#triweek2020

It still felt a bit weird when he reached to hold her hand. Two weeks in, and they had yet to kiss. For the most part, it felt like nothing much had changed between them, except that Takeru no longer tried to hide his excitement when she was near. That was... flattering. And she had no qualms with taking it slow either.

They got on the Yurikamome train and stood together by a window, watching the Odaiba waterfront speed by as they traveled over the Rainbow Bridge. The sky was blue and cloudless. It was the kind of weather Tailmon loved, but Hikari had already talked to her about why she sometimes couldn't come along when she and Takeru went on an "outing." Tailmon had blinked lazily and said that was alright, and given her claws a long, purposeful lick. ”But if he ever hurts you, don't you dare hide it from me.”

Hikari promised, but thought the reverse scenario was far more likely.

Takeru had a more difficult time explaining it to Patamon, she'd heard. Supposedly, after Takeru had given his spiel about how growing up meant needing more time to oneself, Patamon had blurted out, "Are you going to kiss Hikari!? You've got to kiss her, Takeru!" loudly enough that some boys at school had overheard, and as a result everyone knew that they were an item before they'd even been out on a single date.

Such was life with Digimon.

"You know where it is, right?" Hikari asked as they got off the train.

"Yeah, I've come here with my mom for other exhibits," Takeru said, leading her out the exit and onto a busy street. "Mom's really into modern art. We've gone to see Kusama Yayoi's sculptures on Naoshima like four times. I'm pretty sure she goes whenever she breaks up with a boyfriend."

Hikari laughed. "Wait, really?"

"Well, she never introduces them to me, but I can tell when she's seeing someone. She touches up her roots more often."

The art exhibit they were going to see was some sort of interactive light show. Hikari had seen pictures online and thought it looked beautiful. Her father was of the opinion that they only ever put the best pictures on the website, and the rest of the exhibit was probably in some big, white-walled room that smelled like someone had microwaved fish for lunch. Her mom had been more enthusiastic, and added that, if the art did turn out to be a dud, it was as good an excuse as any to sneak off somewhere quiet with her Romeo and, you know, romance him.

Hikari was definitely not going to do that.

She'd timed things with care. Taichi had morning soccer practice until ten. After that he'd come home for lunch. The exhibit opened at eleven, but her concerns about there being a line fell on deaf ears, since Takeru claimed he knew this museum and it was never crowded. (Which didn't do much to mitigate her concerns about the exhibit being any good.) So the earliest she could convince him to catch the train was ten fifteen. So if she left right at ten and headed directly to the station, she ought to be able to miss her brother coming home completely.

It felt like fate was laughing in her face when she ran into him on her way out.

Her shock was mirrored on his face as they both stood in the doorway, staring at each other as if unable to understand why their biological sibling would be there, in their childhood home.

Taichi spoke first, if speech it could be called. "Uh," he said.

"Oniichan," she stammered back, "why - how - you got home fast."

"Yeah... Yamato was having band practice and he gave me a ride on the scooter," Taichi replied.

Hikari kept her mouth shut. Had Yamato orchestrated this? Was Takeru in on it? She knew it wasn't likely in either case, but her hackles were raised. "Oh," she said.

They continued to stand in the doorway. This was, Hikari reflected, the longest conversation they'd managed to keep going in almost a month.

"You... going somewhere?" Taichi asked after a while, tilting his head and looking up and down.

"Museum. With Takeru-kun."

"Oh. Well, have fun."

"Thanks."

As if suddenly realizing he was blocking the exit, Taichi stepped to the side, and Hikari barely restrained herself from running down the hall. The damage was done, though. The minute the elevator door closed, the tears started leaking down her face. Dammit. She'd been so careful.

She'd had to stop off at a nearby convenience store to hide in the restroom. She splashed her face and dabbed her eyes with her hand towel until they were less red, until the evidence of the havoc wreaked just by seeing her brother was hidden under a fresh layer of make-up. She never even wore make-up much before - after all, she was fourteen and blessed with good skin. Dating Takeru had been a convenient excuse to explain to her mom why she suddenly needed extra allowance for concealer, despite having no acne.

She wound up ten minutes late meeting Takeru and still, he could tell right away that something was wrong. She'd managed to deflect, but...

Hikari had never been any good at lying, even to herself. But she was surprised by her own cruelty, dating Takeru because she needed the distraction, an excuse to be anywhere but home. His feelings for her were genuine. She was a monster.

"Hikari-chan?" Takeru gave her a nudge that jolted her into the present. There was, indeed, no line to get in at the art show, and Takeru was trying to hand her a ticket. "Are you sure you're feeling okay?"

She nodded resolutely. "Yeah, of course."

"It's just, you're being kind of quiet."

"Well, sorry but I'm not a professional entertainer."

He didn't reply to that barb. Hikari felt even more miserable. If only Yamato's stupid motor scooter had broken down on the road...

They handed in their tickets and went through a pair of double doors, into a wide room lit by myriad streamers of blue and purple lights wafting on the air like strange, hypnotic jellyfish. No pictures were allowed, so Hikari kept her camera stowed, but she couldn't bring herself to regret it. Any pictures she tried to take while in such a stormy mood were bound to end up in the trash bin anyway.

They followed the path laid out through fiber-optic tallgrass in silence. Takeru was still gripping her hand, even though her own hung like a dead fish. The next section was a blacklight room with an even more obvious sci-fi vibe, bright cables painted brilliant colors in the impression of sea snakes creating circuitous archs on the walls and ceiling. The heat-sensor flooring lit under their feet as they walked.

Takeru leaned towards her, the blacklight setting his white T-shirt aglow. "This is like some disco-era alien planet," he joked, offering her the olive branch.

Well, she owed it to him not to let this date be a total disaster. "The room before reminded me of the tree in Avatar," she said.

"I bet the next one's gonna be something from Fifth Element."

"No way."

"Could be."

"Completely different aesthetic."

"It's gonna be that giant McDonald's sign made of stained glass. Wait and see."

It wasn't, of course. Takeru continued to insist they'd see the sign in the next room, and the next, until they reached the end of the exhibit, where he finally admitted defeat. At least room four had clearly been lifted from Finding Nemo, he said.

The final room was, in fact, an open space with white walls, but Hikari didn't notice any stomach-turning smells. A combination of 2- and 3D works of art were mounted around the room, and they took their time browsing, continuing to try to outwit each other with their increasingly outlandish, and even somewhat insulting, art critiques. It was a lovely show, Hikari thought. If she'd come to see it in a better frame of mind, she would be raving just now. But though she'd recovered her ability to match Takeru quip for quip, she still felt heavy with gloom. Geez, why did he want to date a rain cloud like her?

"Want to go for lunch?" Takeru asked as they took in the last piece of art, an abstract mosaic made of vibrant, blinking lights laid into a glass frame on a large tabletop. Hikari circled it slowly, watching lights ripple across the frame, stitching the full picture together bit by bit.

"Sure."

"There's a cafe my mom and I go to nearby. It does amazing pancakes."

"Sounds good," she said vaguely, her brow creasing in thought. She took a step back, gazing at the table from what she'd discovered was meant to be the foot, where you could see the picture in full if you craned your neck just so.

It wasn't abstract art. It was Ordinemon.

Her whole body stiffened.

"The orange marmalade pancakes are my favorite - you listening?" With a confused look, Takeru glanced from her unchanging expression to the table. His eyes went wide. "... Let's leave, Hikari-chan."

He gave her arm a tug. She didn't budge.

"Hikari-chan, there's no need to stay here. Come on."

"Why," she said. It came out in a harsh whisper, like a frozen wind. "Why would someone make art of... that."

Takeru didn't answer for a minute. "Because... they saw it," he said after a while. His grip on her arm tightened, as if expecting her to try to break away. "So they want to express what they saw."

"It's an abomination," she choked out. Humiliating tears welled up in her eyes.

Takeru seemed to hesitate. Then he stepped back, and his arms circled round her shoulders, locking her in a tight hug from behind. The warmth of his body flowed into her ice cold one, solid, real. Her mind flashed to another day, with a roiling sky black as night, when she'd come to in an unfamiliar bed with Takeru at her side and known, with a rush of deadly certainty, that she'd destroyed everything she ever cared about.

Her brother. Her beloved partner. Her friends.

By her own will.

She didn't know what she'd done. Or how. That almost made it worse, the not knowing. Her heart broke, watching her brother disappear in the earthquake. That was all. Her heart broke and she... stopped. And when she started again -

It was too late.

Tailmon had told her she didn't regret the fusion with Meicrackmon, that she'd been able to hold poor Meicoomon together, just a little longer. There was nothing for Hikari to regret, she said. Powers beyond her control. Yggrasil and Homeostasis felt they could wage their little war and pick their champions, and dispose of them when they felt like it. No sooner had she shaken off Homeostasis's hold over her that Ordinemon happened.

Hikari hated that once upon a time, she'd believed Homeostasis was a benevolent presence. That she'd willingly let her into her mind.

Now she didn't know what to believe.

Rage flared, hot as ice. Her whole world, none of it made sense anymore. She was adrift, she was unmoored, there was no safe harbor, not even in the brother who she loved like no one else. He could make a choice like that, to kill Meicoomon, to kill their friend's irreplaceable partner. The one person who deserved the most to be saved. And she'd helped, because that was what you did, on a team, at least, if you couldn't come up with a better plan yourself.

She realized she was shaking. Takeru only held her tighter, his nose buried in the crook of her neck.

"Hikari-chan," he said, and he sounded - terrified. "What if - what if it's not, though. What if it's not an abomination. What if..."

"How can you say that," she hissed frostily.

"I mean - I'm not saying it was good. I'm not saying I don't wish none of this had happened. But - I think - Ordinemon, she was created from despair, yours and Meicoomon's. She was used, and it tortured her. We freed her from that. She would have destroyed everything, even though it's not what she wanted, and she was in so much pain -"

"Stop!" Hikari yelled, pushing away from him. There was enough strength behind her need to get away and he was not expecting it, so he toppled to the floor while she raced out the exit. She kept running, hardly aware of dodging people on the sidewalk, and ran until she found herself in a small park with nothing but a two-seater swing set and metal slide. She sank into one of the swings and dropped her head in her arms. And cried.

Cried for Meiko, for Meicoomon. Cried for the future they would never have.

Cried for her brother, who had changed, and she understood why, but she still missed the way he used to be. Her guiding star.

Cried for herself, a lost comet streaking through an unfamiliar galaxy, wondering if she would vaporize shooting too close to an alien sun, or if she'd putter out slowly until she was nothing but lifeless, crumbling stone.

Her phone buzzed in her purse - Takeru, surely, trying to find her. On top of everything else, she'd ditched the boy she was stringing along, who cared about her, and who had tried so hard to let her know she wasn't alone. She didn't deserve Takeru. She would break up with him - she had to. He should be with someone stronger than her, who wasn't going to fall apart at the seams just from a silly piece of art at a museum gallery.

After a while the sobs let up enough that she could see without tears clouding her vision, and she figured she should at least let him know she was okay. She pulled out her phone and scrolled through her messages.

12:35: Takaishi Takeru: i'm so sorry. i didn't mean to upset you.

12:35: Takaishi Takeru: where did you go? someone said you ran past the 7-11 but I have no idea where you went from there

12:37: Takaishi Takeru: please tell me where you are. If you don't want me to come, I won't. I can call someone if you want.

12:38: Takaishi Takeru: I just want to know you're okay

12:40: Takaishi Takeru: hikari-chan PLEASE respond

12:45: Takaishi Takeru: I asked at the 7-11 but they said they didn't see you. am walking around aimlessly now. no idea where to look.

12:48: Takaishi Takeru: hikari-chan if you don't reply soon I'm gonna have to call Taichi-san

12:52: Takaishi Takeru: wound up back at the train station, if you want to meet me here.

12:55: Takaishi Takeru: if you don't respond in five minutes I'm calling Taichi-san, I mean it.

12:58: Takaishi Takeru: I love you, by the way. think I always have. thought you might want to know

Fresh tears pricked her eyes. Leave it to Takeru. How could he pick now to spring that on her?

She should be happy. She wanted to be happy.

13:02: Me: I'm okay. I'm sorry. Go home. I'll talk to you soon.

Her finger hovered uncertainly over the keypad. She typed:

The real abomination is me.

Then she deleted it, and pressed Send.

---

Little though she wanted to go home, Hikari didn't have an excuse for staying out past dinner. She stayed in the little park until it started to get chilly. A couple times, the occasional grandma stopped to ask if she was alright, but she smiled and waved away their concerns. Finally, when twilight fell over the park in a gossamer curtain, she stood and stretched out the kinks in her back before heading back to the station. It felt like she'd been out much longer than a few hours. She thought briefly of asking a friend if she could spend the night, but didn't like the idea of needing to pretend to be peppy and cheerful.

On the ride back, she did a search on the artist who'd made the Ordinemon mosaic. Why, she had no idea. Some self-hating side that wanted her to hurt, she guessed.

The artist's name was Matsuyama Risa, a Tokyo-based sculptor, whose partnership with Fujii Fiber-optics had given birth to the displays they'd seen today. Hikari let her eyes skim the article, categorically uninterested in the number of lights used or how they were installed. What she wanted to know appeared like magic, tacked on at the very end of the article.

Art of Nippon Now: The last room in the showcase features a magical light-up mosaic of a subject that could be disconcerting for some viewers. What led you to recreate the monster that much of Tokyo watched terrorize the sky last month?

Matsuyama: I put that piece together in a feverish rush. Most of these installations took weeks to install, but I insisted on this one, even though it was such short notice. I had to have it. I heard that many people never saw more of her than her massive wings, but I happened to have a very clear view at the time. It made a huge impression on me.

ANN: You said her?

Matsuyama: It was a she. Or, perhaps it's better to say she might not have a gender,  but she deserves better than the pronouns we use for inanimate objects, things without personality.

ANN: Are you saying this monster was a person?

Matsuyama: I don't know if you heard her cries, but they were deafening. They reminded me of how my son wailed in the night when he was first born. We didn't know why he was so colicky. Nothing we did calmed him. I was so afraid that he wasn't getting enough sleep. It turned out he was very sick and we just didn't know. The illness was hidden. We spent many nights in the ICU, holding out hope that he would be alright. I remember thinking, if he wasn't, it would destroy our marriage.

ANN: That sounds like a terrible experience.

Matsuyama: When our son died, it was terrible, but it also came as a relief. At least we knew he was no longer suffering. I was depressed for months. I couldn't make any art. Every day I expected my husband to leave me. The first day I pulled myself together enough to sketch something, he said I should sketch our son sometime.

ANN: So your husband didn't leave?

Matsuyama: No. He stayed by my side. When I cried that he deserved a woman who could make him happy, who would give him healthy babies, he told me I was the strongest woman he knew, and that I'd given him the best son in the world.

ANN: Wow - would that we all meet men like that.

Matsuyama: And women. That's why, although the creature that appeared over Tokyo was very frightening to look at, when I heard her cries all I heard was suffering. I thought, that is a real creature, who wants her pain to be understood. She represents something. Perhaps she was sent to show us the harm we do when we choose not to act to help others. She shouldn't be forgotten.

ANN: So you memorialized her in this mosaic?

Matsuyama: Yes. It was the right moment, even though I had no time. I wanted to recreate her likeness using lights. I set her into a table, because I felt that putting her on a wall would be too imposing, and viewers would only remember the fear she engendered. Lying down, it would seem as if she were in a coffin, finally laid to rest. But she's lit from within, and it's the light of life, desperately clinging on till the final moment, the same as any being with a soul.

ANN: Did you ever complete the sketch of your late son?

Matsuyama: No. I never did. But I think I will soon. I want to lay him to rest in my heart.

ANN: It's interesting that when you say 'lay to rest,' you seem to mean we should remember them.

Matsuyama: Our memories make us who we are. The past is always with us. My son, that creature, they are both part of my journey, as an artist of course, but also as a person in the world. You could say my son is the light of the world and that creature is the darkness, but I hold both light and dark in me, just by existing and being human.

ANN: You added a quote to the piece that said something of that nature.

Matsuyama: Yes, from a Walt Whitman poem, 'Song of Myself.' The quote reads: "I am not the poet of goodness only, I do not decline to be the poet of wickedness also."

ANN: Maybe Whitman never expected his poem to be used in this way.

Matsuyama: That's the nature of art. It is a journey in and of itself. It fluctuates and changes to nourish the times. I hope everyone who sees my art understands that they are on a journey as well, and everything they do creates the work of art called "the future."

ANN: Thank you for your time, Matsuyama-sensei.

---

Her brother was home, but her parents were not. The arrangement of shoes in the entryway said as much. Taichi was seated at the kitchen counter, eating a bowl of noodles and reading something. He looked up when the door opened and pushed his seat back.

"Hikari - you okay?" He peered at her, concerned. "Takeru didn't do something stupid, did he?"

So Takeru hadn't told her brother that she'd run off. Gratitude flooded through her. "No, of course not."

"Good." Taichi's hand rifled through his hair, the other planted on his hip, and he looked perplexed. "Then why do you look like you've been crying all day?"

Hikari walked inside and sank down on the couch. "Because I have been crying all day."

She could feel his hesitance as he wavered in the hall, trying to decide if he should press her for more. If that was still something he was allowed to do. She knew he would try. He wouldn't be Taichi if he didn't.

"You want to talk about it?" he asked, moving to sit on the arm of the couch, but he didn't relax, as if expecting her to tell him to leave her alone.

"No," she replied.

He nodded. "Okay." There was a pause. "You're sure Takeru didn't -"

"No, Oniichan."

"Okay, okay."

She sat there for a few minutes, staring blankly at the black TV screen. Soon Taichi slid off the arm into the seat beside her, allowing several inches of space between them. He didn't try to talk anymore. Didn't even get up to bring his bowl of noodles over, even though it was going to get cold.

Hikari tilted her head ever so slightly to peer at him. Dark circles ringed his eyes. She knew he hadn't been sleeping well. Something about his face looked more defined, less roundness to his jaw, starker cheekbones. Hadn't been eating much either, she guessed. It gave him an oddly grown up look. She would have to call him on losing weight from not taking care of himself, but that could wait for later. She was struck by how little he looked like their father. Everyone always said Hikari was the spitting image of her mom, so it seemed natural that Taichi should take after their dad, but though she searched she couldn't find many similarities. Taichi was just Taichi.

He gave a start when she leaned toward him and settled her head on his shoulder, but didn't say anything.

Hikari thought about many things.

How unbearable it was to feel helpless. How much she wanted everyone who cared about each other to be together, and for no one to suffer who didn't deserve it.  How deeply she loved her friends. How easy it was fall apart.

Maybe all that meant was her worldview had been too delicate to begin with. A painting on a porcelain vase wouldn't stand the test of time unless handled with the best of care. The real world was too chaotic, too disordered. She could wrap her dream in newspaper, cover it in packing peanuts, tape it into a box marked "Fragile," and it would still end up in shards. She would try to put it together again, but the pieces were sharp, and she kept cutting herself on them.

She still wanted it. So, so much.

"You stay that way. You can hate me if you want," her brother had told her. Trying to put everything on his own shoulders, as usual.

"I will probably never forgive you," she'd said, and wouldn't let him. "But that's why I'll fight with you."

"Oniichan," She slipped off his shoulder, buried her face in his chest. She didn't know how she could still have more tears, but they darkened her brother's shirt as her hands hugged him tight. "I'll always fight with you."

Surprised, he didn't move for a moment, but then his arms wrapped around her the same way they always had, ever since she was small. His grip was sure, but not out of naivety. Yes, he'd lost his innocence. It wasn't coming back. But what grew in his place, she realized, was his choice. And she got the feeling he'd already decided.

"That's good to know," he murmured softly, lashes brushing her cheek, and she thought they might be wet as well. "Because I'm never going to stop fighting for you."

They held each other for a long time.

---

The next day, Hikari showed up at Takeru's door with flowers and a box of chocolates. He made a funny face, looking her over.

"Flowers and chocolates? Shouldn't this be reversed?"

"Didn't know you were such a traditionalist," she joked. "But I'll eat these myself if they hurt your manly pride."

A hesitant grin spread over his face. "To hell with convention. Those are my chocolates, keep your paws off them."

It was silly, and cliche, but this was her life. She could be as silly and cliche as she wanted. She pulled his shoulders down and kissed him. It was light and quick, but he still looked flustered when they parted.

"My mom's home," he said with an unmistakable note of regret.

Hikari only nodded. "Figured. Video games and chocolates?"

The grin unfurled for real. "Yeah, that would be great."

Nothing had ended. She hadn't gotten over anything. But she felt, for the first time, that now she could accept it. It was a piece of who she was, and it would be a piece of who she became. But just who that person would be, she intended to decide for herself. Even if her path got buried under mountains of broken shards of glass, that was just a part of being Yagami Hikari.