#universal100

Did You Know…

Did you know…

There was once a school on the lot for Universal’s contracted child stars?  Formerly located on the lower Universal lot, the school was set in a little gray cottage that sat adjacent to the old executive bungalows. The cottage was later converted to a three-room schoolhouse in 1939 to consolidate the teaching of child actors in one location.  Before this time, young starlets were educated whenever possible on the movie sets.

Gladys Hoene (pronounced “Haney”), was the lone teacher at the school from 1939 – 1962.  Qualified to teach everything from kindergarten to college courses, Mrs. Hoene was responsible for the education of many child actors, including Deanna Durbin, Ann Blythe, Donald O’Connor, Gigi Perreau, Piper Laurie, and Sandra Dee.  9-year-old Elizabeth Taylor attended the school in 1941 during the filming of her first feature film, There’s One Born Every Minute.

Mrs. Hoene worked under the supervision of the Los Angeles Board of Education, and the lesson plans were based on a close cooperation between Mrs. Hoene and each student’s regular public or private school teacher.  All high school diplomas at Universal’s school were awarded by University High School in Los Angeles, although the students rarely attended the school.

Did You Know…

Boris Karloff is only one of many legendary actors that portrayed Frankenstein’s Monster in numerous Universal productions featuring the character? Beginning with Frankenstein (1931), Karloff, along with the iconic make-up designed by Jack Pierce, set the precedent to which we recognize the famed movie monster on-screen today. Karloff also portrayed Frankenstein’s Monster in the follow-up films The Bride of Frankenstein (1935) and Son of Frankenstein (1939).

Do you recognize any of the other actors portraying Frankenstein’s Monster? One actor, who originally played the Wolf Man in The Wolf Man (1941) appears as Frankenstein’s Monster in The Ghost of Frankenstein (1942). Also, Universal’s original Count Dracula takes the role of Frankenstein’s Monster in Frankenstein Meets the Wolf Man (1943). This actor, strange enough, was originally cast by the studio for Karloff’s role in the original 1931 production.

Did you know…

Universal Studios’ Stage 28 is considered by many to be the most historic sound stage in Hollywood?  The stage was constructed in 1924 for Universal’s blockbuster production, The Phantom of the Opera.  Legend has it that Universal’s founder, Carl Laemmle, fell in love with this story in 1922 while vacationing in Paris.  The Phantom’s author, Gaston Leroux, gave Laemmle a copy of his book after Laemmle visited the famous Paris Opera House.  After reading the book in one night, Laemmle decided Universal should make it into a movie.

Laemmle considered sending a cast and crew to Paris for filming, but later determined it was too expensive.  Instead, he decided to build a replica of the Paris Opera House at Universal City.  Completed in 1924, Stage 28 was the first sound stage constructed on a structural steel framework set in concrete foundations. 

Winner of seven Academy Awards, The Sting is one of Universal’s most treasured films.  Taking place in Chicago during the 1930s, director George Roy Hill captured the ‘art of the con’ with stars Robert Redford and Paul Newman.  In order to capture that same essence and time period for the movie poster, the studio commissioned graphic designer and illustrator Richard Amsel to head the project.

Born in Philadelphia and educated at the Philadelphia College of Art, Amsel began his career as a graphic designer by winning a talent search for another film campaign as a student at age 22.  Following a successful stint designing album covers and magazine ads, Amsel quickly gained popularity as a leading poster artist due to his unique illustrative style.  He developed a reputation for illustrating characters that perfectly evoked time period nostalgia and he quickly gained notice for redefining the craft of poster making. 

In order to capture the time period for The Sting one-sheet, Amsel modeled his illustrations after the work of artist J.C. Leyendecker and his classic Saturday Evening Post covers.  In homage to Leyendecker’s “Arrow Collar Man,” Amsel illustrated Robert Redford and Paul Newman in a similar nostalgic style reminiscent of 1930s Chicago.

Did you know…

  Universal’s most famous comedy team, Abbott & Costello, were also radio and television stars on NBC?  Abbott & Costello made 30 feature films for Universal between 1940 and 1955, becoming the studio’s most profitable name of the era.  From 1942 – 1947, they were the also the stars of NBC Radio’s Abbott and Costello Show.  Beginning in 1951, they moved their talent to the small screen, where they were frequent guest hosts on NBC Television’s Colgate Comedy Hour.

Abbott & Costello first met in 1930, when Lou Costello performed his comedy act at a Brooklyn, NY theatre where Bud Abbott was a cashier.  Grudgingly, Abbott first appeared with Costello on stage when Lou’s original partner fell sick one night in 1931.

The two officially became a team in 1936, touring the vaudeville circuit together.  In 1939, Abbott & Costello signed a movie contract with Universal over MGM because their agent thought they would receive greater exposure at Universal.  One Night in the Tropics (1940) was their first film, but their popularity exploded in 1941 when they appeared in Buck Privates (1941) with the Andrews Sisters.  Buck Privates grossed a studio-record $10 million for Universal.