, although he was also the youngest. Below festoons of velvet, he cut the image of a stoic young general, but every now and again he would trace a hand up his neck and tug impatiently at his mustache. It wasnāt as thick as he would have liked; spindly at the ends and connected to patchy sideburns. He had considered shaving, but there wasnāt a chance he would appear bare-faced. Not on this day, not in front of this audience.
Thousands had lined the streets of Woodbine the night before, hopeful to steal a glance of the young man who would be their new king. The previous king had been just as young but sallow and sickly and the one before him a crispy-haired, shrivelled old prig; now the grim, bearded faces of Sunderlandās parliament stared and were stared back at by āthe image of virile, fervent masculinityā. At twenty-one Prince George of Glencairn stood at five-foot-ten; he was muscled like a draft horse but had the temperament of a stallion.
Like his predecessors, George wore no crown, although the jewelled medals sewn into the breast of his uniform made up for it. His thighs ached, the hourās long procession had been unforgiving on horseback, and his feetācrammed into knee-high jackboots a size too smallāwould need to be iced later. Georgeās crown advisers were in no better shape. They could hardly stand, evidently weakened by age and exhaustion, covertly blitzed on opium and whiskey. Propped up on walls and chair backs, they were a stark contrast to their young sovereign; a half-dozen gout-ridden and barrel-bellied statesmen with an average age of forty-eight. From the peanut gallery, elected members of parliament swayed impatiently. One octogenarian senator dozed off. Georgeās prime minister merely looked bored. This was the third enthronement ceremony in just under a decade.
There was no crown, no orb and sceptre, no archbishop, no holy oil. There wasnāt even a Bible. Yet it was undeniable that the figure perched before them all was . . . king. Not king through holy ordinance, but secular, constitutional law. When he spoke his voice was strong, maybe a bit high, but determined. Determination had carried him this far, it had carried him to the throneāwell, determination and luck. Luck that his intrepid father had sailed to England and fallen in love with the daughter of an earl, luck that his mother hadnāt died giving birth to his sister, luck that said sister hadnāt been a brother.
For many in his sprawling family, Georgeās luck had translated to tragedy: a fatal bout of tuberculosis, countless stillbirths and miscarriages, an ocean liner swallowed by the sea, the death of a son, and the birth of a healthy baby whoād done nothing wrong but be born female. Secularism aside, it felt like fate, the line of succession had branched off, meandered, and sometimes split, but now it led solely to him, the eldest surviving grandson of Louis II. King George.
There were tragedies on Georgeās end, too. His sister resented him, his mother had been a smothering, oppressive force for most of his life, and his father had died within a year of his birth. Aunts and uncles plotted against him the moment he left the nursery.
George had come into the world red and roaring, shrieking so hard the doctors feared heād suffocate. It had been a hellish August morning, during a heatwave so intense candles melted from their sockets. George recognized the circumstances of his birth, he believed there was an inherent fire in his veins that would never bleed. As he grew the anger stayed with him and he channelled it to set his determination and wrestle for the throne. Now, the baby who screeched throughout the night, the boy who threw his toys about and stomped his feet, the young man who told off his professors was king, sitting on the throne, trying not to tug at his mustache, trying to look the aloof commander-in-chief.
Despite himself, George wondered about his mother. He longed to see her but could not. She was not at his side or even in the audience. She was back at Woodbine Castle. Georgeās uncle Louis III had banned women from the enthronement ceremony over forty years prior. Heād wanted to rein in his flighty, obsessive mother, his corpulent sisters, and his loathed second wife. Prevent his enthronement from looking like something āimagined by Christine de Pizan.ā
However, the Cult of George has allowed myths to pop up, so many that they often blot out the facts. Perhaps the most damaging, yet pervasive, is this: George stood alone; he was the infallible strong man who single-handedly dragged Sunderland out of the dark ages and into modern times, and that he implemented a form of harsh, but ultimately necessary, Caesarism in the name of collective good, not only as head of state but also as the head of a family, as a husband and father. The idea that strong, fearless men are needed to induce prosperity is a long-standing one, often repeated and associated with many world leaders, from Shaka Zulu to Winston Churchill. Yet it has attached to George with particular vigour; so much so that basic facts about himāhis alcoholism, his proneness to tears, his bouts of jealousyāseem unbelievable. Alongside George, the man who lived and breathed, is a second mythical George, one that dominates this countryās pop culture and political discourse, fitted with nationalistic imagery, waiting to be rolled out at just about any crisis. He is astoundingly resilient: the real King George died in 1921, but Mythical George seems to be immortal. We have all been subject to his skewed memory, and it will take a great deal of work to cut through the hyperbole and reach the real George.
It is important to understand that Mythical George did not spring up by happenstance, he is there by design. Even in the decades following Georgeās death, the task of promoting his image did not stop, it was simply transferred into the hands of his descendants. No greater example of this can be found than what occurred in the spring of 1970. That April, the Americans launched the unsuccessful Apollo 13. Times were changing abroad. The previous month, Rhodesia had cut ties with the United Kingdom to become a republic. Big changes on the horizon at home, too: the same day Apollo 13 splashed down into the Pacific, James II of Sunderland was diagnosed with an aggressive form of lung cancer. And just two weeks later, on a tiny plot of grace-and-favour land, a ninety-eight-year-old man prepared to commit one of the most grievous acts of censorship of the twentieth century.
Prince Arthur, Duke of Albion was the last surviving child of George I. Save for a small retinue of servants, he lived alone. His wife, a Danish princess, had died twenty-five years prior. His younger son had sided with the Nazis during World War Two, a shameful scandal that still cast deep divisions within the royal family. Arthur lived on the fringes of upper-class society, his refusal to denounce his Nazi son made him an outcast, but James II didnāt have the heart to cut his great-uncle off entirely. The old duke received a āgenerousā allowance from the crown, one ābefitting a veteran and Prince of Sunderland.ā The rest of Arthurās income came from the Royal Archives. In the last half-decade of his fatherās life, Arthur was his unofficial secretary, a job no one else wanted. Throughout World War One and a bit afterwards, Arthur had directed his ailing fatherās communications. Outgoing letters were written in Arthurās hand, and official correspondence passed through Arthur before being handed off to government ministers. In his spare time, Arthur took on the arduous task of organizing his fatherās extensive dairies, under Georgeās direction, Arthur edited, translated, and revised, but most importantly, he omitted. Arthur continued this effort after his fatherās death; throughout the interwar period, huge swaths of Georgeās diaries were rephrased or completely removed. Ultimately these amended documents were shipped off to the Royal Archives for preservation, and the originals were stowed away.
Now, in the early 1970s, Arthur was a weak old man sitting on a mountain of historical documents, shaken by the announcement that James II was dying, and contemplating his own mortality. He knew what he had to do, but there was one lingering wrinkle. So, for the last time, Arthur took to his desk and wrote. In a move that could only be described as calculated, the old duke did not address the letter to James II. Jimmy was a ālame duck,ā as Prime Minister Randolph had called him, so Arthur wrote to the next in line. The twenty-four-year-old Prince of Danforth, the future Louis V, although Arthur addressed him as āLooā:
You may not know that I am my Fatherās library executor & as a result I have in my possession a great deal of his documents. Most of them I have transcribed and passed along to the Royal Archives, but a select few remain. They are in his own hand, written mainly in English but also German & French. A long time ago, before you were born, I compiled these papers into a book & I have looked after it ever since, but I can no longer deal with it given my most recent illness. The book contains sensitive personal details; intimate letters between my Father and Mother, his more melodramatic diary entries, and even jottings of his sexual proclivities, if you can believe it. All this to say, they are of little historical or biographical value. No one has been as devoted to protecting my Fatherās memory as I have been, and I can assure you the archives have done a thorough job of accurately preserving his legacy. Everything of importance has long been accounted for. I beseech you to grant me permission to destroy this troublesome book. Iām deeply worried it will fall into the wrong hands once Iām no longer around.
The letter never reached Louis. It was intercepted by the Woodbine Castle librarian who, alarmed, passed it on to the Keeper of the Royal Archives, who in turn forwarded the āinflammable letterā to Louisās grandmother, Sunderlandās Iron Matriarch, Queen Anne. Appalled, Anne motored to Arthurās estate and begged him not to do āthis terrible, terrible thing.ā She was too late. By then Arthur had suspected the foul play and heād quickly burned the book the previous night. This hasty decision forever warped Georgeās historical image.
Arthur died later that year, but his portrayal of his father has stayed with us. Some glimpses of Georgeās original writings exist in a handful of biographies that pre-date Arthurās stint as secretary. The truth of the matter is that through his editing Arthur revealed more about himself than he did his father. The George found in Arthurās revisions is less emotional, less vulgar, and overall more rational than the real deal. This George didnāt have any pointed thoughts about foreign leaders and all his political opinions were sanitized, perfectly neutral. Arthur scrubbed away paragraphs that made his father seem āindecisive, delicate, or depressive.ā Gone are Georgeās insecurities about his masculinity, his yearning for a father-like figure, and his paternal hardships. Correspondence with his male friends was wiped away, with the excuse that it wasnāt historically relevant. Left behind is an aloof, vague, husk of a man, one that could affect the image of stern, robotic patriarchy, but is otherwise devoid of emotion or personality.
Mythical George shifts and changes from person to person, be they a monarchist or republican; critic, or admirer; or even George himself, the function of Mythical George changes drastically. To one person he might be a genocidal imperialist who sought to expand his blood-thirsty regime, and to the next, heās a brilliant innovator who detested violence and criticized the horrors of American slavery. For the royal family, however, the role of Mythical George is simple: mass approval. With every bolstered myth and half-truth, every omitted paragraph, the royal family becomes flawless, the perfect family. George was a strong, capable protector and Alexandra was Aphrodite reincarnated. Their marriage was harmonious and their children were dutiful and well-behaved. No one acted selfishly, everyone was a philanthropist, and everything they did was for the benefit of āthe country.ā Members of the royal family were polished porcelain figurines, unswayed by money, sex, or vice. All of this was, and continues to be, bull.
Novelist Leonard Kane believed three dominant world leaders shaped the nineteenth century: Napoleon, Queen Victoria, and King George I. George was certainly dominant, sometimes to the point of being overbearing: he was a bully, prone to emotional outbursts when things didnāt go his way. He was often rude towards people he didnāt like and at the very least brusque towards those he did like. He treated his children like possessions and manhandled his wife, reducing her to tears on more than one occasion. He dissolved parliament, censured MPs, and threw out prime ministers once they became too bothersome. He scoffed at the suffrage movement and loathed over-zealous social reformers for their rabble-rousing. Millions died during his reign through war, disease, and famine.
Yet behind these glaring faults was a man with a keen sense of duty and justice. He loved his family and defended them passionately, with his brusqueness came an unwavering sincerity and dedication. He educated his daughters as thoroughly as he did his sons. The King abhorred racism and championed civil liberties so fiercely he was considered a radical by stiff-necked European conservatives. He survived four assassination attempts, three strokes, and one world war. He remained on the throne while his ruling relatives were toppled by unrest and revolution. By the end of his reign, no other figure was as universally loved. The infirm and elderly believed he could heal with a touch, enlighten with a word. One Saanich woman travelled over 3,500 kilometres across fifty-two days, from Vancouver Island to Warwick, to speak with George for half an hour. Under Georgeās watch, the industrial wheel got spinning. George was five years old when the first electrical telegraph was sent, by his death telephone lines were slung across the access road leading up to Rockcliffe Palace. The soggy bogland that surrounded the palace would become dominated by skyscrapers lit up by electricity, flanking bustling streets packed with pedestrians, automobiles, and streetcars. From his momentous reign sprung feminism, populism, communism, fascism and a profound rethinking of social norms and the balance of power.
George was the most famous working man of his generation, equal parts flawed and accomplished. When we allow him to be buried under a mountain of myth and nationalistic sentiment, we are unable to accurately assess his reign. The accomplishments become indistinguishable, a mass of congratulatory propaganda that serves no purpose outside of peddling the Cult of George and Sunderlandian national pride. Worse, the flaws become permissible, a footnote that can be glossed over. Further, we also forget the man behind the legacy, the husband, the father of nine and grandfather of forty. George struggled with issues many modern men face; he grappled with bouts of depression alone, drowned out his innate anger with alcohol, suppressed sexual frustration under the gaze of an emotionally distant spouse, struggled with work/life balance, and felt confined by social expectations that are now forever associated with him, embodied by the everlasting sceptre of Mythical George.
Georgeās life was embodied by love, loss, and crushing perseverance in the face of family conflict, personal illness, and political strife. Above all, his life was characterized by defying the odds. What we truly forget is that George wasnāt born to rule. He was first a lonely orphan born in a rundown and understaffed palace, named George, after a British monarch, only because he was denied Louis. He had to fight for the throne, and then bend it to his obstinate, fiery will. It was Georgeās determination and resilience that moulded the modern world.
His Royal Highness Prince James, The Prince of Danforth
August, 2015
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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