“I’ve learned to use words that only the soul can hear.” @lindaj.wolff • • • #wolffpoetry #lindajwolff #mindfulness #usingwords #poetry
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“I’ve learned to use words that only the soul can hear.” @lindaj.wolff • • • #wolffpoetry #lindajwolff #mindfulness #usingwords #poetry

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Mental Maps (working title)
Mental Maps, is an ongoing study of the experience of women living in a cyber-driven world. Despite the media, particularly advertising being increasingly diverse in the selection of models in terms of appearance, gender, sexuality, religion etc; women of today are still bound to the pressure of comparison. Today the use of social media, specifically Instagram has become the key ingredient for women to use in order to project themselves, compare themselves and judge (themselves and each other). The work also speaks to personal histories, where the conventions are placed upon young girls reflect our mothers and grandmothers, their stories, their homes and their rituals. This project is collecting information that is evidential on the expression of the female experience.
Social media enhances users’ preoccupation of physical beauty and identity, particularly for women. This theory is as old as time, reflecting back to a category in the history of art of fifteenth century European nude oil painting where women were an ever-recurring subject which set the criteria and conventions by which women have been seen and judged as a vision (Berger, 1972: 47). Unrealistic beauty standards enforced by advertisements has moved on further to the influence of social media where the pursuit of the perfect appearance and desired identity has now become an online exhibition where the comparison doesn’t fall between you and simply a celebrity model or actress but in fact lies between you and your friends, class peers, family, colleagues and a whole other bunch of strangers.
Thinking about Jacques Lacan’s mirror theory and Judith Butler’s theories of performative identity, I am exploring the use of social networking sites as performative acts in and of themselves. I relate to Lacan (1949) as I believe that the realisation that the image reflected back in the mirror is more complete and desirable than their own physical identity. The images that have been presented online that support the constructed identity become objects which are being reflected back to the viewer to which they base their sense of real.
The greatest of Top Theologians earned his angel wings yesterday. Although the world is a slightly dimmer place without your shining light, I know you are watching all of us earn our titles as Top Theologians. Rest in paradise, Mr. Dodson. #ForeverWillYouBeMissed #ButNeverForgotten #UsingWords #TryingtoMakeSenseOfItAll