#vanitewrites

This analysis/essay is going to be meta in terms of using evidence from real world events but it is needed to explain the history behind Art Deco and help us relate to the themes of Graduation. I think it’s clear to see how the systems and people in power in Graduation are influenced from the way our governments are now so I don’t think these connections are distant, rather closer together than we think.

Also, before we continue, I want to direct you to this lovely post made by a dear user and friend, Michelle/ fitzroythecreator, LINK HERE

She explains what she believes to be a core theme of graduation that I agree with and have integrated into this essay. Check it out <3

Before I can explain how Art Deco is tied into Graduation's core theme, I need to lay out definitions and context to art movements in the early 20th century. Along the way, I will make connections to the world of Nua and how real-life events in the early 20th century actually can relate to Graduation and its worldbuilding.

Let’s address what is Art Deco. Art Deco started as an art and architecture movement during the early 20th century (1900s). Most people are familiar with its aesthetics of geometric designs and influence of industrialization because of the roaring 20s era and many media influenced by it. Do you wonder why it was popularized in the US? It’s because during the great depression in the US, public buildings, more importantly federal government buildings, were commissioned to have this aesthetic thus it would have more publicity and access to the public. The H.O.G. headquarters could easily be compared to this event because it shares similar attributes of being a public government building.

With this information, it would be really interesting to imagine the timing of Graduation being set around the early 20th century. Art Deco gives us a time period to compare what kind of social events Nua could have faced similar to the real world. The modern period of the 1850s-1950s was a time when people were disinterested and scared of the changes that industrialism made in their daily lives. People were frustrated with the changes made in their lives and sought out ways to cope with the changes through escapism. In Graduation, I would argue that we see this skepticism and wariness in the characters about the changes Nua’s Socioeconomic systems made in their lives and society in general. A good example would be the student NPCs and their insistence that their hero and villain titles are just labels since they have been stripped from their original meanings. They still somewhat criticize the structure while upholding it. As the campaign progresses, we meet various characters who are very critical to Nua’s current orderly system such as Order and Gordie. In fact, despite their roles in society being vastly different, they both share the same opinions that the system is unjust as it hurts people thus there needs to be a push for change. I am not trying to label the time of Graduation to be around the 1900s, rather whatever year Graduation happens is in parallel to the events of the 1900s.

When I first heard Travis say, Art Deco, I was interested but disappointed it wasn’t Art Nouveau. My original thinking was because of Art Nouveau’s elitism of making the architecture more artistic and complex that only educated rich people can understand and less functional for the average citizen. A lot of the art displays during the art movement were held in house museums that were limited to rich eyes. I thought this reasoning made sense in terms of the H.O.G. headquarters being this elite building common people can’t comprehend. However, with continuous thought, it clicked. Art Deco fits so well.

Art Deco was meant to be a direct response to Art Nouveau and the Arts and Crafts movement. (And many more but for the sake of simplicity, sticking to these two major ones) Both movements share similarities of the desire to make total works of art.

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For art Nouveau in architecture, that is more on its aesthetics of stylized curving forms, thus it creates uniqueness with the architecture. For the Arts and Crafts movement in Europe, they focused on the importance of the craftsmanship and quality. The thing about the movement is that it’s heavily influenced by socialist values and the distaste for industrialism. Both art movements were diverse in style and locations globally. Because both took place internationally, there was no determined manifesto or structures for artists to adhere to. Another thing is both movements had lots of ornamentation which takes great skill and time to put into the works. By doing this, it would make the works more unique aspects to its character, however more time consuming and difficult to replicate.

Art Deco takes response to this because critics felt like these movements were outdated for the growing industrialism happening during the early 20th century. Art Deco focuses on sleek geometric design meant to be reproduced easily thanks to industries and have more emphasis on its function rather than aesthetics. It’s meant to be functional to accommodate for the new technologies of the 20th century.

So, let’s recap, in the late 19th century, two movements, focused on the style which had no concrete structures to adhere to and had the goal to make total works of art that is reliant on itself, are then replaced by Art Deco, a movement focused on its aesthetic to be mass produced easily and have a stronger focus on the form of the architecture to serve its functions. Does Art Deco sound similar to a number of Socioeconomic systems placed in Nua?

One of the key ideals of Art Deco is Functionalism. Art Deco is one of the many architectural movements in the early 20th century that decided to focus on function rather than aesthetics. What is functionalism? It is the idea that everything works as an integrated whole and that all the different components of a larger system are designed to work together. It is orderly. Architecture in the early 20th century was designed to suit the needs of the space. For example, each element of an office buildings would be designed and organized to suit that place. This ideal is more emphasized after the Great Depression in America where architects shifted their focus on the Streamline Moderne, where they aimed to make structures practical to the demands of real life and remove the emotional aspects of expressionist art.

Travis’s little choice to pick Art Deco is tied to a core theme of Graduation of dismantling the standards and structures set in Nua. It’s so brilliant yet unintentional. I know Travis hasn’t read up on modern art history. I hope by reading through, you can spot Art Deco’s need for creating limitation to focus on the functions and how it benefits the whole system. It doesn’t allow for the emotional aspects that Art Nouveau and the Art and Crafts movements held. Nua’s system follow the same thing. Everyone has a function in the socioeconomic system that has limitations meant to exploit the work labor and functions of the individual. The system leaves no room for indivduals to have growth to create real change. That’s not a flaw of the system. The system is literally designed to be that way with its many rules and standards. It's impossible to break away from it without being punished by the system itself. You need to function within its rules and have practical skills to contribute to the system. Your independent nature is stripped away. By having Art Deco be a core aesthetic design for the H.O.G. Headquarters, Art Deco ITSELF is just another element in the architecture meant to serve its function of upholding the ideology of order that H.O.G. and the world of Nua has. This orderly system has replaced the wild world that Higglemas in episode 12 remembers.

Eventually, the Thundermen and others get onto the ship with Argo in the lead. As they explore, Argo tells stories from his youth that might not be accurate but everyone listens anyways. No one is sure what to find on this ship, not even Argo, yet something calls out for him. Most assume whatever past possessions were from Shebrie’s ownership were cleared away.

Regardless, they continue to head down to the storage area of the ship. People wander around in search of interesting items. Argo finds a large rectangular object with fabric draped over it. He pushes away some objects and drags the large object out towards to the crowd and leans it against a barrel. He removes the fabric to reveal a portrait of Shebrie Keene. She exists. Argo is relieved. Scratches and marks lay across the canvas and dust carves into the edges of the frame. That doesn’t worry Argo. Some quick repairs will do it justice. What matters to him is how intact her face is. No cuts or marks cover her radiant smile and welcoming eyes. He kneels down in tears as he realizes how much of his mother’s face he lost in memory. He ponders on what to do with the portrait. He carries up the frame but two pairs of hands come up to grab the frame also. Fitzroy and the Firbolg look at Argo for approval and he nods.

He leads the way back up to the captain’s quarters as the portrait is carried up by the two other Thundermen and the other folks follow. Argo directs the portrait to be hung up over the desk. Shebrie would have wanted to stay with her ship. After that, he turns to Shebrie’s longtime friend, Jackle. The one she trusted enough to hold her unbroken chain coin for Argo to later have. The one she studied with and sailed with.

Argo offers the Mariah to Jackle.

Jackle refuses at first. Argo is her son. He’s the rightful owner! It just makes sense. Argo insists because he wants to move on. He found a family, people who love and appreciate him. He formed relationships and new memories that he needed. He spent his whole life chasing after the Commodore to prove a point. That Shebrie was someone worth remembering and fighting for. He latched onto past memories and a home long gone because he had no one else to rely on. Now, he does.

(For the sake of this theory, I do believe that Order and Chaos are the same person with 2 names because when they first meet Order, Order states that it is their first time meeting the group, but consider this, in the physical realm. They only met the boys through dreams. Later on, I want to explain why this is such a big deal.)

The Chaos theory states that chaotic behavior exists in natural systems (magic, nature, weather) and in artificial systems like its hero/villains system or H.O.G. Even with these systems in place and the sense of Order is established, Chaotic behavior can still occur! It makes sense that Nua has changed and developed its artificial systems so much that it’s becoming more complex and unpredictable for Chaos/Order to handle. From the wiki page of chaos theory, “ In other words, the deterministic nature of these systems does not make them predictable. This behavior is known as deterministic chaos “ That’s why Chaos hasn’t appeared on Nua for centuries (from Festo’s discussion) because during the past, life in Nua was more simpler and easy to predict chaotic behaviors for the deity to not have to interrupt. But now, Nua has more bureaucratic systems in place and strict rules. This also plays in how complex our world is and how the systems we hold today doesn’t fit well for the people, how ineffective it is. I think Chaos as a deity is breaking. Not just as a entity, but as its own theory, what they are meant for. 

Enter in Laplace’s Demon. The first published phase for scientific determinism.  “According to determinism, if someone (the demon) knows the precise location and momentum of every atom in the universe, their past and future values for any given time are entailed; they can be calculated from the laws of classical mechanics.“ Chaos is Laplace’s Demon. They have shown the thundermen their possible futures if the patterns shown in Chaos fall into place, aka the deterministic nature. One thing I want to address is how this theory isn’t so stable. There has been multiple arguments against Laplace’s demon as time progresses and new discoveries have been made. Same thing happening here. As Nua grows with new discoveries and complex rules, Chaos/Order as a Deity is being threatened for what they are.

Now, you may be wondering, How can Chaos/Order want Fitzroy to do chaotic things to set off drastic futures that contradicts Chaos’s determinism? Well, Both can exist. From the wiki page of Laplace’s demon, “ Chaos theory is applicable when knowledge of the system is imperfect whereas Laplace's demon assumes perfect knowledge of the system, therefore chaos theory and Laplace's demon are actually compatible with each other.” Therefore, With this knowledge at hand, Chaos know about these imperfections and variations to them are non-existent. That is why they encourage Fitzroy to rage and ensue Chaos. When really, they knew this was meant to happen. However, this would mostly apply when Fitzroy makes big decisions to a bigger group, a bigger variable. For example, the Calhain hand scene+apple scene and the dodge-ball thunderwave scene involve him making drastic decisions in public. It’s easier to predict a behavior of a system, rather than an individual. That is why Chaos is against Fitzroy assassinating Grey in private because the variables set in place aren’t wide enough to form into a collection of systems. It’s a dead end. Once grey is dead, the ball would stop rolling. No war, no action, not enough of the chaotic behavior Chaos craves.

Butterfly Theory aka Sensitivity to initial conditions. [new topic]

I’m sure you’re familiar with the butterfly effect but let me tell you it’s actual definition which means that with initial conditions set in place in a chaotic system, the points are more sensitive that if it is changed just a bit, then it would end up with big different outcomes. 

The Lorenz attractor,  is a good example of how a behavior of a system can be observed and provides us information. This is the cycle Chaos sees and wants to maintain.

from: episode 19 Creative Writing