#vfx supervisor

can you introduce yourself and tell me a bit about how you started in visual effects?Like many of us in the industry, I have a love of visual media and the power it can lend to storytelling. The cr…

Lotta Forssman, Visual Effects Supervisor at Molecule VFX, reveals how Molecule helped conjure up young Emily Dickinson’s world – from ornate, early 19th century house interiors to a printing press, a giant hedge maze and visuals associated with her poems, such as ghost horses pulling a “death carriage” – for the Apple TV comedy-drama.Site titleTitlePrimary categorySeparator

Lotta Forssman, Visual Effects Supervisor at Molecule VFX, reveals how Molecule helped conjure up young Emily Dickinson’s world – from ornate, early 19th century house interiors to a printing press, a giant hedge maze and visuals associated with her poems, such as ghost horses pulling a “death carriage” – for the Apple TV comedy-drama.Site titleTitlePrimary categorySeparator

FuseFX’s Brian Kubovcik talks POSE and the art of VFX. Q: The myth about VFX is that it’s just technical. It IS part of the ethos of the whole show, right? So it must feel very much of the ‘now’ to be part of POSE, given its socio-political themes? ...