#vison

The Universe is Yours, by Giselle on pixil

#おでかけ #VISON

母のリクエストでVISONにやってきました。

前回初めて来た時は、ランチ後の満腹状態で訪れてしまったので、何も食べることができず、そうなると「普段使いよりちょっと高級なこだわりの逸品」みたいなものを見て回るしかなくて、結局何もできずに帰ったのでした。

今回はその反省を活かして、ハラペコでやってきましたとも。

まずは有名シェフ監修の一品が集まったフードコート的なところへ。それぞれのお店にシェフの写真がでかでかと張り出されていて、ここは推しシェフの推し活会場なのか？

肉の気分ではなかったので、私たちはあっさりとリゾットに。もちろん観光地価格におののきます。

味はもちろん美味しかったのですが、紙皿と使い捨てスプーンでの提供が残念というか何というか……。

フードコート的といえばそうなんですが、一応「有名シェフの監修した一品」という謳い方をされているので、そのレア感？とチープな使い捨て容器のギャップというか、有名シェフの高級感で客寄せしているのに、実際のフードコート感との乖離がちょっとなぁ……と感じてしまいました。あと量に対するお値段はフードコート的ではないというのも。

猿田彦珈琲(結構並んだ)のテラス席から発酵食品のお店の並びを眺める。料理が好きな人で、いつもとはちょっと違う調味料とかで遊んでみたいかな、という人には良いかもしれません。全国各地の色んな味噌が量り売りで購入できるお店もあるので、今回はそこで味噌を買ってみました。わりといつもは赤だし派なので、たまには違う味噌で味噌汁作ってみるのも面白い。

あと井村屋さんで何か和菓子を買って帰るのも個人的オススメです。あんこ好きは立ち寄るべし。

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My artistic vision begins with the belief that design is more than what we see. I understand design as an emotional language—a medium that communicates through color, texture, atmosphere, and movement. Small details act as emotional cues that shape how people feel, respond, and connect. I want my work to offer warmth, empathy, and quiet moments of reflection, allowing viewers to pause and rediscover themselves. To express these emotions clearly, I believe that a carefully constructed underlying story is essential. My strengths in illustration, compositional balance, and storytelling help me build these sensory experiences with intention and care.

CTS B deepened this understanding by showing me how design is shaped by social, cultural, and historical contexts. Through the module, I realised that design never exists in isolation; it continually interacts with the world and can subtly shift how people perceive their surroundings. I also gained a new perspective on technology. Rather than distancing us from emotion, technology can enrich sensory experience when used thoughtfully. Elements such as digital movement, interactivity, and spatial responsiveness expand the ways people experience design.

This became even clearer when I studied teamLab’s A Forest Where Gods Live. Installed within the historical Mifuneyama Rakuen garden, the work uses projection mapping, sensors, and light to animate ancient rocks, trees, and ponds. As visitors walk through the space, flowers bloom, colors shift, and light responds to their presence. The harmony between tradition and technology revealed a new way of perceiving nature, not through replacement but through heightened awareness. (“VOLVO TeamLab”) Experiencing this helped me realise that movement and technology can transform a space into something emotionally resonant. They can guide people into noticing details and forming deeper connections with their surroundings.

This realisation naturally flowed into my current Studio project: an architectural festival poster combined with a rotating 3D building animation. Inspired by the structural rhythm of architectural blueprints, I wanted to explore how motion could enhance a graphic experience. By integrating a 360-degree rotation of the building, I experimented with how movement can create a sense of spatial depth and guide emotion—similar to what I observed in teamLab’s work. Instead of staying as a static image, the poster becomes something viewers can engage with visually, following the layers and lines as they transform. Through this process, I began to see graphic design as a form of experience, not only a visual outcome.

Looking ahead, I hope to grow as an experience designer working across exhibitions and interactive environments. I aim to create spaces where design is sensed rather than simply viewed, using light, texture, movement, and narrative to shape emotional connection. To achieve this, I plan to deepen my skills in spatial design, digital tools, and story-driven visual communication. Ultimately, I hope to create experiences that gently stay with people and offer them new ways of seeing the world around them.

(479 words)

Reference resources :

“VOLVO TeamLab: A Forest Where Gods Live | TeamLab.” VOLVO TeamLab: A Forest Where Gods Live | TeamLab, www.teamlab.art/e/mifuneyamarakuen/.

Un vison sauvage perché sur un tas de feuilles d'automne