Razor-Sharp Darkness: Veronica Rothâs To Clutch a Razor
đĄď¸ Razor-Sharp Darkness: Veronica Rothâs To Clutch a Razor
Curse Bearer #2 ⢠Tor Books ⢠~240 pages ⢠Urban fantasy / folk horror
â ď¸ Spoiler Warning: Minor spoilers for both When Among Crows and To Clutch a Razor.
𩸠The Short Version
To Clutch a Razor returns to Veronica Rothâs Curse Bearer world and asks a simple, ugly question: what happens when the monster-hunting knight becomes the monster and still believes in duty?
Set between modern Chicago and a wintry âold countryâ Poland, the novella shifts the series from origin-story setup into a brutal family horror about guilt, indoctrination, and the cost of choosing a new life over the one that raised you.
This is less jump-scare horror than creeping, relational dread: a story about sitting at a table with people who taught you to kill in Godâs name, knowing you might have to kill them to survive.
â°ď¸ Premise: Funeral, Heist, Debt to a Witch
In the aftermath of When Among Crows, Dymitr is unmoored. Once a sanctified monster-hunter for the Holy Order, heâs now the very creature he was trained to exterminate, severed from his soul-forged bone sword and rotting under the strain.
He still owes Baba Jaga a debt. The fastest way to pay it is horrific: kill thirty-three of his former brothers-in-arms, starting with his grandmother, the matriarch of a family that treats killing âmonstersâ as sacrament.
Unwilling to accept that bargain, Dymitr seizes on an alternative: steal his familyâs most jealously guarded artifact, an ancient book of curses, during the Empty Night funeral rite, a vigil meant to keep evil at bay.
Ala, the zmora bound to a bloodline curse, and Niko, the chaotic new addition to Dymitrâs found family, accompany him to rural Poland. What follows is a single night of escalating tension: a house full of armed, sanctified relatives; a corpse at the center of ritual; a cursed book under lock and key; and a protagonist whose new loyalties and old training are tearing him apart.
The setup is lean: one location, one rite, one impossible objective. The horror comes from how much of Dymitr will be left when the sun comes up.
đ˛ Subgenre & Atmosphere: Folk Horror in an Urban Fantasy Body
On paper, To Clutch a Razor sits in urban fantasy: contemporary setting, magic under the surface of Chicago and Poland, folkloric beings operating parallel to human life.
In practice, this reads like folk horror fused with family drama:
Folk horror:
The Empty Night rite, village church, and generational curse-book tie horror to specific cultural practices and rural landscapes.
The âold countryâ isnât a vague Eastern-Europe aesthetic; Roth leans on Polish Catholic ritual, Slavic myth, and emigration history in ways that feel grounded rather than exoticizing.
Religious / institutional horror:
The Holy Order and Dymitrâs hunter family function as a sanctified death cult in nice vestments: pious language wrapped around systemic violence.
Doctrine turns love into cruelty and obedience into atrocity, and the book keeps circling that point.
Psychological horror:
Dymitrâs body is changing, his mind fraying, and he has to sit through what amounts to a family reunion with people who would kill Ala on sight.
The âmonsterâ is as much his internalization of the Orderâs worldview as anything with claws.
The mood is claustrophobic and wintry: a house full of holy killers, candlelit rites, a curse-book humming with danger, and the sense that stepping outside the script of family and faith is more dangerous than any demon.
đ§ Horror Engine: What Actually Hurts
This is not a book of big set-piece scares. Its horror runs along three main veins:
1. Body & soul horror
Dymitrâs body is changing in slow, ugly ways. His condition reads less like a cool supernatural power-up and more like chronic damage: exhaustion, pain, the sense of being used-up meat. The missing soul-sword leaves him spiritually anemic and physically vulnerable; every fight feels like a bad bet, not a heroic flourish.
The result is a kind of quiet body horror: not splatter for its own sake, but the terror of your own flesh and soul becoming unreliable.
2. Family as monster
The real âcreature featureâ here is Dymitrâs lineage. His kin are efficient, devout killers who talk about hunting with the calm of people discussing Sunday chores. They are loving in the narrow, conditional way institutions allow: tenderness is fine as long as you keep killing the right targets.
Roth uses the family gathering like a haunted house: every room contains a different mixture of affection, suspicion, and threat. Small domestic details (teacups, shared memories, childhood nicknames) sit alongside the knowledge that several people at this table would kill Ala without hesitation. That dissonance is the horror.
3. Moral and spiritual dread
The Curse Bearer series is obsessed with guilt, penance, and repair for people raised to harm.
Here, Roth sharpens that into a central dilemma:
If you were shaped by an institution that teaches violence as virtue, how much blood is âenoughâ to atone?
When you understand why someone became a monster, what does forgiveness actually look like?
Is choosing your found family an act of grace or betrayal?
The novella keeps weaponizing these questions. There are no clean answers, only choices that narrow Dymitrâs future with each page.
đŤ Character & Relationship Work
Dymitr: penitent, monstrous, still dangerous
Dymitrâs arc is the bookâs spine. In When Among Crows, he was primarily defined by guilt and a mission. Here he feels more lived-in: exhausted, angry, intermittently selfish, and still capable of cruelty. His attempts to âdo betterâ are messy, and the story refuses to absolve him just because he feels bad.
Watching him move through his childhood home, caught between learned reflexes and new loyalties, is where the book is most effective. Every small courtesy to his family feels like treason to Ala; every protective reflex toward Ala feels like another cut from the blade he was forged to be.
Ala & Niko: found family under pressure
Ala remains the emotional core: a cursed being who has spent her life being hunted, now walking into the lionâs den with the person who used to hold the spear. She gets less page-time than Dymitr but the time she does get is sharp, and her presence re-frames every âfamily moment,â making it impossible to romanticize the old ways.
Niko adds volatility and queer, chaotic energy that keeps the book from sinking completely into penance gloom. He also forces Dymitr to confront the gap between the family he chose and the one that trained him.
The relationships push closest to romance and tenderness, but Roth never lets that softness erase the underlying horror of what these people have done and might still do.
đ ď¸ Craft: Prose, Pacing, Worldbuilding
Prose: Rothâs style here is tighter and more controlled than a lot of her earlier work: more specific, less ornamental. The strongest lines land like splinters: images of layered pain, burned-out fear, and faith that feels like a wound rather than comfort.
Pacing: The novella format works in its favor. Where When Among Crows sometimes felt like it was jamming too much lore into too few pages, To Clutch a Razor benefits from its tight temporal window: one night, one rite, one heist. There are still a few rushed emotional beats, but the overall structure is clean and tense.
Worldbuilding: The folklore system is more integrated this time. The Empty Night rite, the curse-book, and the Orderâs history all deepen the sense of a living tradition rather than a generic monster-hunter cosmology.
That said, the larger metaphysical underpinnings (how curse magic works in detail, what exactly Baba Jaga ultimately wants) are still sketched rather than fully articulated. Readers who want a crunchy, rule-heavy magic system may feel slightly underfed.
âď¸ Limitations & Frustrations
1. Brevity vs scope The compressed length keeps tension high, but some tantalizing elements get only a drive-by: the Holy Orderâs broader history, the politics of monster-hunting across borders, the full mechanics of the curse ledger. The ideas are potent, but not fully explored.
2. Series positioning Like When Among Crows, this still carries a faint âextended prologueâ energy: a meticulous setting of the chessboard before the larger saga where Dymitr, Ala, and Niko move more freely in a wider supernatural world. If the series stops here, some readers may feel the larger mythic framework was just getting started.
3. Horror expectations If youâre looking for relentless, set-piece-driven horror or extreme content, this may skew too emotional and introspective. It sits closer to dark urban fantasy with horror sensibilities than to splatterpunk or full-on cosmic horror.
đ¨ Content Notes
Not exhaustive, but useful to know going in:
Violence, including against family members
Religious abuse / indoctrination and associated guilt
Body horror elements (transformation, physical deterioration)
Grief and death rituals
The book treats these seriously rather than as cheap shock, but theyâre baked deeply into the story.
â Verdict
To Clutch a Razor is a stronger, darker, and more focused successor to When Among Crows: a tight, one-night story where the real horror isnât just what stalks in the dark, but whatâs been sanctified in daylight for generations.
It excels when it keeps its eyes on Dymitrâs divided loyalties and the question of whether someone forged as a holy weapon can ever become anything else. The supernatural trappings are sharp, the folklore is textured, and the moral questions are nastier and more interesting than most mainstream urban fantasy even tries for.
Rating: âââââ (4/5) A brutal, emotionally dense, folk-horror-laced urban fantasy that hits hardest when it treats monsterhood as a moral category, not just a monstrous body.
đŻ Recommendation
Youâll likely appreciate To Clutch a Razor if youâre into:
Folk / family horror rooted in specific cultural traditions
Urban fantasy that cares more about guilt, faith, and found family than quippy banter
Stories about leaving an abusive ideology and realizing it still lives inside you
Supernatural fiction where romance and tenderness are hard-won, not guaranteed
If When Among Crows hooked you with its atmospheric grief and Slavic myth under Chicagoâs streets, this follow-up digs deeper into the rot beneath duty and blood.
Itâs less about being scared in the moment and more about sitting with the cold realization that love, faith, and monstrosity can coexist in the same person â and then deciding what youâll do with that knowledge.
