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Long time no Golden Kamuy, but I just remembered I had this piece I never posted here! This was for a Secret Santa event in the Wildcats Center discord server, I drew Ushiyama and Ienaga with inspiration from Ayami Kojima's style!
Ienaga is just trying to have a nice dinner meal. Alas, life is not always that easy, and Ushiyama is very attractive.
(for @teethrotter. ushinaga, 3k words. content warnings for cannibalism and some stuff that comes with it, plus mild/implied sexual content. crossposted on ao3.)
Ienaga typically only takes one body part from the people she eats. It isnât something she does on purpose, itâs just that her standards are very high; most peopleâs features are hardly beautiful enough to merit consumption of any part of them, and the few people who catch her attention only do so for one reason. After all, she has to be selective; the idea of allowing anything substandard to warp her body makes her stomach churn. Her beauty has been fostered by years of meticulous work and painstaking attention, so she of course knows how to be selective. She chooses her meals like she chooses her make-up. In everything, there is intention.Â
Today, she has found a rare example of someone with two traits worth taking. The young man lying split-open on the tatami mats is not particularly handsome, but he does have beautiful earsâwell-sculpted, smooth, not too oily or dry. They had caught her eyes immediately, and she had stopped in her tracks, a bag of vegetables in her hands, to watch him scarf down bowl after bowl ofâwhat had he been eating? She had been too focused to notice; her eyes had lingered on the ears, and then on the growing pile of bowls on the table next to him. He must have a strong stomach, she thought, to be able to eat so much.Â
Their current base of operations was empty when she returned, as she had known it would be, except for Kantarou, who seems scared of her enough to keep his distance unless she does something particularly conspicuous. Probably because it wouldâve been him split open on the tatami mats not so long ago if Ushiyama hadnât stopped her.
She thinks about Ushiyama as she fries the ears, knelt by the stove. Large, powerful Ushiyama. He could have used his strength to stop her from killing Kantarou if he had wanted to, but it hadnât come down to that, of course; she hadnât put up that much of an argument. Perhaps she should have. He had held Ienaga in his arms in the charred rubble of her inn, and, barely conscious, she had felt the way his muscles felt against her. Ever since then, the touches had been fleetingâhis shoulder against her shoulder while they were posing for photographs, his fingers on her arm when she was still bedriddenânothing like the closeness she had felt then. Certainly nothing like the primal, half-aware way he had grabbed at her hours just before that idiot Shiraishi had gotten her inn destroyed. She hadnât minded it then, but she had had more important things to worry about than having sex with Ushiyama (namely, cutting his dick off and eating it). Now that she canât very well kill him, she also canât help but think of it from time to time, the feeling of her body against hers.Â
She might have missed her chance. She hasnât seen him like that since then, all frenzied and raw and desperateâprobably because he busies himself at the brothels every night, anyways. Still, heâs hardly acknowledged it, and Ienaga hopes, deep in her stomach, that he hasnât lost his attraction to her. She knows that Ushiyama isnât the type to be concerned with genitals and previous gender and that sort of thing, but thereâs any number of other reasons for him to have changed his mind about her, isnât there? Theyâre something like comrades now, and that makes things different; they used to be inmates together, and that knowledge is awkward; she eats people. It could be any of these things and others, but she canât exactly ask him about it.
But if their proximity, if their status as comrades cools Ushiyama, it only does the opposite for her. No matter what she does, he is always there, strong and bold and perfect and large, eating next to her or speaking with Hijikata across the room or training his body. She sees him every day. Theyâre so close, itâs intolerable.Â
But languishing in it will get her nowhere. She has body parts to cook.
The ears are done, she can tell by the browning. She slides them carefully onto a plate, then turns to the stomach, which sits, reddish and cleaned and carved up and ready to have parts of it cooked, on the pale of the young manâs chest. She thinks sheâll simmer it.Â
Before she can even reach for the meat, though, the door slides open. In the split second that Ienaga spends whipping around, she imagines that it must be Kantarou, summoned by the smell of food, and she should be able to scare him off without much trouble, surely. Sheâs ready to fix him with a stare and tell him to leave when she realizes that it is not, in fact, Kantarou at the door.Â
Ushiyama has returned from training. His judogi hangs off his body, well-fit and damp with sweat, and Ushiyama himself is wet with it, too. Despite this, he doesnât seem really tiredâbut she has never seen Ushiyama truly tired, not outside of the odd fight with Gansoku way back when. No, Ushiyamaâs body seems as unfettered as ever. As soon as his eyes rest on her, though, she sees something like exhaustion flicker behind them.Â
âIenaga,â Ushiyama says blankly.
âYes?â Ienaga answers, matching his tone.
âYouâre getting blood on the tatami.âÂ
âI put towels under the body.â
âYouâre getting blood on our towels.â
âIâll clean them.â
Ushiyama regards her for a moment, then, with a bullish sigh, takes a couple of steps forward and sits down near the crime scene. Closer, Ienaga can see the curves and contours of his muscles, can smell the manly scent of his training; she averts her eyes back to the stomach to prevent herself from staring, tries to remember how she was going to cook it.Â
âYouâre not supposed to be doing this,â he says, and she can feel his eyes watching her. âItâll draw unnecessary attention to us.â
âNo one will ever trace it back to us,â she responds dismissively. âIâve been doing this for years. I know how to cover my tracks.â
âYou canât know for certain you wonât be found out.â
âI wonât be. In any case, weâre leaving this town soon, arenât we?â
âEither way, you canât do this again.â
Ienaga pouts, looking back at Ushiyama and making her eyes as big as possible. âPlease?â
âNo.â
âAt least let me eat this one,â she whines.
Ushiyama doesnât respond to that, affirmative or otherwise. Instead, he asks, âHow did you get off on your own, anyway? Wasnât Kadokura supposed to be shopping with you? Or Kirawus?â
Ienaga scoffs. âThose two are useless. Theyâre probably still off on their own somewhere, not even wondering what Iâm doing.âÂ
Ushiyama nods wordlessly.
The smell of simmering meat fills the air and Ienaga breathes it in, pleased. She hasnât been bothered by the scent of human for a long time, but she notices the bridge of Ushiyamaâs nose wrinkle. She almost laughs, but instead asks, âDid you see Kantarou? Whatâs he doing?â
âHeâs asleep. What are you cooking?â
âTripe. I fried his ears, but I havenât eaten them yet.â
âWhy do you still bother? Youâre pretty enough already. Your stomach works fine. I donât see the point.â
âOne can always be more perfect, Ushiyama, and I want to be as perfect as possible. I donât expect you to understand; no one does, unless theyâve tried it too, and there arenât many who have.â She places the cooked tripe onto the plate next to the ears, then pauses, sending a sidelong glance to Ushiyama. âDo you want to try it?â
Ushiyama snorts. âWhy would I want to try it?â
Ienaga sits back, studying him with her eyes. Clinically, she says, âYour ears could stand some improvement.â
âWhy should I care? I like my ears as they are.âÂ
âMaybe you do, but donât you think women would find them more attractive if they didnât look like that?â
âWomen donât seem to mind them,â Ushiyama grumbles, âunless you beg to differ.âÂ
For some reason, that makes Ienagaâs face warm. âWell, my feelings arenât relevant, Iâm just being frank. Most other women donât find ears like that attractive. Look, do you want to have some or not?â
Ushiyamaâs nostrils flare. âFine.â
âThatâsâwait, seriously? Really?â
âI said fine, didnât I? Iâll try it.â The bridge of his nose wrinkles again. âBut you have to give it to me fast, before I change my mind.â
âIâyes, alright.â Ienaga shakes herself out of her shock and picks up the plate and a pair of chopsticks. She shifts closer to Ushiyama and offers them both to him. âHere.â
He takes them from her like heâs handling a poisonous snake, eyeing the meat with skepticism and apprehension that he isnât even bothering to disguise. Gingerly, he lifts one of the ears up with the chopsticks. A bit of the breading crumbles off.Â
Ienaga is leaning forward, almost without realizing it. She watches through huge eyes as he lifts the ear to his mouth, then back down a sun or two, then up again, faltering between the two. His lips curl back and he slowly clamps his teeth down on just the smallest section of the earâthen he pulls back, grimacing and puffing air out through his mouth.Â
âNo,â he says, setting the ear back down on the plate. âIâm not eating human. Itâs just too wrong.â
Ienaga pouts and takes it back from him. âThereâs nothing wrong about it, Ushiyama; donât be so mean. If you donât eat it, I will.â
Ushiyama eyes the plate with distaste. âGo ahead.â
Ienaga sighs, raising the same ear Ushiyama had bit (barely) to her mouth. Surely he wouldnât find it that wrong if he just tried it. After all, heâd killed plenty of people before; why should eating one be any different, when the guy was too dead to care? People are so prudish, and apparently Ushiyama is, too, about some things. But after the first time, it really isnât that difficult. It tastes good when prepared well, just like any other food, and the benefits are obviousâsheâs living proof of that. She was joking when she first suggested it, but now sheâs just annoyed. If only heâd try it.Â
The ear is small enough for her to fit it all into her mouth cleanly if she angles it well enough, so she does, letting the flavor of the cartilage sink into her tongue. Suddenly, an ideaâmore of an urge, reallyâstrikes her.Â
Ienaga sits the plate down on the floor, shifts onto her knees, and leans forward, grabbing Ushiyamaâs hulking shoulders in her dainty hands. She pushes any thoughts out of her head, and the last thing she sees is Ushiyamaâs eyes widening before she shoves her mouth against his.Â
She feels her lipstick smear against Ushiyamaâs lips, and suddenly his hands have moved to her hips. Heâs so warm, still damp from training, and his smell fills her nose. She can feel the way warmth moves through his body, pulls at his limbs, and she can almost feel something growing stiff and solid through his judogi (but maybe thatâs just wishful thinking on her part). Suppressing a shudder, Ienaga opens her mouth and pushes the ear through Ushiyamaâs teeth.
Thereâs half a beat of stillness, of silence, before Ushiyama shoves her away. She falls back, catching herself on her hands, and looks up in time to see him spitting the ear out onto the floor, face shadowed by an emotion so indescribable that it almost seems like an entire lack thereof.Â
âHey!â Ienaga shouts, stumbling to her feet. âI put a lot of work into cooking that!â
âItâs disgusting,â Ushiyama says flatly.Â
âMy cooking is not disgusting!âÂ
âItâs human.â
Ienaga groans, covering her face in her hands. Her lipstick is messed up for nothing. âI canât even eat it now! You spat it on the ground!â
âYou shouldnât have tried to make me eat it in the first place.â Ienaga brings her hands down and sees Ushiyama glance over to the corpse, apparently not upset about having a fried human ear forced into his mouth anymore. âDonât you think you should get rid of that? Hijikata and Nagakura will probably be back soon.â
âI will.â She sits back down, looking forlornly at the wet, discarded ear as she bites into the untouched one. âIâve done this before.â
âYou had your inn before. It wonât be that easy now.â
âI did this before I had the inn, too, you know,â she says with a shrug. âJust let me eat, and then Iâll take care of it.â
âStill, itâs been a long time since then.â
Ienaga grits her teeth, still chewing through the cartilage. Finally, she swallows it and says, âIâm not some old woman, Ushiyama. Trust me.â
âI have a place in mind. I could go with you.â
She looks up from her tripe to focus on Ushiyama. His expression is unreadable.Â
She shrugs. âIf you want to.â
It ends up being a good thing that Ushiyama offered to come with her. She had almost wanted to turn him down, if only because of her pride, but now sheâs glad she didnât; itâs just practical to have him with her, with the corpse slung over his tight, bulging frame. Ienaga carries the towels with her, watching Ushiyamaâs shoulders and knees and legs and ass move as he leads the way through the forest. She can tell heâs been here before because the trees look like theyâve been squeezed in two. If he knows his way around, thatâs all the better.Â
Finally, the trees make way, and they come up on a pond. The sun is setting, and the still water is dyed red with light like pooling blood. Ienaga stands wordlessly by Ushiyamaâs side and pulls rope from her bundle of stained towels. She watches as he ties the corpseâs limbs to rocks and hurls it right into the center of the pond like a sack of potatoes or some other unremarkable thing. It splashes loudly, sending ripples out through the red water. The first few stars of the evening are glittering in the sky.
âDo you think Hijikata will be concerned that weâre gone?â she asks, finally.
Ushiyama is still looking out over the water. He doesnât respond for a moment. Then, âNo. Weâre adults, and Hijikata isnât paranoid.â
âMaybe he should be, considering his position,â Ienaga mutters.
He snorts. âThat old geezer has good intuition. Iâm sure he knows weâre fine. And heâll probably be able to tell what you were cooking.â
âDo you think heâll be upset?â
âI donât think Hijikata gets upset. Heâll probably want us to keep a closer eye on you, thatâs all.â
âWhat was the point of coming all the way out here before he got back, then?â
âHijikata is one thing. Nagakura probably wouldnât have liked it. The rest of them would probably have panicked if they saw you cooking a dead body at our place.â
âTheyâre all so close-minded.â
âYou know Iâm not letting you do that again.â
Ienaga smirks, turning toward him. âAre you going to keep a closer eye on me?â
âSomeone has to do it. Youâre not so bad to look at, anyway.â
That last bit almost stuns her into silence. She blinks a few times, looking back away.Â
âLike I said earlier, I donât think you need to keep doing... all this,â Ushiyama says after another moment. âAny man would be hypnotized by you. It seems pointless.â
âItâs not pointless. Itâs only because of my methods that I was able to look like this in the first place.â
âBut that was then. This is now, and this is who you are. Itâs not like you could ever go back, and youâre fine as you are. You donât have to take such risks to make yourself beautiful when youâre already beautiful. Itâs senseless.â
Ienaga takes a sharp breath in. Beautiful. âIt isnât that simple. I know that Iâm beautiful, but thereâs still something I donât have.â
âAnd whatâs that?â
She doesnât look at him. âOne can always be more perfect.â
He snorts. âWhich is why you want me to get different ears.â
âWellâI wasnât being serious about that.â
âGood, because Iâm not going to become a cannibal.â
Curiously, she glances back at him. âDoes my opinion matter that much to you?â
âI wasnât being serious. Anyway, I already know you find me impressive.â
âI still do.â
âYouâd better not still want to eat my dick.â
Ienaga almost chokes. She had almost forgotten, over the course of the past hour, that she had tried to kill him onceâit seems like such a waste, after all, killing someone like Ushiyama. She sees that now that theyâve been together for this long. More than that, though, the sentence brings forth some very different images in her mind. She remembers earlier, leaning toward Ushiyama on the floor and feeling his mouth against hers. She can still feel the ghost of its touch.
(Her lipstick is still smeared on him, she realizes suddenly. He hasnât wiped it off.)
âNot anymore, no,â she says, voice carefully even. She lets it grow sultry, smooth. âNot in a literal sense, at least. But figurativelyâŚâ
She steps toward him, resting her hand on his upper arm and trailing it slowly downward. He doesnât respond at first, and she wonders if the comparison is too corny, or too unpleasant, for him.
Before she has a chance to feel anxious, though, he says, âDo you think you could?â
âOh, please, Ushiyama, donât mock me,â she purrs. âIâve taken larger body parts before.â
âNot all at once, little lady.â
âTry me.â
Their bodies move together. The twilight air is cool on Ienagaâs skin.
Somewhere, on the other side of the forest, Kantarou wakes up feeling oddly hungry.
An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 1/?
Fandom: ă´ăźăŤăăłăŤă 㤠| Golden Kamuy (Manga)
Rating: Explicit
Warnings: Creator Chose Not To Use Archive Warnings
Relationships: Ushiyama Tatsuma/Ienaga Kano
Characters: Ienaga Kano, Ushiyama Tatsuma, Shiraishi Yoshitake
Additional Tags: Trans Female Character, Canon Trans Character, Dubious Consent, Anal Sex, Misgendering
soo in anticipation for murder hotel getting animated tomorrow i wrote some porn for these two, and im probly going to write more of it sometime later soÂ
An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 2/?
Fandom: ă´ăźăŤăăłăŤă 㤠| Golden Kamuy (Manga)
Rating: Explicit
Warnings: No Archive Warnings Apply
Relationships: Ushiyama Tatsuma/Ienaga Kano
Characters: Ienaga Kano, Ushiyama Tatsuma, Shiraishi Yoshitake
Additional Tags: Dubious Consent, Extremely Dubious Consent, Size Difference, Anal Sex, Trans Female Character, Canon Trans Character, Misgendering, Body Dysphoria, Rimming, Accidental Voyeurism
i updated this! i ended up getting inspired to finish this up by some lovely people on twitter that just like me laments that there are only like two fics for these two on ao3 yet (both of which are mine so :Y), anyway more nasty stuff but way less creepy this time around, picks up right after the end of the Sapporo world hotel arc. hope some of you will enjoy it <3
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming