I. The True Journey Begins II. Travels of The Wise King
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I. The True Journey Begins II. Travels of The Wise King

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Alex Webb
Istanbul, Turkey (2001)
Alex Webb is known for his complex layered compositions and vibrant use of colour within public space. His photographs often contain multiple subjects, gestures, and interactions occurring simultaneously within a single frame. This creates visual tension and narrative ambiguity, encouraging the viewer to actively navigate the image.
Webb’s work examines spectatorship and the complexity of urban environments through overlapping spatial relationships and fragmented storytelling. Rather than directing attention toward a single focal point, his photographs construct multiple visual narratives that coexist within the same space. Light, shadow, and colour play an important role in shaping the emotional atmosphere of his images.
This work relates to my own observational practice because I am interested in how urban environments contain simultaneous moments and interactions. Webb’s photography has influenced the way I think about composition, layering, and visual storytelling within street photography.
References
Webb, A. (2007). The Suffering of Light. New York: Aperture.
Webb, A. and Webb, R. (2014). On Street Photography and the Poetic Image. New York: Aperture.
Magnum Photos. Alex Webb Portfolio. Available at: https://www.magnumphotos.com
The city today embodies a place where fears, hopes, dreams and transformations swirl together, creating new landscapes. Â Together with sociology, urban planning, architecture and ethnography, art - in particular visual art - can narrate new urban transformations, but also create space within which to analyze emergent issues and memorialize disappearing physical or cultural sites. Putting this theory into practice, the video memo features a performance piece, Sacred Bodies, filmed in Shahjahanabad, India. Otherwise known as Old Delhi, Shahjahanabad is the historic neighbourhood in the city of Delhi, the capital of India and its second most populous city.
(Credit: Claudia Roselli)
Lighting trails - Visualising urban Wi-Fi
There are a lot of hidden treasures to be found in the city. Being this some historic relicts, a great view across to a place all of a sudden becoming a landmark or a lovely coffee place. One can also find inspiration, patience or pleasure in many ways and colours. The city is a truly amazing digging place. The thing with finding is that there is more to the way of finding than the way of searching. Some things just don't want to be found, you run into them. Image taken from Ti.Mo on flickr / Walking the pole at night in Oslo, tracing the Wi-Fi quality. However, in this case the desired thing, if it is one, is invisible. It requires an invention to actually make it visible. The waves of the wireless network swirling the urban spaces are no where to be seen other than on the display of your gadget in the form of four stacked arches. This is sort of point information concerning just the immediate location. And if you have ever tried to catch a signal in an awkward spot, you must have experienced how much difference one side step can make, or half a pirouette, wonders. The guys over at touch have invented the ultimate light painting rod to visualise exactly these waves. This is not coming out of the bue though. There is some history to this. In short, they where earlier experimenting with RFID working on the nearness project, together with berg. In a next step they used a similar approach, on much small scale, to visualise the transmitter field of the RFID reader. In this sense the visualisation of the Wi-Fi is some sort of large scale, real world implementation. They also experimented with the visualisation of Wi-Fi earlier. This new very much hands on approach works amazingly well in terms of the images it produces. I guess this is the nice thing with finding the treasure, you get to give it an image, you can brand it. Image taken from Ti.Mo on flickr / Detail of the rod with LED lights and loads of wiring. They explain "we built the WiFi measuring rod, a 4-metre tall probe containing 80 lights that respond to the Received Signal Strength (RSSI) of a particular WiFi network". As they take the rod for a walk the light indicate the signal strength vertically. Amazingly the fluctuations in signal quality are dramatic, making it possible to differentiate changes on a step by step basis. It would be quite cool to attempt a surface modeling. Maybe as a section by section path across could generate a leveled view? As a distant relative of this tool the pole land surveyors use comes to mind with the red and white markings. In reference to one point the profile of the topography is charted. Similarly this could be implemented here. As it looks on some of the photographs they are using a visualisation software on the laptop to record the measurements. Seems to be built with processing, maybe this can be reused if they simultaneously record the location via GPS for examples. Maybe it could even be developed into a mobile application using a mobile device as the flashing light, being this the iPhone or the iPad as for example shown in light paintings developed by berg as part of the making future magic project. In a way the landscape the rod is making visible is not too disimilar from the New City Landscape (NCL) we developed from twitter messages. Both are providing an interface between real world and virtual world. The photographs used here were shot in the Grünerløkka area in Oslo. The lighting works really nicely against the backdrop of dark buildings and white tones of the snow cover. As they point out in some of the write ups there is a fascinating relaionship to the architecture around in terms of scale. The super human size of four meter matches about one story of a building picking up the architectural line and stepping out of the human reference. This gives it a more objective relevance, looking very meaningful. Image taken from Ti.Mo on flickr / Visualisation of a cross country cross section.
The Sandpit New York- or Everyday is Beautiful
Probably the beauty of the product lies not in the subject of the product, but in the way it is done. Might not be the latest headline, but there is something to this. Can one build nice highways, is it possible to design a meaningful park and ride or can a disused railway lines turned into a park? Well you must have guessed it by now, I am thinking of specific examples here. Even though it is probably a lot easier to come up with terrible examples for infrastructure projects, you probably only have to look out the window, there are some really 'knock you out of your shoes' examples of good practice. A great collection is put together in the book 'the Landscape of Contemporary Infrastructure', published by NAi Publishers. Image taken from Archphoto / A view of the Swiss highway A16. And of course here are the examples I was thinking of, 'Tunnel Artifices', highway projects by Flora Ruchat-Roncati and Renato Salvi 1988-2008, realized in Switzerland; 'Terminal Hoenheim Nord' by Zaha Hadid Architects 1999-2001, realized in Strassbourg, France; or the 'High-Line' by Dillier Scofidio + Renfro with James Corner Field Operations 2005-2010, in New York, USA. And actually New York was what I wanted to get at, to introduce this beautiful timeLapse. A day in the Sandpit of the big Apple portrayed so beautifully the everyday situations that it lives up greatly to the examples give. Everyday life is beautiful, no matter what.

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The Origin of Architecture - Nest Building
Architectural anthropology is described as: ‘At the end of the sixties, in the course of the so-called 'crisis of modern architecture' a movement of architectural theoreticians greatly stimulated by Amos Rapoport's 'Built Form and Culture' (1969) began to widen their horizon into the ethnology of architecture’ (Egentre, 1990). In this sense it is the research into the history of architecture. Together with an illustration of five lines of architectural evolution it is presented as a comprehensive body of work into the understanding of how architecture developed into a technological sophisticated science. But essentially it argues that as long as humans (even great apes) had a urge to adjust the environment to suit specific needs. Interesting to me seems the argument that architecture can be traced back to the nest building of great apes. However this will definitely be challenged with questions around design and the idea of a discipline of architecture as opposed to individual temporal structures. However this is probably an argumentation of modernist understanding of the ‘plan’. Nevertheless I would argue that between temporal structures of ‘night beds’ constructed by apes and a detailed concept of space and time lies a big gap. It might be down to a few million years of evolution, I don’t know. The argument is logic, however I would remind that a lot of species build nests or construct temporal structures. Even more beyond the nest usually animals have a clear concept of space and the idea of ‘owned space’ in the sense of a territorial behavior. This territory is marked for example by a black bird singing or a cat spraying. In this context the argument might look different. Image by Nold Egenter - The plate indicates a Macro-Theory of the Evolution of Habitat and Architecture and at the same time the Evolution of Culture For the argumentation and presentation of architectural project a lot of leaps an crazy combinations are undertaken. And recently nests have seen a rise in popularity, but I have not heard H&dM arguing for their Olympic stadium that the shape is the origin of architecture. However it would fit. Image taken from creative class - the bird nest at night
The Snail on the Slope - a Narrative in Structures and Lines
Image by tadar The narrative is currently a big topic in the construction of my research project. The creation of the narrative through activity as a constant process, currently guides the conception of the study. The idea really is to get to grips with the creation of time and space as temporal phenomena. If we employ the narrative as the structural element this might become possible. This has to be seen in the context of the urbanDiary tracking project and the time-space aquarium as the approach in time geography. The narrative here describes the time-space aquarium as a whole, containing similar trajectories. But since a number of narratives can fit in to a story it allows for the combination of multiple time-space aquariums with different time and space parameters. The narrative in a sense is purely structural and simply describing the way the body of content is organised. It is organised along an inner coherency. As a visualisation of the concept ‘the snail on the slope’ is very interesting, since it works with a strong focus on the form aspect of the narrative. The movie is actually based on a novel and the sequences of processes are generate for each chapter. THe novel was initially written by the Strugatsky brothers. FOr the visualisation processing was use.
The Snail on the Slope from tadar on Vimeo.
The Daily Cycle With a Small Chance of Change
Let’s start the week with a beautiful tale of routine. It is all going according to plan, back and forward, but wait there might be something different. I noticed this and that and felt quit different for it. We meet, we part, we ignore and still follow the pattern on time. It is an animation directed by Sola Baptiste, inspired by Josef Albers' work.
L'échange - The exchange from Baptiste Sola on Vimeo.