simon riley x f!reader
TRESPASSERS WILL BE SHOT, masterlist
The lieutenant makes a habit of breaking into your flat. You never ask him to leave.
series tags: fluff, sprinkle of angst, pining, banter, humor, loneliness, military!reader, simon doesn't know how to date like a normal person, you're along for the ride. individual nsfw chapters will be tagged as necessary.
tagged with: #twbs
parts: [1], [2], [3], [4], [5], [6], [7], [8] [...]
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TRESPASSERS WILL BE SHOT [1]
PART ONE | INDEX | PART TWO â
simon riley x f!reader, fluff, likely nsfw in future parts
Thereâs someone in your flat.
You freeze in the front door, bags of groceries hanging off your arm and your work bag still slung over your shoulder. The kitchenâs around the corner so you canât make out who it is, but you track their shadow across the floor, wary.
Thereâs a gun in the nightstand beside your bed. You look between the kitchen and the bedroom, wondering if you can sneak in to grab it.
Or you could just leave.
Fuck that. This is your home.
All the planning comes to nothing, though, when the man sticks his head around the corner.
ââBout time, Iâm starvinâ.â
âLt.?â
Heâs already ducked back into the kitchen. Feet feeling like lead, you walk after him.Â
Somethingâs happened. You must have gotten into an accident on the way home, and your brain is making up things to cope. Youâre about to wake up in a hospital bed.
But you donât wake up. You walk into your kitchen, and Simon Rileyâs leaning against the counter, slurping up a massive helping of chow mein directly from the container. Thereâs a plastic bag on your kitchen table, and the smell wafting from it would have been enough to tempt you inside if not for the fact that your lieutenant was apparently the one to have brought it in.
You stare.Â
The last youâd known, Riley had gone dark somewhere in Eastern Europe. That had been two weeks ago. Now, his clothes fit a little looser and there are deep bruises under his eyes. His hairâs mussed, like heâd just taken his mask off, and you think thereâs still a little grease paint around his nose.
Sighing, you set your groceries down. âDid you at least get me something?â
He points at the bag with his chopsticks. You edge into the kitchen, watching him out of the corner of your eye like heâs a live grenade. When the most offensive thing he does is chew too loud, you drop your guard a little and pick through the offerings.
Most of your favorites. You donât ask how he knows.
TRESPASSERS WILL BE SHOT [4]
â PART THREE | INDEX | PART FIVE â
simon riley x f!reader, fluff
Rileyâs gone early the next morning, and he doesnât return to work until the following Monday.
Youâre in the office you share with Kyle and Johnny when he walks in, folders with your next assignments in hand. Heâs back to wearing a mask, but he looks a little more rested than he had the night he came to your flat.
His hairâs still long, though. Odd. I wouldâve thought heâd have trimmed it by now.
âBamakoâŠBamakoâŠâ He divvies out the files as he speaks, handing one to you and another to Kyle, âand Johnnyâll be with me. Abuja.â Johnny takes the last folder, already flipping it open to scan the first page.
You open yours, too, but only so the motion hides the way your eyes follow the lieutenant as he moves through the room. He hadnât so much as glanced at you when he walked in, and he isnât looking at you now.
Kyle taps your knee with the corner of his file. âLooks like itâs you and me.â He looks back at Riley. âWhen do we leave?â
âNot for a couple of months, yet.â He points at their files. âRead âem, get familiar with everythinâ inside. Initial meetinâs on Thursday.â
âAye.â
âYes, sir.â
He turns sharply on his heel, like heâs going to leave. Frustration bubbles up in your throat. Because thereâs no way this prick is going to walk out without another word, like he hadnât slept on your sofa and left hair in your soap not five nights ago.
âWait!â
The room freezes. Johnny and Kyle both look at you curiouslyâof course, they donât know. Riley himself pauses at the door with his hand on the knob. He doesnât turn around when he speaks.
âSergeant?â
Sergeant. Like youâre just another face in the ranks.Â
Chin lifted, you chew over your words. You hadnât had anything planned to say when you let your annoyance get the better of you. Beside you, Kyleâs stomach growls, and you blurt out:
âWanna get lunch?â
That gets his attention. Riley turns slowly, looking at you like youâre mad. In the silence, Johnny lets out a nervous titter that he stifles quickly when Riley cuts a sharp glance in his direction.Â
âLunch?â
âYou know.â Gaining a little confidence now that youâre actually being acknowledged, you nod encouragingly. âThat meal between breakfast and dinner.â
A low growl emanates from under the mask. Kyle saves you from the incoming fallout when he pipes up. âYou know, itâs a fair point, sir. Coming in here to give us work and no incentive? Itâs just not done.â
âYour leave request is gonna be another thing not done, Garrickââ
But Johnny cuts in, unable to help his laughter now. âHeâs right, Lt.! And weâre proper starvinâ in here.â He stands up and grabs his hat and wallet. Kyle follows, smirking.
You stand up, too. Presenting a united front, and all that.
Rileyâs eyes flick between the three sergeants, finally settling on you. You give him a winning smile but hope your eyes telegraph your real thoughts: be nice to me or I'll throttle you the next time I catch you in my flat.
Rolling his eyes, he wrenches the door open. âFine.â
Johnny whoops and follows him out.Â
Alone with you now, Kyle tilts his head. âLunch?â
You shrug. âI was hungry.â
Kyle snorts, like he doesnât buy that at all.
âHow about an ale, Lt.?â
âDrink, Johnny, and Iâll have Price send ya back to Bayelsa.â
Johnny puts his hand to his heart. âYe wouldnât.â
Riley doesnât look up from his plate. âWould.â
You take a large spoonful of soup to hide your grin.Â
The pub around you is small and cozy, one of the only ones close enough for a quick lunch break. Itâs run by an old couple and their kids, whoâre friendly to their majority-military customers.Â
At a table across the room, you see a couple men you know from training exercises. One of them catches your eye and waves. You wave back.
When you turn back to your table, Rileyâs watching you.
âFriends of yours?â
âKind of.â You take a sip of your water. âBut not like, friends, friends. They donât crash at my place or use my shower, or anything like that.â
Johnny isnât paying attention, too busy wolfing down his sandwich, but Kyle gives you an odd look. Under the table, something nudges your foot.
Licking his fingers, Johnny washes his last crumbs down with a long swallow of his fizzy drink. âWhatâs everyone got planned for the weekend?â
âGoinâ to London,â Kyle says. âHavenât seen the family in a while. If my leaveâs approved.â He gives Riley a meaningful look.
He grunts. âIâll approve yer bloody leave. Christ.â
âWell, Iâve got a date.â Johnny announces it with the air of a man whoâs just climbed Everest. Twice. âPretty lass from finance. Takinâ her to the Weir Gardens.â
Rileyâs eyes crinkle at the corners a little. âRomantic, Johnny.â
You prop your chin up on your hand. âIt is sweet. The trails are so pretty!â
As you talk, something twists in your stomachâenvy. Blinking, you realize youâre a little jealous of Kyle going home to family and Johnny having a sweet date with a girl he likes.
All youâve got is a man who demands your attention when he feels like it, then pretends like you donât exist. Like the worldâs biggest housecat.
âThank you, bonnie.â
You smile, but drop your eyes back down to your soup, feeling a bit glum.
Thereâs that nudge at your boot again. Chin still in your hand, you look up at Riley. He watches you back, eyes still soft at the corners. It gentles his entire face and gives him an almost tender look that youâre not accustomed to seeing on him.
âWhatâre you doing, sergeant?â
âAh. Nothing planned yet, sir. You?â
âHmm. Might drop by a friendâs place.â
You donât look away, even as Kyle starts peppering Johnny with questions about his âpretty lassâ.Â
Why havenâ you asked me to leave?
Youâd been too afraid to answer that question the night heâd asked it, but you know now. You didnât ask him to leave for the same reason youâre jealous now of Kyleâs family and Johnnyâs date.
Youâre lonely.
And maybe humoring your emotionally constipated lieutenant isnât the right way to go about absolving that.Â
But right now, heâs the best youâve got.
So you hold his gaze and press back against his boot with your own.Â
TRESPASSERS WILL BE SHOT [5]
â PART FOUR | INDEX | PART SIX â
simon riley x f!reader, fluff
For the rest of the week, you and Riley are at an impasse.Â
He isnât ignoring you in the office anymore, but he hasnât shown up at your flat, either. Aside from the conversation at lunch, he gives no indication that heâll be seeing you this weekend.
Perhaps youâd misunderstoodâmaybe he really is planning to visit a friend somewhere, and has no intention of turning up at your door.
On Friday night, you lay awake in bed, listening for the telltale creak of a floorboard or squeaking of a hinge.
Nothing comes.Â
Itâs disappointing, and youâre angry that you actually feel let down. Normal people donât feel sad when the man whoâs been breaking into their apartment decides not to.
You fall into a restless sleep, waking at every sound.
The knock on your door comes exactly at 11:00 a.m. on Saturday.
Really? Youâre in fuzzy slippers and your sleep shorts, ratty old t-shirt hanging off your shoulders. Well, he gets what he gets.
When you open the door, Rileyâs standing on the other side, a paper bag from Tescoâs tucked in the bend of his elbow. He looks you up and down, a slow slide of eyes over your bare legs and arms.Â
Scowling, you pull at the hem of your shirt. Arse.
âSome notice might have been nice.â
âI gave notice.â
You step aside and he breezes in, bringing the faint odor of cigarette smoke with him. âWhat, âmight drop by a friendâs placeâ? Most friends elaborate.â
ââM not most friends.â
âClearly.â
Riley doesnât need to ask where the kitchen isâhis feet find the path on their own like itâs already been well-worn.Â
As he starts taking things out of the bag, you try to peer around his massive shoulders. âIâm picking up on a theme, here.â
âYeah? Whatâs that?â
âYou keep bringing me food.â
âFastest way to a personâs heart is through their stomach.â
You snort. âIs that what youâre after?â
That he knows exactly where you keep your knives should frighten you more than it does. âSure. Itâd look nice in my office.â At your scoff, he looks at you over his shoulder. The warmth is back in his eyes, the same creases at their corners youâd seen at the diner. âIâd get ya a glass jar and everythinâ.â
âA man after my own heart.â
âThatâs what Iâm sayinâ.â
For all his faults and numerous flaws, Simon Riley can cook.
When your plates are both empty, you lean back from the table, feeling uncomfortably full. Riley, ever the paragon of etiquette, had unbuttoned his pants to make room for seconds.Â
At the sight of the thick trail of hair on his stomach, youâd nudged the milk bottle over just enough to block your sight line. Just because youâd seen it before didnât mean you wanted to stare at it while you were eating.
Good food and a full belly have softened your tongue, but you realize that if you arenât scratching at him, you have nothing to say. When youâd still been eating, youâd tried several times to start a conversation, and floundered over every possible topic.
Because, really, what does one say to their monster of a lieutenant when they arenât at work and he isnât being a bloody nightmare?
Gratitude. Gratitude is a safe bet.
âThank you for making lunch.âÂ
He inclines his head slightly.
âAnd thank you for knocking.â
His lips twitch.Â
âDonât get used to it.â
The dishes cleaned and leftovers put away, Riley drops another bomb.
âThought we might go somewhere.â
You make a point to look at his pantsâstill unbuttonedâand then down at yourself. He rolls his eyes.
âPut on different clothes, obviously.â
âDo I get any say in this?â
Heâs already fishing his keys from his pocket, and the sight sends you scrambling for your closet. âYou can pick the place,â he calls.
Bastard has the audacity to even sound magnanimous about it.
The Hereford Cathedral seems like a neutral enough place to go. Youâve both seen it already, and, it being a popular tourist spot, it comes with built-in entertainment.
âI think heâs married. Three kids.â
âTwo kids.â
You and Riley sit side-by-side on one of the benches, people-watching. The poor soul currently under review is a middle-aged man with a t-shirt tucked into his shorts, wearing beat-up old trainers and high white socks.
As you watch, a woman about his age walks up with two teenagers in tow, both looking like theyâd rather be literally anywhere else.
Riley smirks. âTwo kids.â
You huff. âAlright. What about that guy?â
He follows your nod to the man lurking by the corner of the cathedral. After a few moments of intense scrutiny, he hums.
âHeâs a nose picker.â
âYouâre disgusting.â
ââM not the one pickinâ my nose, am I?â
After struggling with yourself for a few seconds, you give up. âTen quid says he flicks it.â
Riley laughs, a real, deep laugh that echoes over the grounds. The sound of it sends goosebumps down your arms.Â
The sun is warm, and the air carries with it only a slight chill. The wind moves the grass and shakes the leaves, and rumples the ends of Rileyâs curls. Without thinking, you reach up to smooth them down.
You freeze when Riley turns to look at you. Wearing a mask, his expression is difficult to read, but you think his eyes look kind.
Still, you take your hand back. Stupid.
âIâm sorry.â
He looks back at you a minute more before focusing his gaze behind you.Â
âWhat do you think of her?â
You turn to see a womanâAmerican, by the sound of her accentâwalking toward you and wearing the brightest neon pink shirt youâve ever seen.
Your fingers still tingle where theyâd touched Rileyâs hair.
âI think she wants someone to notice her,â you say quietly.Â
If he hears, he doesnât answer.
The ride back to your flat is quiet.
At the cathedral, it had been simple. Youâd spoken to him indirectly by focusing on others. And when you werenât people-watching, the fine weather and scenery had made it easy to pretend to fixate on something else.
Now, thereâs just the two of you in Rileyâs car. At least the smell of cigarette smoke gives you an excuse to roll the window down, and the rush of air stifles any possible conversation.
In the car park, you put the window up. Riley turns the engine off, and the two of you sit in the encroaching twilight.
Youâre about to hit him with some typical date lineâI had a great time, thanksâwhen he pulls the mask off.
âYou should invite me up.â
You stop fiddling with the seat belt buckle and look up at him. âOh, is that how it works? You make me lunch and take me to church, and Iâm just supposed to invite you upstairs?â
He blinks, slow and thoughtful. âNo.â But before you can feel any sense of relief, he tramples over it. âYou should invite me up because âm great in bed.â
What? You canât help it; you laugh, tipping your head back and closing your eyes. The sound feels obnoxiously loud in the cab of his truck.Â
âWho told you that?â And what made you think that saying it would work?
Riley looks affronted. âPlentyâa birds.â
âOh, yeah?â You dab at the corners of your eyes, still giggling. âWhy didnât any of them stick around, then?â
He doesnât answer. The longer the silence stretches on, the more you start to feel like youâve made a misstep. Youâd meant the comment to be teasing, but apparently youâd missed that mark and sailed straight into cruelty.
When he speaks, each syllable is ground out. Harsh. Like heâs chewing on rocks instead of words.
âThis isnât easy fer me.â He waves a big hand carelessly around the car. âIâm not used toâŠto talkinâ and hanginâ out outside oâ work.â
Itâs getting darker outside. The interior light of the cab has gone off, and you canât make out his expression clearly.Â
You cross your arms. âSo, what? You start breaking into my flat? Do a few nice things for me so Iâll sleep with you? Is that supposed to be fair to me?â
âNo. I thoughtââ He cuts himself off. One hand runs through his hair, and youâre struck with that desire to touch it again.Â
He covers his face, just for a moment, then drops it heavily back on the steering wheel.
âForget it. Doesnâ matter.â
âIt does matter.â You unbuckle your seat belt so you can turn to face him. The questions from the night heâd slept on your couch hang between you. Why are you here? Why havenât you asked me to leave?
âSimon.â
That gets his attention. He looks down at you, eyes dark in the settling nightfall. You look back up at him, leaning over the center console.
âWhat do you want?â
The creak of old leather draws your eyes to his hand on the steering wheel. Heâs got it in a death grip, white knuckles visible even in the low light. He wipes his forehead with his other hand.
âI donât want anythinâââ
âThat is such fucking bullshit, Riley. Tell the truth! What do youââ
Fingers hook into your collar, dragging you halfway into the driverâs seat. You land practically on his chest, bumping your head against the underside of his jaw.Â
Riley manhandles you until youâre in his lap, upper half leaned against the driverâs side door, legs draped over the storage console.
He still has your shirt clenched tight. So close, you can smell old cigarettes, a hint of sweat, and something uniquely him, dangerous and deep. Little tremors wrack his frame, and his hands are unsteady.
A first, for such a world-class sniper.
He takes your chin in his other hand. His hold is hard and unyielding, but you trust him, your lieutenant. If I told him to let go, he would.
Thereâs a puff of warm air against your neck as he hunches over, murmuring his secret into your jaw.
âI donât want to be alone.â
You throw caution to the wind and do what youâve been wanting to do for the past several hours, plunging your hands into his hair. The rake of your fingers over his scalp makes him shudder, and when you tighten your hand to pull, he looks up.
âHalle-fucking-lujah, finally. A bit of honesty.â Then, to repay him in kind, you grant him an admission of your own: âI donât want to be alone anymore, either.â
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TRESPASSERS WILL BE SHOT [3]
â PART TWO | INDEX | PART FOUR â
simon riley x f!reader, fluff, simon pov
You donât know it, but Simon watches you all the time.
It isnât your fault you donât notice. Subtlety is a part of his job, down to his very name. Ghost. And you do look through him, in a way that isn't indifferent or callous, but more like you've just gotten used to being around him. Oh, him? That's just the lieutenant.
Laughable. He's never been just anything, to anyone.
The proper thing to do would be to talk to you. But he doesnât have Johnnyâs good humor or Kyleâs practiced charm. Even Price has an animal magnetism about him; people want him simply because he exists.
All Simon has is a bleak history and an uncertain future. Hullo, I donât exist on paper and I probably wonât make it to forty. Wanna get a Chinese?
It doesnât help, either, that youâve politely turned down any interested man thatâs come sniffing at your heels.
Heâs not going to be the next victim in the long line of rejected suitors.
Noâheâs going to take what he can get, and ask forgiveness later.
Before you had come home to find him in your kitchen, Simon had taken his time cataloguing your apartment.Â
Some things he lets alone. Once heâs figured out where you keep your weaponâthe nightstand, really? Not very practicalâhe leaves your bedroom to prowl around the other rooms of the flat.Â
There isnât much to see. A nondescript spare room with a full-size bed and dresser, which is mostly empty except for some junk youâve crammed in the top drawer. One bathroom, a living room with a couple of chairs and a sofa, and a tidy little kitchen.Â
On his way back to the table, Simon pauses by the television. There are photos on the table behind the couch, their frames a variety of shapes and sizes but all featuring a common theme.
He picks one up, feeling uncharacteristically fond. Itâs a picture of all of themâyou, him, Kyle, Johnny, and Priceâalong the banks of the Shatt al-Arab. Basra, if he remembers right. Another photo beside it shows Johnny and Kyle perched cheekily on Priceâs desk at Stirling Lines, each holding one of the captainâs treasured Cohibas. Neither Simon nor Price himself is in that one. He eyes the cigars. Wonder if Price knows about that.
Simon puts it back, taking care to prod the frame into the exact position it had been in before going back to the kitchen. Heâs just starting in on one container when he hears the front door open.
When their plane touches down back at Brize Norton, Simon can still smell the oil fields of the Niger Delta.
He, Johnny, and Kyle regroup briefly in the hangar before going their separate ways. Itâs an hour-long drive back to Hereford, enough time for Simon to sit behind the steering wheel and dwell on how much he really doesnât want to go home.
He canât think of his own barren flat without thinking of how cozy yours had seemed in comparison. And once the idea of you comes into mind, he can't let it go.
Maybe he doesnât have to go home.
Youâll be cross.Â
But he can deal with that.
Itâs dark at your place, but he doesnât need the lights. He leaves his bag by the sofa and edges into the hall.Â
Your door is partially open. Simon pauses beside it, listening, but hears nothing more than your deep breathing. He moves on down to the bathroom, flicking the light on and shutting the door behind him.
The shower is pure blissâafter six weeks of wading through mangrove forests in Nigeria, heâd forgotten what itâd felt like to be clean again. The water washes the filth out of his hair and clears away the last of the paint around his eyes, sending a steady stream of dark water down the drain. When he steps out, steam clinging to his skin and fogging the mirror, he rolls the door shut and then promptly stubs his little toe on your bathroom vanity.
âFuck.â
Outside the door, thereâs a rustle of clothing. âIf I open this door and itâs you in there, Iâm gonna be pissed.â
Simon slings one of your little towels over his hips and opens the door to spare you the trouble of breaking it down. On the other side, you scowl up at him, one hand on your hip and the other wrapped around the grip of your Walther.
When you look up at him like that, like you could kill him if he gave you the chance, he thinks youâve never looked lovelier.
"Gonna shoot me?"
"I might."
You wouldn't.
He brushes past you and hears when you follow him down the hall to the living room. As he digs through his bag, he lets the towel slip, studying your face in the reflection of one of the picture frames. Youâre watching him, you sly thing. Smirking, he tugs on a pair of boxers and the last clean shirt he has.
The first thing he notices when he turns around is that youâve set the gun down. Empty-handed now, you sit across from him, eyes darting between Simon and his bag.
âYou came here straight from the airfield?â
âYeah.â
He runs a hand through his hair. Heâd been aiming to get it cut tomorrow, but the way your eyes follow his fingers as they card through the messy waves, he thinks he might just let it grow.
Loyal to the core, you ask about Johnny and Gaz. And then, a little less sure of yourself, you ask about him.
Simon almost laughs. He hasnât been alright since he was a boy. But thatâs why heâs here on your couch, isnât it? Thatâs why, instead of taking you out for a nice dinner someplace, heâs sneaking around your flat at odd hours to catch you unawares.
âYeah, âm alright, love.âÂ
You bristle at that, the little endearment sliding under your skin. But exhaustion is creeping in, the long hours in the cramped jumpseat of the C-17 catching up to him. Simon lets his head fall back and closes his eyes. âPut that light out âfore you go.â
The lamp switches off, and the yellow glow beyond his eyelids disappears. There's no creak of couch cushions or rustle of fabric. Even with his eyes closed, he knows you're still sitting across from him, watching.
He waits.
âWhy are you here?â
Because he doesn't know how to do this. Because he's only ever in the company of others forced to be there.
Simon turns over to look at you, picking out your shadow in the dark of the room. Turns the question back on you to make you doubt your motives instead of questioning his.
âWhy havenâ you asked me to leave?â
You go back to bed without answering, your footsteps soft on the hallway rug. Simon listens to them fade back into your bedroom before he closes his eyes again.
TRESPASSERS WILL BE SHOT [7]
â PART SIX | INDEX | PART EIGHT â
simon riley x f!reader, fluff, light angst
Itâs foolish, how tenderhearted a little honesty had made you.
But youâre not going to get weepy-eyed now. Not when you have half a bottle of wine whispering in your ear and your phone burning a hole in your hand.
Back when heâd given you, Johnny, and Kyle his personal number, Simon had cheerfully added one caveatâif ya call and itâs noâ an emergency, Iâll kill ya. Slowly.
Youâve made an executive decision that this qualifies as an emergency.
You start by opening your messages, but hesitate. Texts can leave a paper trail. They can be read. And ignored.
You press the call button and give yourself another pour. Heavy-handed, generous.
The phone rings a few times, then goes to a default voicemail message. The person you are trying to reach is unavailableâŠ
You snort. Donât I know it.
Tossing your phone from hand to hand, you pace in circles around your kitchen. Your footsteps echo and the vinyl floor creaksâthereâll probably be a complaint from your downstairs neighbors in your future.
Thatâs a problem for tomorrow. As you see it, right now, there are two possibilities.Â
One, Simonâs high out of his mind on painkillers and actually asleep.Â
Two, heâs fully awake and actively avoiding you.
Itâs crushingly humbling to know that both are equally possible.Â
Do you call again? A spiteful little voice in your ear says yes, and you jab the call button again with a vengeance.Â
This time, he picks up on the first ring. Fully alert.
Bastard. He did ignore me.
âSimon.â
He doesnât respond for a long moment, and youâd think heâd hung up if not for the quiet sound of his breathing. Then, he says your name.
Your determination teeters, but you jut your chin out and stand your ground. Cut straight to the chase.
âWhy didnât you tell me you were back?â
âThis numberâs only supposed to be for emergencies, sergeant.â
Anger flashes in such a blistering wave you think you might burn up on the spot. So itâs sergeant again, is it?Â
âOh, fuck off, lieutenant. Why didnât you tell me?âÂ
Thereâs that long pause again. You get the feeling that heâs choosing his words carefully.
At least, heâd better be.
âYou didnât need to know.â
The words land like a slap, and you raise one hand to your cheek, breath catching, to feel for the imaginary bruise. âWhy wouldnât I need to know?â You remember Johnny in the office. âYou told MacTavish.â
His sigh crackles over the phone, distorted and broken. âJohnnyâs mâ partner. He had to know I was beinâ replaced.â
âYour partner. Whatâs that make me, then?â
You wish you could take the question back the moment you say it. Not only do you not know the answer, youâre not sure if you want to know.
For the first time, you realize you may have overplayed your hand. He tells you he doesnât want to be alone, and that meansâŠwhat exactly? That youâre together now? That he owes you answers?
Heâd never actually committed to anything.
Stomach dropping, you steamroll on before he can answer.
âYouâyou insert yourself into my life, you tell me you donât want to be alone, but itâs okay for you to leave me alone? Why?â Your throat closes around that last word, and youâre surprised at how your eyes suddenly burn. âBecause you feel like it?â
Thereâs silence on Simonâs end of the call. Heâs so quiet, you have to pull the phone back from your ear to check that he hadnât hung up.
Youâre afraid that you can read his responseâor lack thereofâloud and clear.Â
âItâs fine. You can forget I called.â Trying to tamp down the humiliation crawling up the back of your neck, you wipe at your eyes. âActually, please forget I called. I hope youâre doing alright.â
When you hang up, Simon still hadnât said a word.Â
Sniffling and feeling astronomically stupid, you take the rest of your glass to the sink and pour it down the drain.
You wake to a clatter at your bedroom window. Thereâs a man there in silhouette, a broad block of shadow against a deep blue sky.
âSimon?â
âMe,â he confirms weakly, stepping down to your carpet.
The night air from the open window chills your bare legs, but it doesnât stop you from swinging them out of bed. You hurry across the floor to grab him by the shirt collar, dragging him the rest of the way inside.
While he gets his bearings, you lean out to look down at the walls below. There's not a handhold in sight.Â
You close the window and turn back to him with raised eyebrows.
âHow did you even climb up here?â
Leaning heavily on your dresser and breathing hard, Simon grimaces.Â
âPoorly.â
Lecturing Simon about how big of an idiot he is makes it easier to order him to take his pants off. He sits on your couch again, legs stretched out in front of him while you kneel beside his thigh to inspect his injury.
Itâs a deceptively small wound, left open to heal from the inside out. But Simon hisses as you prod at the skin, and moves gingerly when he settles deeper into the cushions.Â
âHow long?â
âFour weeks of leave. Then physio.â He sighs. ââNother eight weeks.â
His gallant appearance at your bedroom window has mollified you enough that your lips twitch. âSounds like light duty. For the record, I like my tea with extra sugar.â
He snorts, slanting a flat look your way. âWhat kind of biscuits should I bring?â
âDunno.â You prop your elbow on his good leg and rest your chin in your hand. âSomething Johnny doesnât like.â
âWhat about Garrick?â
âKyle knows how to share.â
Simon smirks and doesnât argue, squirming again to find a more comfortable position.
You bite the inside of your cheek and consider your options.
He fits on your couch, technically, but thereâs no room for him to stretch out. Thatâs fine for an annoying lieutenant whoâs been making a nuisance of himself, but Simonâs injured now. And only here because I called him, you realize with a twinge of guilt.
âI think you need to sleep in a real bed.â
His face gives nothing away. But the soft lighting of the room lends a warm cast to his dark eyes.Â
âThat an invitation?â
âAn invitation to sleep,â you clarify. Simon hesitates, and you widen your eyes sweetly. âProblem? I thought you said you were great in bed.â
The warmth in his eyes darkens to heat. He leans over, and being suddenly thrown into his shadow reminds you of where you areâkneeling at his feet.
Silly, you think, a bit muzzy. Silly to think that just because heâs wounded, that it makes him less dangerous.
Without a means of dignified retreat, you hold still when he reaches.
But his touch is soft. His hand glides over the top of your head, almost petting, then slides down the curve of your cheek. Fingers ghost over your lips. You open your mouth, slide your eyes shut, but Simonâs already moved on, smoothing his hand in a downward arc. His palm passes over your throat, brushing your collarbone and stopping just short of slipping under the collar of your shirt.
The sound you make is a cross between a moan and a whine. The featherlight touches are too much. Not enough. You open your eyes, and Simonâs there, leaning closer.Â
He wears a cunning little smile, a trace of knowing in his expression. âGettinâ up anytime soon? Or were we gonna sit on the floor all night?â
Oh. And if you werenât so tired, if the last traces of wine werenât still curling through your veins, you would snip back. Try to maintain a semblance of equilibrium.
But your skin still tingles where he touched it, and all you can do is blink slowly up at him as he stands.
You find your voice when he reaches down to help you up.
âI should be helping you.â
âDonât need help,â he replies, so quick itâs almost snappy, and the syrupy contentment that had been ebbing over you dissipates into thin air. You curl your lip, but you're saved from having to argue when he takes a step and immediately falters.
Simon looks at you and grumpily amends, âI need some help.â
âWell. Since you asked so nicely.â
Arranging him in your bed takes a little invention and a lot of patience. You drag in a cushion off the couch to wedge under his injured leg. A few spare blankets get rolled up and tucked in along his sides to keep him from rolling over in the night.
When allâs said and done, Simon is left looking put out and very fussed over. You admire your handiwork from the safety of the doorway and smirk.Â
âAnything else I can do for you, Mr. Riley?â
He scoffs, shoulders and back still straight even when heâs half-sunk into a mountain of pillows. âYour hospitalityâs lackinâ.â
âLacking how?â
âItâs noâ obvious?â He lifts his chin. âWhereâs my goodnight kiss?â
Heâs put on a haughty air, but his fingers tap a nervous rhythm on top of the covers. Is he demandingâŠor asking?
You can be ruthless, but you spare him the cruelty of having to explain himself. This time.Â
Instead, you linger in the doorway and pretend to think it over. When you walk into the room, each step is slow and deliberate. By the time you sit gingerly on the bed at his side, Simonâs practically vibrating, coiled to spring.
His eyes close when you bend down, and you brush a light kiss at the corner of his mouth.
A frustrated groan works its way out of his chest. He opens his mouth to protest.Â
Smiling, you silence him with a real kiss. One of his hands moves instantly to the nape of your neck, dragging you deeper and holding you down, sending a thrill of arousal through you. And danger.
Because this is your bed, not the cramped seat of a truck or the impersonal desk in his office. Heâs got you half-draped over him, boneless and sweet, when just three hours ago youâd been sniffling back tears over a stupid fucking phone call.
He still hasnât committed to anything, but youâre half-certain your heart would beat its way out of your chest if it could, just to land itself in his open palm.
"Stay," he commands when you draw back, big hand squeezing the back of your neck.
You slip out of his hold and guide his hand to rest on his chest. The sheets rustle when you stand, and you leave behind an empty space at his side.
"Sleep well. Call if you need anything."
You're halfway out the door when he says, "I should have told you I was back."
Simon's words pull you up short. The urge to look back is tempting, but you look straight down the hall instead, keeping your back turned. For all the other events of the night, the memory of the phone call, and his silence, is still painfully fresh.
"You don't have to tell me anything."
His gaze is a heavy weight on your neck as you close the door behind you.
notes: I try to keep the little header images as neutral as possible. If there are ever any discernible features, they aren't meant to be a universal representation of the reader.
TRESPASSERS WILL BE SHOT [2]
â PART ONE | INDEX | PART THREE â
simon riley x f!reader, fluff, nsfw in future parts
You watch Ghost carefully throughout the rest of the week, waiting for any indication that he had broken into your flat with takeaway, eaten with you at your table, and then left without a word.
The only acknowledgment you get is a curt nod.Â
He disappears three weeks later with Soap and Gaz, destination unknown.Â
Theyâre gone for a long time.
Something wakes you suddenly in the middle of the night.
Running water, intermittent splashing. Like someoneâs letting it puddle in their hands and splashing their face with it.
You sit up in bed. This time, the gunâs within reach.
Steam curls out from under the bathroom door as you pad into the hallway. The water stops as you creep along the wall, and you hear the shower door roll along its track, then close. Thereâs a thump and a low curse in a voice you recognize.
Again, really?
You stop outside the door. âIf I open this door and itâs you in there, Iâm gonna be pissed.â
âDonât open it, then.â
If you go in, youâll have to shoot him out of principle. Turning around and going back to bed is also an option, but youâre not keen on giving Riley a victory in your own home.Â
He saves you from having to choose when he opens the door himself, draped only in a towel. Your towel. Itâs comically narrow around his waist, barely reaching down to the tops of his thighs, and you silently thank God that your years of being around a bunch of shameless men has made you immune to whatever they sling around between their legs.
He smirks down at the gun in your hand. âGonna shoot me?â
âI might.â
âWas jusâ havinâ a shower.â
âItâs my shower, dickhead!â
Thereâs really no space for him to slide between you and the wall, but he makes room anyway. His bare chest is still wetâyour sleep shirt catches between you as he passes, and comes away damp. A wave of humidity follows him out. It gives the air in the hallway a heavy, warm feeling, weighing your steps and clouding your thoughts.
At least he turns the light out behind him.
Light from the street seeps through your curtains, striping the living room in pale orange. Rileyâs silhouette passes in front of the window, a flicker of a shadow, and you feel through the dark for the closest switch.
The table lamp glows to life, and you set the gun beside it at the same time that Riley drops his towel.
Bastard. Heâs doing it on purpose.Â
The knowledge doesnât stop you from looking.Â
Thereâs a bagâone he mustâve brought with himâset beside the couch, and he kneels to start pawing through it. The dim lighting is kind to his features, softening the scars on his torso and legs and giving his skin a warm cast thatâs so different from its normally pale hue.
He pulls on a pair of boxers and an old sand tee, then sits down on the couch with a groan.
Looking between him and the bag, you connect the dots. âYou came here straight from the airfield?â
âYeah.â He runs a hand through his hair. Itâs long enough now for him to sink his fingers into, curling over his ears and across his forehead. On his cheeks and chin is the shadow of a beard.
âSoap and Gaz alright?â
âLadsâre fine.â
You sink into one of the chairs opposite the couch. He follows the motion, eyes heavy. He looks the same as he had in your kitchen. Stretched thin. Beaten down.Â
âAre youâŠâ You pause. Bite the inside of your cheek. âAre you alright?â
Riley gives a wry smile. âYeah, âm alright, love.â The pet name puts your back up, but he sprawls back against the cushions, closing his eyes. âPut that light out âfore you go.â
Annoyance quashes the warmth that had begun to bloom in your breast. You remember that this man had woken you up in the middle of the night to use your bloody shower and, apparently, commandeer your sofa.
You switch off the lamp. After your eyes adjust to the darkness, you can just make out his shadow. Bolder with the lights out, you lean towards him over the coffee table and ask the question that's been on your mind since you stepped into the hall.
âWhy are you here?â
Heâd been facing away, but rolls over now to stare at you. His eyes are two knife points in the dark. âWhy havenâ you asked me to leave?â