Nov 5, 2021
The Antique Shop, Walter Richard Sickert, ca. 1906, European Paintings
Gift of Emma Swan Hall, 1998 Size: 9 1/2 x 7 1/2 in. (24.1 x 19.1 cm) Medium: Oil on cardboard
https://www.metmuseum.org/art/collection/search/490261
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The Antique Shop, Walter Richard Sickert, ca. 1906, European Paintings
Gift of Emma Swan Hall, 1998 Size: 9 1/2 x 7 1/2 in. (24.1 x 19.1 cm) Medium: Oil on cardboard
https://www.metmuseum.org/art/collection/search/490261
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Dressing for Church, Walter Richard Sickert, (c. 1910-1915), MoMA: Drawings and Prints
Abby Aldrich Rockefeller Fund Size: plate: 6 7/8 x 4 7/8" (17.5 x 12.4 cm); sheet: 10 5/8 x 8 3/8" (27 x 21.3 cm) Medium: Etching
http://www.moma.org/collection/works/65295
🔵CHAPTER 152: THE RIPPER STRIKES BACK🔵 Joe and Michael had the suspect on a cell of the Leman Street police station, waiting for Reid and Abberline to come and start the interrogation. Michael: I hope that's him. Joe: Yeah, me too... When they arrived, they came inside the cell, and asked Michael and Joe to wait outside. Reid: So you are the ripper! Man: No, I am nit. Abberline: A serial killer would say that. Man: I wanted to catch him, as you do... It is a diguise! Reid: No way! - he stretched the man's beard, and he removed it -. But... Man: I'm Walter Sickert, the painter... They took him to their desk. Abberline: You must explain to us all your whereabouts for all the nights that women were attacked. Walter: I have the witnesses and all. He started to explain his story. Michael and Joe were there too. They couldn't believe it that this man wasn't the Whitechapel monster either! They had to release him, but they were upset for yet another failure. 🔹🔹🔹 Joe y Michael tenían al sospechoso en una celda de la comisaría de la calle Leman, esperando a Abberline y Reid para que empezaran con su interrogatorio. Michael: Espero que sea él. Joe: Ya, yo también. Cuando llegaron, entraron en la celda y pidieron a Michael y Joe que esperaran fuera. Reid: Así que eres el destripador! Hombre: No, no lo soy. Abberline: Un asesino en serie diría eso. Hombre: Lo quiero atrapar, como vosotros... Llevo disfraz. Reid: Ni hablar! - estiró de su barba y le quitó -. Pero... Hombre: Soy Walter Sickert, el pintor... Lo llevaron a su despacho. Abberline: Nos tiene que explicar todos sus paraderos para todas las noches en que fueron atacadas las mujeres. Walter: Y tengo testigos y todo. Empezó a contar su historia. Michael y Joe estaban allí también. No podían creer que ese hombre tampico fuera en monstruo de Whitechapel! Lo tubieron que soltar, pero estaban muy enfadados por otro fracaso de la policía. #victorianplaymo #whitechapel1888 #WalterRichardSickert #WalterSickert #edmundreid #fredabberline #abberline #victorianinspiration #victorianLondon #asambleaplaymobil #playmobil #victorianeastend #lemanstreet (at 38 Leman Street) https://www.instagram.com/p/BrSPWBHFOoQ/?utm_source=ig_tumblr_share&igshid=111mq2sfk31jz
The latest from the The Met: Drawings and Prints Facebook page
Reclining Nude (Thin Adeline) by Walter Richard Sickert, European Paintings
Medium: Oil on canvas
Bequest of Scofield Thayer, 1982 Metropolitan Museum of Art, New York, NY
http://www.metmuseum.org/art/collection/search/483377
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Walter Richard Sickert
Walter Richard Sickert, one of the most influential British artists of the 20th century, was born on this day in 1860. He introduced the subjects and techniques of the French Impressionists into English art.
The Brighton Pierrots, 1915.
Sickert first set out to be an actor and theatrical life inspired many of his works. This oil painting was made after five weeks of watching and drawing a troupe perform on the sea front.
Gaieté Montparnasse, dernière galerie de gauche, 1906.
He also created numerous paintings and etchings of music-hall interiors, including the Théâtre de la Gaîté-Montparnasse in Paris. This work is among Sickert’s most daring paintings of music-halls, the vibrant colours accentuating the vertiginous sweep of the balcony.
Ennui, 1917-18.
Listen to our podcast with Dame Hermione Lee, Professor of English Literature at the University of Oxford, to find out more about his most famous painting, an interpretation of the boredom of married life: www.ashmolean.org/podcasts/casts/?id=7
Maple Street, London, Walter Richard Sickert, ca. 1915–23, European Paintings
Gift of Emma Swan Hall, 1998 Size: 30 1/4 × 20 1/8 in. (76.8 × 51.1 cm) Medium: Oil on canvas
https://www.metmuseum.org/art/collection/search/490260
The Antique Shop, Walter Richard Sickert, ca. 1906, European Paintings
Gift of Emma Swan Hall, 1998 Size: 9 1/2 x 7 1/2 in. (24.1 x 19.1 cm) Medium: Oil on cardboard
https://www.metmuseum.org/art/collection/search/490261