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Fredric March, Miriam Hopkins, and Gary Cooper in Design for Living (1933)
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Wilder and Diamond were precise writers. But when it came time to Some Like It Hot’s punch line, they were absolutely indecisive. They got as far as Lemmon ripping off his wig and saying he can’t marry Osgood Fielding III because, “I’m a man.” What comes next? Diamond suggested “Nobody’s perfect,” and Wilder said to keep it in so they could send the script to the mimeographer. But then they were really going to settle it. “We have a whole week to think about it,” Wilder said. “We thought about it all week. Neither of us could come up with anything better, so we shot that line, still not entirely satisfied.” Viewers felt entirely differently. “The audience just exploded,” Wilder said. “That line got one of the biggest laughs I’ve ever heard in the theater. But we just hadn’t trusted it when we wrote it; we just didn’t see it. ‘Nobody’s perfect.’ The line had come too easily, just popped out.”
Some Like It Hot (1959) dir. Billy Wilder
"If you are a human being... if there is still any human feeling in you... then let me go to my husband."
Gertrude Welcker and Rudolf Klein-Rogge DR. MABUSE, DER SPIELER 1922 | dir. Fritz Lang
WONDER BAR (1934) | dir. Lloyd Bacon
“The other [scene that stands out above the rest] involved a handsome man, asking a dancing couple if he could cut in. The female partner, expecting his attention, agrees, only to see him dance with her male partner. Jolson then flaps his wrist and says, “Boys will be boys. Woo!”. This scene almost caused the Production Code to reject the film, and was featured in the opening scenes of the documentary film The Celluloid Closet (1996).”
THE MUPPET SHOW (1976 - 1981) —1.19 Special Guest: Vincent Price
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AUDREY HEPBURN in ROMAN HOLIDAY (1953) dir William Wyler
Arsenic and Old Lace (1944) dir. Frank Capra
Joan Crawford’s Home Movies 1940s Digitized by The George Eastman Museum
